MATRIXSYNTH: Friday, May 18, 2007


Friday, May 18, 2007

ARP 2600 with MIDI



via this auction

Details:

"Much of the following info can also be found at discrete synthesizers.

2600:
The very first model 2600 was produced in early 1971 and is known as The Blue Marvin. It has mistakenly been called the "Blue Meanie" but according to Alan R. Pearlman, the Blue Marvin is so named after Marvin Cohen, head of engineering at ARP at the time. It came in a bright blue aluminum case with a funky and fragile wooden enclosure. It used an entirely micro-chip based voice path but the chips they used wound up being highly unreliable, although they sounded great! Only a few of these were made (approx. 25) and they were mostly built in a garage.

2600C:
Next, the factory produced 2600C Gray Meanie (pictured above) appeared in 1971 and can be identified by the rectangular 'ARP' logo on its right speaker grille. About 35 of these were made.

2600P:
Later in 1971 came the 2600P V1.0 which featured the same metal case (housing the same electronics as the original models) now enclosed in a much more roadworthy suitcase-style enclosure (similar to the pic below). In 1972, ARP switched out the unreliable (Teledyne) VCO chips for the model 4027 and 4027-1 (National Semiconductor) VCO chips in the 2600P V2.0 and 2600P V3.0, respectively. These new VCO chips sounded weak and nowhere near as good as the originals. A new duo-phonic keyboard (3620) with LFO was introduced with the 2600P V4.0 in 1974. The 2600P V3.0 and V4.0 models are denoted by the "G-clef" ARP logo and are the most common models out there with roughly 1700 2600P's produced during 1971-1974. Unfortunately, further changes to inferior parts were just around the corner. The Model 4012 filter used in the all the 2600's through 1976 used a design that was a copy of Moog's patented ladder-filter design. This led to a law-suit between Moog and ARP which forced ARP to design their own filter for their next version.

2601:
The Model 4072 filter, a four-pole low-pass designed to replace the original 4012 was widely considered to be faulty. The frequency response of this filter only goes to about 12kHz, giving this model a duller sound than models with the Moog style 4012 filter. The early 2601 V1.0 models were still using the disputed 4012 filters during 1975-76. In 1977 ARP started using their new 4072 filter in the model 2601 V2.0 with the modern orange-on-black design (pictured below). Around 1978 ARP unleashed a whole new line-up of their synthesizers using this new orange-on-black look. These were produced from 1977 through 1980. Very late 1980 versions of this model featured un-potted submodules, making them easier to maintain (but they are more rare).

There were also three versions of the remote keyboard: The Model 3601, which is a very rudimentary version with just Portamento and Tuning controls. The Model 3604 is similar but adds adjustable scaling and was used until 1974. The duo-phonic Model 3620 (pictured at top and bottom) which adds a dedicated LFO, latching and some other very useful features was introduced with the 2600P V4.0, and used with all subsequent models from 1974 to 1980."

Yazoo - Don't Go(Rare Live)


YouTube via andy2058.

Vince Clarke Synthesizer Programming

Part 1


Part 2

YouTubes via mode101wpb.

Traxxpad trailer


YouTube via alliah08.
"Traxxpad blends the power of sequencers, drum machines, and keyboards while simultaneously making the equipment easy to use and accessible, allowing anyone to create, mix and sample their own tracks at home or on-the-go." Title link takes you to more vids. Update: more info will go up here.

Yamaha CS15 Service Manual

Title link takes you to a download via Mo Rosati on AH.

TUBE interview 1984 - Haruomi Hosono


YouTube via softbank9984. Sent my way via Javier.

"TUBE interview 1984 - Haruomi Hosono"

KORG MS-5

Via Kon

"if an ms-10 (she) and an ms-20 (he) would spend a night drinking a lot of alchool and having sex , what would happens?? here it is , an ms-05 .."

The World's Biggest Trance Lead?


YouTube via suitandtieguy.

"In this video, I attempt to create the world's biggest trance lead using a Prophet-10 and the STG Soundlabs Radiophonic Accessory System under control of a x0xb0x. I'm not sure if i was successful, but it did sound pretty trancey. Other tools abused in this video include a CR-8000, Juno-6, Mackie mixer, Lexicon MPX-110, and Oktava MK-219 microphone. Modules available at stgsoundlabs.com"

MOOG Memorymoog Plus

Title link takes you to shots via this auction.

1974 MOOG Model 15

Title link takes you to shots via this auction. Update: the auction has been pulled.
Details:
"Complete with roll around stand, keyboard, and service manual with all drawings.
This model 15 comes with:
* (1)907a fixed filter bank,
* (1) 995 group of 3 attenuators
* (1) 904=A Voltage control low pass filter,
* (2) 902 VCAs,
* (2) 911 envelope generators,
* (1) 921 VCO,

* (1) 923 Hi pass & low pass filter bank with pink and white noise source.
* (2) 921B slave oscilators,
* (1) 921A oscillator driver,
* (1) bottom section includes mixer, mults, reversable attenuators, trigger outputs, control outs."

The Sephorath - Custom Analog Drone Synth

Title link takes you to shots via this auction. This one went up just for that shot. Kind of reminds you of some of the people who comment on this site, doesn't it? ;)

Details:
"A one of a kind, handmade beast of a synthesizer. All your heavy brooding synth nightmares wrapped up in one package. At the heart of the beast is a unique transistor based set of oscillators that squirt out some of the grossest and oddest waveshapes ive ever heard. The range is great from sub booming bass tones and crackling sawtooths up to the staticy white noise infused high frequencies.

The oscillator set is controlled by a group of lfo's with a very wide range, LED displays and individual depth controls. the lfos each vary the control votage to one of the oscillators for pulsing very subtle shifts in shape and pitch, to hard edged rhythmic songs that fall out of step with each other - get random - and then come back to the original rhythm. very nutso! Also are a filter control for cutting out high end frequencies as well as a feedback knnob for spitting the output of the synthesizer back into the first oscillator creating even more random tones.

This synth is very unconventional but the possibilities for different sounds are insanely vast. everytime i turn it one a new sound comes out. operates from7v-12v and will change tuning accordingly.

Dont think ill get around to building anything else like this for awhile. Also look out for a new type of delay/pitch shifter within one or two days! thanks!

Specifications:
*three oscillator tuning/filtering/shape knobs
*one master tune
*three LFO speed controls
*three LFO depth controls
*LED indicators
*Filter Knob
*Feedback Knob
*power switch/led indicator
*power by 9vdc 2.1mm boss style adaptor
*13 total Knobs"

Acidlab Bassline

Title link takes you to shots via this auction.
Details:
Polyphony - 1 voice
Waveforms - Sawtooth and square
Midi in - Sync in / out
Cutoff - Resonance - Env Mod - Decay - Accent
CV - Gate output
2 Audio Output
Tuning control +/- 8 half-tones + Tuning switch
Tempo control
Cool On-board sequencer
Samples
Manual
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