Title link takes you to shots via this auction.
Friday, May 11, 2007
Ibanez IMG2010 Guitar Cynth
Title link takes you to shots via this auction.Details:
"Purchased brand new in 1985 from ibanez at the namm show. Img2010 guitar synth s/n k854341 with ibanez imci guitar. Midi interface/controller and the yamaha tx7 tone gereator. No footcontroller. Original case and 13 pin cable. This is the only synth guitar with an assignable vibrato bar for different funtions. This is a true collector's guitar. One of the first made for ibanez."
Gary Chang and Neil Leonard Illuminate Sacred Spaces in Italy
Via the Grant Richter of Wiard on the Wiard Group:
"During the month of June, 2007, notable composers Gary Chang and Neil Leonard will visit several sites in Italy with the task of completing 5.1 installations of a program of music entitled "Sanctuaries," which are meditative ambient analog electronic music pieces composed by Chang and realized on a Wiard Modular Music System, specifically designed for playback in churches and other public locations.
The tour is sponsored by Sguardi Sonori 2007, Festival of Media and Time Based Art, for which Leonard is a also a curator.
The cities in the tour will include Rome, Benevento, Torino, Venice, San Galgano and La Spezia. While in La Spezia, Chang and Leonard will also have access to the Naval base, where there are very large rooms (indoor drydocks for warships, for instance) and other interesting ambiances, such as marble quarries and museums, where further explorations in unusual ambient spaces will be recorded and cataloged.
Utilizing Blue Sky Monitors and extensive Taralabs wiring at each installation, each
location will be recorded using a Soundfield SP422B mic, which is a recording system that can yield from mono up to a 7.1 playback. Recording will be achieved using a tcelectronic Konnekt Live, interfacing to a laptop computer and portable firewire drives. In addition, Impulse Response data will be collected from each of the locations to create a library of interesting convolution reverb spaces for McDSP's Revolver.
Following the Italian journey, Chang and Leonard will give many presentations on the
project, including a workshop presented by GASP Gallery in Brookline for senior students in electronic music at Berklee College of Music.
This project would not be possible without the generosity of sponsors, who include The City of Rome; The City of Venice; La Marrana - environmental art park, (for graciously coordinating recording and installation sites during a week long residency in La Spezia); Sguardi Sonori 2007, Festival of Media and Time Based Art; Blue Sky Speakers; TaraLabs Cables; tcelectronic digital audio interfaces and processors; The Wiard Synthesizer Company; Transaudio Group/Soundfield Microphones and The Berklee College of Music.
Confirmed Schedule - (Actual locations to be announced).
June 12/19 LA SPEZIA
June 20 ROME
June 21/22 BENEVENTO
June 23/24 TORINO
June 26/27 VENICE
June 28 SAN GALGANO (Installation includes "Echoes and Footsteps" by Neil Leonard in addition to "Sanctuaries")
June 29 - July 4 LA SPEZIA
SANCTUARIES
An installation by Gary Chang and Neil Leonard
San Galgano, Sienna, Italy
NOTES: GARY CHANG
The music entitled "Sanctuaries" that I have composed for installation in churches is designed for such an environment of spirituality and meditation. The musics are ambient in quality, designed to fill the space with warmth and emotion, but never does the musics every confront the visitor - though there is some abstraction, the dynamics of the pieces are quite controlled, never overtly dramatic. In the best of all things, I am hoping that the music installation will simply be another contributor to the specialness of the Church's ambiance - my special prayer in the space. In loving memory of Diana Lee Chang.
NOTES: NEIL LEONARD
Echoes and Footsteps is a reflection on the sound of Italy, where I lived and work for much of 2006. The primary sources are the sound of cowbells recorded in the region of Lazio, and the songs of workers celebrating the end of the work day in the Palazzo di Ragione market in Padova. The pointed gestures of the bells and bursts of cathartic song were transformed using time-stretching and delay techniques. The resulting composition evolves in slow motion and outlines large sonic contours that celebrate the essence of daily life as I head it while living here.
GARY CHANG SHORT BIO
Sound artist and esteemed film composer Gary Chang worked his way up through the LA
studio musician ranks playing with the best musicians in the country (e.g. Robbie Robertson, Herbie Hancock and Weather Report, Barbara Streisand and Henry Mancini,)
later to compose music for many eminent filmmakers (including John Frankenheimer,
Jonathan Demme and Stephen King). Few composers have mastered such a wide range of
musical genres that Chang has (orchestral, electronic, installation, jazz, soundtrack, dance). Chang is a protagonist in the field of music synthesis. He has recorded on and programmed almost major every hardware and software synthesizer over the last thirty years, built dozens of custom systems, and designed a personal studio that is optimized for recording synthesizers in multi-channel and high definition audio. Chang won the National Endowment for the Arts Grant for Jazz Composers while attending California Institute Of the Arts. Chang is a pioneer in the use of 5.1 surround sound in cinema, concert and installation settings.
NEIL LEONARD SHORT BIO
NEIL LEONARD is a sound artist, composer and saxophonist. His compositions are a
synthesis of concert, improvised and electronic musics that transcend categorization. Leonard's recently premiered works include Dreaming of an Island for orchestra, electronics and live-video (performed by Kirk Trevor and the Indianapolis Chamber
Orchestra), Totems (performed by Byron and Caine at Carnegie Recital Hall in New York City), and the music for Relatives (by Tony Oursler and Constance DeJong that was featured at the Whitney Biennial). His collaborative work with visual artist Maria Magdalena Campos-Pons was featured by premier venues for modern art including 49th Venice Biennial; Museum of Modern Art, NY; and presented by the U.S. State Department at DakArt/Dakar Biennial in Senegal.
Leonard is co-owner of Gallery Artist Studio Project GASP and curator of the GASP sonic arts series in Boston. His ensemble has featured Marshall Allen (Director of the Sun Ra Arkestra), Bruce Barth, Dave Bryant, Don Byron, Kenwood Dennard, Robin Eubanks, Frank Lacy, Jamaaladeen Tacuma, and Uri Caine.
Neil Leonard is an Associate Professor in the Music Synthesis Department at Berklee
College of Music.
ACKNOWLEDGEMENT
Mr. Chang and Mr. Leonard wish to thank Bruce Weisberg of Blue Sky Speakers, Rebecca
Barnhardt of TaraLabs Cables, Ed Simeone of tcelectronic, Grant Richter of The Wiard
Synthesizer Company, Bradley Lunde at Transaudio Group/Soundfield Mics, and Carl Dito at Coast Audio for their sage advice and contributing their companies' products on behalf of our project. Gary wishes to thank his family, Ann and Arthur Chang and Margaret Craig-Chang.
Special thanks goes to Stephen Croes and Kurt Biederwolf of Berklee College of Music for their continued support.
Thanks to Anthony Baldino, Tara Sarmov and Pierce Warneke, students of the Music
Synthesis Program at Berklee College of Music for assisting with the installation.
Extra special thanks are extended to Carlo Fatigoni, Sandro Cecchi and Marisa Corazzol of Sguardi Sonori 2007. Maria Magdalena Campos-Pons of Gallery Artists Studio Projects GASP Gallery, Colonel Sergio Cavanna of The SAVTAM Aeronautica Militare, Cadimare - La Spezia Italy, and Gianni and Grazie Bolongaro of La Marrana di Montemarcello, La Spezia Italy."
"During the month of June, 2007, notable composers Gary Chang and Neil Leonard will visit several sites in Italy with the task of completing 5.1 installations of a program of music entitled "Sanctuaries," which are meditative ambient analog electronic music pieces composed by Chang and realized on a Wiard Modular Music System, specifically designed for playback in churches and other public locations.
The tour is sponsored by Sguardi Sonori 2007, Festival of Media and Time Based Art, for which Leonard is a also a curator.
The cities in the tour will include Rome, Benevento, Torino, Venice, San Galgano and La Spezia. While in La Spezia, Chang and Leonard will also have access to the Naval base, where there are very large rooms (indoor drydocks for warships, for instance) and other interesting ambiances, such as marble quarries and museums, where further explorations in unusual ambient spaces will be recorded and cataloged.
Utilizing Blue Sky Monitors and extensive Taralabs wiring at each installation, each
location will be recorded using a Soundfield SP422B mic, which is a recording system that can yield from mono up to a 7.1 playback. Recording will be achieved using a tcelectronic Konnekt Live, interfacing to a laptop computer and portable firewire drives. In addition, Impulse Response data will be collected from each of the locations to create a library of interesting convolution reverb spaces for McDSP's Revolver.
Following the Italian journey, Chang and Leonard will give many presentations on the
project, including a workshop presented by GASP Gallery in Brookline for senior students in electronic music at Berklee College of Music.
This project would not be possible without the generosity of sponsors, who include The City of Rome; The City of Venice; La Marrana - environmental art park, (for graciously coordinating recording and installation sites during a week long residency in La Spezia); Sguardi Sonori 2007, Festival of Media and Time Based Art; Blue Sky Speakers; TaraLabs Cables; tcelectronic digital audio interfaces and processors; The Wiard Synthesizer Company; Transaudio Group/Soundfield Microphones and The Berklee College of Music.
Confirmed Schedule - (Actual locations to be announced).
June 12/19 LA SPEZIA
June 20 ROME
June 21/22 BENEVENTO
June 23/24 TORINO
June 26/27 VENICE
June 28 SAN GALGANO (Installation includes "Echoes and Footsteps" by Neil Leonard in addition to "Sanctuaries")
June 29 - July 4 LA SPEZIA
SANCTUARIES
An installation by Gary Chang and Neil Leonard
San Galgano, Sienna, Italy
NOTES: GARY CHANG
The music entitled "Sanctuaries" that I have composed for installation in churches is designed for such an environment of spirituality and meditation. The musics are ambient in quality, designed to fill the space with warmth and emotion, but never does the musics every confront the visitor - though there is some abstraction, the dynamics of the pieces are quite controlled, never overtly dramatic. In the best of all things, I am hoping that the music installation will simply be another contributor to the specialness of the Church's ambiance - my special prayer in the space. In loving memory of Diana Lee Chang.
NOTES: NEIL LEONARD
Echoes and Footsteps is a reflection on the sound of Italy, where I lived and work for much of 2006. The primary sources are the sound of cowbells recorded in the region of Lazio, and the songs of workers celebrating the end of the work day in the Palazzo di Ragione market in Padova. The pointed gestures of the bells and bursts of cathartic song were transformed using time-stretching and delay techniques. The resulting composition evolves in slow motion and outlines large sonic contours that celebrate the essence of daily life as I head it while living here.
GARY CHANG SHORT BIO
Sound artist and esteemed film composer Gary Chang worked his way up through the LA
studio musician ranks playing with the best musicians in the country (e.g. Robbie Robertson, Herbie Hancock and Weather Report, Barbara Streisand and Henry Mancini,)
later to compose music for many eminent filmmakers (including John Frankenheimer,
Jonathan Demme and Stephen King). Few composers have mastered such a wide range of
musical genres that Chang has (orchestral, electronic, installation, jazz, soundtrack, dance). Chang is a protagonist in the field of music synthesis. He has recorded on and programmed almost major every hardware and software synthesizer over the last thirty years, built dozens of custom systems, and designed a personal studio that is optimized for recording synthesizers in multi-channel and high definition audio. Chang won the National Endowment for the Arts Grant for Jazz Composers while attending California Institute Of the Arts. Chang is a pioneer in the use of 5.1 surround sound in cinema, concert and installation settings.
NEIL LEONARD SHORT BIO
NEIL LEONARD is a sound artist, composer and saxophonist. His compositions are a
synthesis of concert, improvised and electronic musics that transcend categorization. Leonard's recently premiered works include Dreaming of an Island for orchestra, electronics and live-video (performed by Kirk Trevor and the Indianapolis Chamber
Orchestra), Totems (performed by Byron and Caine at Carnegie Recital Hall in New York City), and the music for Relatives (by Tony Oursler and Constance DeJong that was featured at the Whitney Biennial). His collaborative work with visual artist Maria Magdalena Campos-Pons was featured by premier venues for modern art including 49th Venice Biennial; Museum of Modern Art, NY; and presented by the U.S. State Department at DakArt/Dakar Biennial in Senegal.
Leonard is co-owner of Gallery Artist Studio Project GASP and curator of the GASP sonic arts series in Boston. His ensemble has featured Marshall Allen (Director of the Sun Ra Arkestra), Bruce Barth, Dave Bryant, Don Byron, Kenwood Dennard, Robin Eubanks, Frank Lacy, Jamaaladeen Tacuma, and Uri Caine.
Neil Leonard is an Associate Professor in the Music Synthesis Department at Berklee
College of Music.
ACKNOWLEDGEMENT
Mr. Chang and Mr. Leonard wish to thank Bruce Weisberg of Blue Sky Speakers, Rebecca
Barnhardt of TaraLabs Cables, Ed Simeone of tcelectronic, Grant Richter of The Wiard
Synthesizer Company, Bradley Lunde at Transaudio Group/Soundfield Mics, and Carl Dito at Coast Audio for their sage advice and contributing their companies' products on behalf of our project. Gary wishes to thank his family, Ann and Arthur Chang and Margaret Craig-Chang.
Special thanks goes to Stephen Croes and Kurt Biederwolf of Berklee College of Music for their continued support.
Thanks to Anthony Baldino, Tara Sarmov and Pierce Warneke, students of the Music
Synthesis Program at Berklee College of Music for assisting with the installation.
Extra special thanks are extended to Carlo Fatigoni, Sandro Cecchi and Marisa Corazzol of Sguardi Sonori 2007. Maria Magdalena Campos-Pons of Gallery Artists Studio Projects GASP Gallery, Colonel Sergio Cavanna of The SAVTAM Aeronautica Militare, Cadimare - La Spezia Italy, and Gianni and Grazie Bolongaro of La Marrana di Montemarcello, La Spezia Italy."
Roland CR-8000
Roland CR-8000 Patterns
YouTube via SantaElena. Title link takes you to more videos. This CR-8000 is up for auction.
YouTube via SantaElena. Title link takes you to more videos. This CR-8000 is up for auction.
"Treo" Bad Blinky Live Performance (teaser)
YouTube via shagghie.
"Audio is the first few minutes of our live performance. Videos shot from our studio. Props go out to TekFunk.com!"
Update via Shagghie in the comments:
"http://www.megaupload.com/?d=OQH6017R
You can grab the entire 35 min .mpg of the performance there.
The video is just the intro...the rest gets completely off the hook wild, and requires headphones if you are at all a synth head. Which you are. That Ebbe und Flute..amazing. "
Chips + Fish + Music Maker Faire Party
"What: Chips + Fish + Music Party, the Maker Faire “after party”Brought to you by: MAKE:Magazine and CDM
Who: Anyone making their own music with chips (little chips, big chips, Intel Core Duo chips), or anyone who loves to eat chips and/or fish. Makers from the Faire, locals, visitors all welcome.
When: Saturday, May 19. 7:00 pm - 9:30 pm: featured music sets. 9:30 pm - whenever: hang, DIY musical show-and-tell, eat fish and/or chips.
Where: Edinburgh Castle Pub, 950 Geary St. San Francisco, CA. 415-885-4074. (5pm - 2 am; map.)
Why: Because we love DIY music, whether it’s customized hardware, self-made software, or just lovingly-programmed commercial gear and apps."
Title link takes you to more info on CDM.
Minimoog Solo by Józef Skrzek
YouTube via rockowy. Via Sequencer.de.
"Great Minimoog solo played by Josef (Józef) Skrzek (SBB) on his solo gig in 2004. You can find whole concert on CD "Viator - Znak Pokoju" (Viator - Sign of Peace)."
Custom Synth Graphics
Title link takes you to a few graphic options for the Roland Juno-106 and SH-09 via Custom Synth.
Audio Damage Dr. Device Sneak Peek
Via Audio Damage where you'll find a sneak peek video of their upcoming Dr. Device. Note: it might take a sec to load.
via HarriL.
Update: More info and better screenshot on Analog Industries.
Ludwig Phase II Synthesizer
Title link takes you to shots via this auction.Details:
"Specs:
-Fuzz Mix - including voice fuzz
-Animation - choose between FFM, Fuzz RPT or both. Fast or slow start, even change intesity and rate.
-Parallel, counter and vovel formant trajectories.
-Foot Pedal with primary bypass, and stereo outputs.
LO Z, LO Zbalance , and HI Z inputs
stereo, animation, bypass, and fuzz foot switches
Product Info:
Ludwig Phase II Synthesizer
Model# 9000
Serial # 1516(looks like)
Supply voltage 120/240 V
50/60 Cycles
15 Watts"
Sequential Circuits Pro One
Title link takes you to shots via this auction, including a shot of the schematics and manual.
Roland System 100
Click here for shots via this auction.
Details:
"The System 100 is a great and classic analog synth! It's a beautiful semi-modular monophonic synth consisting of 5 module components:
Synthesizer 101 SERIAL No. 500950
Expander 102 SERIAL No. 490688
Sequencer 104 SERIAL No. 510691
2 Monitor Speakers 109 SERIAL No. 500870 & 500871
The Synthesizer 101 section is the heart of the system, from which you could add-on any of the other modules of your choice. Different combinations of these components can be used to create systems of varying potential.
the Synthesizer 101 section is a fully self-contained analog mono-synth. It features a 37-note keyboard (with no performance controls, velocity or aftertouch), and lots of sliders to tweak. Its design is similar to the SH-series analog synths. Controls for the VCO, LFO, VCF lowpass/highpass filters, VCA with ADSR, Noise, and Portamento/Glide effects are all within hands reach. There's also a handy A-440Hz tuning oscillator, like on the Minimoog.
The Expander 102 section is a keyboard-less version of the 101, designed to stand upright and behind the main Synthesizer 101. More than one Expander 102 can be added to make your system fatter and fatter! The Expander is identical to the Synthesizer except that it replaces Portamento/Glide effects with a Sample-and-Hold feature for the LFO, the Noise gen. is replaced by a Ring Modulator, and the A-440 tuning osc. is replaced by weak/strong sync inputs and a mix-in jack. The Expander is an excellent way to add more oscillators and synth effects (the s&h and ring-mod) to a System 100. The oscillators can be synced if you have both modules. The 101 & 102 are already internally patched and ready to produce sounds, but that can be bypassed by external patching.
The Mixer 103 is a cool add-on. Features 4 inputs and 4 sliders, and mixes these down to 2 outputs. There are two analog VU meters (a nice touch) as well as panning, mono effect sends/returns, and a built-in spring reverb! The Model 103 is designed to sit on the right side of the System and feeds the Monitor Speakers. The speakers provide a stereo monitoring source which is another great (optional) touch! The Mixer not only has outputs for these speakers, but also Line-Outs for use live or in the studio! On the left side of the System sits the Sequencer 104. This analog sequencer can be used to drive your System with a 12x2 step pattern sequencer. It features variable gate time, series or parallel modes, Start, Stop, Continue, and Step buttons."
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MATRIXSYNTH - EVERYTHING SYNTH
© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH
