MATRIXSYNTH: Tuesday, August 22, 2006


Tuesday, August 22, 2006

Analog Days

Analog Days seems to be getting a few nods in the comments of this post. I have the book myself but haven't had a chance to get around to it. The general consensus is that it is a great book but there are a few inaccuracies. I've been hoping the authors would come out with an addendum that clarifies them, but I haven't heard of anything to date. I checked the Analog Days website for this but couldn't find anything. If anyone knows where we can find such a list, please post in the comments.

Also, someone posted a link to an interview with Trevor Pinch, one of the authors of the book, on ABC Radio National. It's worth a read when you have the time. In the interview they state the theremin was used in the Beach Boys Good Vibrations. It was actually an electro-theremin.

BTW, if you are thinking of picking up a copy of Analog Days, here's a link: Analog Days on Amazon : )

Update: I remember putting up a post on Analog Days before. I checked my archives and found the post on August 23, 2005, exactly one day short of an entire year from this post. Funny. Anyway, there was mention of the inaccuracies in that post (this is a quote from AH, not me in the post): "It's also said to contain a lot of B.S. with attributions to people who simply didn't do certain things the author says they did. For one, Dan Wyman who ran SoundArts in L.A. in the 70s, and who WROTE the Moog modular manual, was quite ticked-off when he read the book and saw so many historical inaccuracies."

We need this list...

Updates via the comments:
via Peter Kirn:
"It's difficult to get interviews with Wendy Carlos, I know that, but I agree. I mean, in general, the writing isn't great by any stretch, and it doesn't feel comprehensive -- I would have liked to see more discussion beyond Moog, for one -- and there are inaccuracies.

But having said all that, you'll still want to read it, and you'll still have a great time with it. I think we need a new book now, mainly! And there's a lot of the roots of electronic music that just don't get told at all; the whole history of the 40s and 50s gets pretty much lost."

via anonymous:
"You can toss pretty much the entire section on Wendy Carlos. The amount of editorializing was nauseating and brings the credibility of the entire book into question. Yet, this wingnut is making money talking to radio progams around the world, telling her story for her. Jackass."

Via Anon:
"Beyond inaccuracies (of which I noted a few), the authors of Analog Days sometimes sound like grad students in psychology. Even so, the book is worth the read for the story - the general arc of the story is true and I haven't seen so much of the story presented in one place anywhere else.

For example, who would have thought that the success of the Moog synthesizer was tied in any way to Taco Bell?"

Aries Modular Track

Title link takes you to the track by kkissinger on electro-music.com. If you like Switched On Bach by Wendy Carlos, you should like this. BTW, if the post on electro-music dissapears over time, post a comment and I post a back-up. Not sure how long they keep their posts.

Moog Tribute by Simon James aka Corky Burger on CDM

Title link takes you to the post and mp3 on CDM. Track list: Walter Carlos, Spring, Columbia Records Richard Hayman, The Windmills of Your Mind, Command records Walter Carlos, Sinfonia to Cantata no 29, CBS Tomita, The Earth – A Hollow Vessel, RCA Gershon Kingsley, Did You Ever Take a Journey, Audio Fideltiy Records Chris Swanson, Snow, n/a Dick Hyman, The Minotaur, Command Circulus, My Body is Made of Sunlight, Rise Above Records C&K Vocal, Generace, Supraphon Emerson Lake and Palmer, Lucky Man, Island The Moog Machine, Aquarius/Let the Sunshine in, CBS Marty Gold, Day Tripper, AVCO Embassy Hugo Montenegro, You Got it Bad Girl, BMG Clara Rockmore, Swan, n/a Walter Carlos, Winter, Columbia Records Dick Hyman, The Moog and Me, Command records Devo, Mongoloid, Warner Herbie Hancock, Earth Beat, CBS Klaus Schulze, Mind Phaser, Bomb Records

Weltklang Electronic Music

Title link takes you there. Scroll down the left column when you get there for more shots. Nice PPG in this shot.


via sequencer.de

The $500 Buchla

Title link takes you to a bit of Buchla history.
Excerpt:
"In contrast to Moog's industrial stance, the rather counter-cultural design philosophy of DONALD BUCHLA and his voltage-controlled synthesizers can partially be attributed to the geographic locale and cultural circumstances of their genesis. In 1961 San Francisco was beginning to emerge as a major cultural center with several vanguard composers organizing concerts and other performance events. MORTON SUBOTNICK was starting his career in electronic music experimentation, as were PAULINE OLIVEROS, RAMON SENDER and TERRY RILEY. A primitive studio had been started at the San Francisco Conservatory of Music by Sender where he and Oliveros had begun a series of experimental music concerts. In 1962 this equipment and other resources from electronic surplus sources were pooled together by Sender and Subotnick to form the San Francisco Tape Music Center which was later moved to Mills College in 1966.

Because of the severe limitations of the equipment, Subotnick and Sender sought out the help of a competent engineer in 1962 to realize a design they had concocted for an optically based sound generating instrument. After a few failures at hiring an engineer they met DONALD BUCHLA who realized their design but subsequently convinced them that this was the wrong approach for solving their equipment needs. Their subsequent discussions resulted in the concept of a modular system. Subotnick describes their idea in the following terms:

'Our idea was to build the black box that would be a palette for composers in their homes. It would be their studio. The idea was to design it so that it was like an analog computer. It was not a musical instrument but it was modular...It was a collection of modules of voltage-controlled envelope generators and it had sequencers in it right off the bat...It was a collection of modules that you would put together. There were no two systems the same until CBS bought it...Our goal was that it should be under $400 for the entire instrument and we came every close. That's why the original instrument I fundraised for was under $500.'

Buchla's design approach differed markedly from Moog. Right from the start Buchla rejected the idea of a "synthesizer" and has resisted the word ever since. He never wanted to "synthesize" familiar sounds but rather emphasized new timbral possibilities. He stressed the complexity that could arise out of randomness and was intrigued with the design of new control devices other than the standard keyboard. pp39-40"

Anyone else thinking Starkey? Coincidentally the recent Starkey went for $541 on the bay. Yeah, I know I'm stretching it...

via Peter Grenader on AH.

Xpantastic ! - New Oberheim XPander Group

It's XPantastic! Like the name? : ) Title link takes you to the new Yahoo! Group. If you have an XPander or Matrix-12 or are interested in them, feel free to join. I have no affiliation with the list. I just know the old Xpansions list seems to have dissapeared and somone created this one. BTW, if you know what happened to the Xpansions list, please comment. I think I'm subbed to it, but I'm no longer sure. : ) I haven't received an email in probably over a year, so... Not sure if I unsubbed and forgot or if it just died.

Sequential Circuits Studio 440

Title link takes you to shots pulled from this auction.

Rare sampling drum machine with analog filters by Sequential Circuits. More on VSE.

via Matt

Drumming Machine on YouTube

Remember Animotion? Here's a clip of it on YouTube.



via Tim. YouTube by siaush.

Secret of the Ancient Sampler on YouTube

Part 1 (audio comes it at 1:21)


Part 2


The Mellotron of course. Amazing to see how it actually plays in the first clip.
Via Tim. YouTube by btpro.

Jean Michel Jarre - Equinoxe - Place De La Concorde on YouTube



via Tim. YouTube by Sharpblue.

Laser Harp on YouTube



via Tim. YouTube by Shayu.

The Polyphone & Hugh Le Caine

"The Polyphone (860004), an analogue polyphonic synthesizer, was built by Le Caine's National Research Council (NRC) lab in 1970, at the same time that the last two Sackbuts were being completed, and ten years before polyphonic synthesizers became commercially successful. Each key of its touch-sensitive keyboard had its own pitch control and wave form control. Essentially it was a bank of 37 key-operated oscillators, able to produce 37 separately defined tones.

Above the keyboard were several control devices that were typical of synthesizers at the time: low frequency oscillators, envelope generators, and filters, all of which could influence aspects of the overall sound produced by the instrument. Below the instrument was a pressure-sensitive pedal keyboard that controlled other aspects of the overall sound. The instrument provided extremely comprehensive resources and was potentially a very powerful tool; however, it was difficult to learn to play, a problem it shared with most synthesizers."

Title link takes you The Polyphone page on the Canada Science and Technology Museum website. Make sure to check out some of the other interesting bits while there.

For more on Hugh Le Caine check out Hugh Le Caine.com. The following was pulled from the biography:

"Canadian scientist and composer Hugh Le Caine (1914-1977) has been called one of the "heroes" of electronic music. He was brought up in Port Arthur (now Thunder Bay) in northwestern Ontario. At an early age he began building musical instruments and experimenting with electronic devices. In his youth he imagined "beautiful sounds" that he believed could be realized through new electronic inventions."

"At home he continued to pursue his interest in electronic music and sound generation. He established a personal studio in 1945, where he began to work independently on the design of electronic musical instruments such as the Electronic Sackbut, a sophisticated monophonic performance instrument now recognized as the first voltage-controlled synthesizer. Le Caine later developed voltage-control systems for a wide variety of applications."

"Perhaps the most important aspect of Le Caine's designs for his instruments was the "playability" that he took care to build into them. His fixation with "beautiful sound" led him repeatedly to design electronic instruments capable of producing a nuance-filled expression typical of the orchestral tradition. He had an acute sense of what performers needed if they were to be able to create the performance gestures that he believed formed the essence of music.

Touch sensitivity was an essential ingredient in this, and was used in keyboards, mixers, and other components, applied mechanically, electronically, and through light sensitivity. Le Caine's designs were so advanced in this respect that some of the features that he developed found their way into commercial designs only in the late 1980s."
Image of Le Caine with the Sackbut.

via Frederic.

Update via slabman in the comments: "He did some pretty amazing stuff with the technology of the day - some of it still unmatched. For example, the Sackbut has a touch sensitive 2D timbral mixer control that balances various overtones & waveforms. Made the sound very controllable & dynamic, but also made the instrument more difficult to master. It's interesting to think of how there's a kind of Bell curve of synthesizer technology: one one end you have the laboratory instrument type approach (Buchla, Serge); at the other end, you have people inventing new instruments like the Sackbut & Theremin. Commercial gear mostly occupies the bump in the middle of the curve. It would be great to see some more activity at that 'new instrument' end."

The MAESTRO - Russian Poly Analog

Title link takes you to shots pulled from this auction.

Polyphony - 4 voices
Oscillators - 1
Preset sounds - 20 (sorted on category), registers 2',4',8',16'
Filter - 2-pole resonant lowpass 12dB/oct
Pitch - tuning, chorus
Modulation - vibrato depth, frequency
Amplifier - release, volume
Arpeggiator/tremolo - rate, up/down, single/double, note memory
Control - joystick pitch/modulation depth (X-Y)
Outs - line, phones(jack)
Weight - about 12kg

more on ruskeys
via frederic

Blevin Blectum

Brian Comnes sent the following in after seeing this post on Women Take Back The Noise. The shots are of Blevin Blectum who is featured on the album.

"Blevin Blectum, a local here is on it and here is a shot of her at last Year's SFEMF , there's a laptop running Live in 1 pizza box and I think a mixer in the other, the horse head is off the chart" Love the shoes as well.

Title link takes you to her site.



"I got this off of Blevin's site which also included a link to SFEMF archives with also some Zeena Parkins pictures -
see this link for more, actually there are some good shots of Zeena's harp , looks like guitar pickups on one side and some sort of ribbon controller on the other ..I don't see any MIDI output so I guess its just a harp"

"an as yet unreleased goody!" from Moog?

Someone in the comments of this post was surpised that no one caught a mention to "an unreleased goody!" from Moog Music in the following excerpt:

"Some time in November or December of 2004, Bob was introduced to Cyril Lance. As Winter NAMM was fast approaching, Bob kept telling me, 'I really want you to meet Cyril.' I just could not find the time until February, 2005. In the meantime, Bob had given Cyril a test project to work on (an as yet unreleased goody!). Needless to say Bob was very excited about what he saw – schematics, prototype, and (most importantly) thought process were all eerily similar to Bob’s way of working. Since then we have been truly blessed to have Cyril with us. He has poured his guts and all of his considerable brains into the Little Phatty; a project that would not have been possible without his efforts."

I completely missed this assuming that the reference was to the Little Phatty and the unreleased goody comment was a reflection of that point in time, but if that were the case it would have been worded differently [an unreleased goody at that point in time!]. Hmm... BTW, cheers to Cyril. Keep that torch burning.

rekem1000 - Greatings from Australia

rekem1000 sent me a greetings from Australia along with a link to his flickr set. Title link takes you there. There are some amazing shots in this set so do check it out. Thanks rekem1000! Man I love the color in this shot.

Banana Frac Modular Progress - New Flickr Shot

flickr by zonkout.

"Blacet modules assembled by Seth Nemec for my Banana-Franken-Fracan modular. Note the bananafied Bananalogue in the middle."

Love the look of this.

Starkey Hearing Science Laboratory - New Flickr Shot

flickr by zonkout.

"Four oscillators, three multimode filters, two A/R envelope generators, digital gate sequencer, noise generator, phase shifter, external audio input...but no CV control. Uses mini-banana jacks. Built in 1977."

Trip. Never seen one of these before.

Update via the comments: "Tres cool. This thing originally came with a set of speakers (follow the link and chech top left on the record cover). Although it isnt a real synt (it has no cv input) you can use it as a really cool gate/trig-processor and a trig sequencer. You can also make some strange noices 'manually' on it. Check this link."

Update via gerald in the comments: link to more shots pulled from this auction. Looks like it went for $541.

Engineering Lounge - New Flickr Shot

flick by Space Truckers. Title link takes you to the shot with mouse over info on each piece.

Women Take Back The Noise

"The WOMEN TAKE BACK THE NOISE compilation, 3 years in the making, showcases a collection of 47 women artists worldwide who experiment with sound in various ways, ranging from ambient-organic to quirky-glitch-beat to harsh or extreme noise, as well as categories yet to be defined..."

Title link takes you there. Pretty cool.

Moog Rogue Shots

Title link takes you to more shots via this cl listing.

via Brian Comnes
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