KORG MicroKorg

flickr by Legendary Classic.

click here for the full size shot

pdPod

YouTube via mkalten. via Wingo Shackleford in the comments of this post.

"pdPod allows the creation of interactive musical applications for the iPod. It integrates Pure Data (http://crca.ucsd.edu/~msp/software.html ) a visual sound programming language by Miller Puckette which allows the rapid development of musical applications. Guenter Geiger (http://gige.xdv.org/ ) has made PDa (http://gige.xdv.org/pda/ ), a port of Pure Data for PDA Linux devices which we recently adapted to run under iPod Linux as well. Martin Kaltenbrunner (http://modin.yuri.at/ ) created a GUI application which allows the execution, display and control of PD patches on the iPod. This application was made by the creators of the reacTable at the Music Technology Group (http://mtg.upf.edu/) at the Universitat Pompeu Fabra in Barcelona, Spain.

This instrument was made possible thanks to the efforts of the iPodLinux (http://ipodlinux.org ) project, which provides a Linux environment for the iPod. pdPod itself can be downloaded from its WIKI page (http://ipodlinux.org/Pdpod)"

Arp 2600: Jim Baker Crosses His Wires

click here for the video on Gearwire.
"Improviser Jim Baker uses the Arp 2600 to make unique sounds in his curious brand of "folk music." In this introductory video, Gearwire's Gretchen Hasse catches up with Baker late one Tuesday evening after his set at Chicago's Hotti Biscotti - actually a bar, not a coffeehouse - and he recollects how he came to use the Arp. We also have rare footage of Baker in performance with a sax, upright bass and drums. Check it out in the Gearwire video."

CP-251 Patch

YouTube via demerzel242.

"I made this video to illustrate the uses of the Moogerfooger CP-251. I am only using half of the modules capability in this patch."

iPod Touch Impressions

click here for iPod Touch Impressions on The Stretta Procedure. Yep, that gets a post. I'm looking forward to the day small portable multi-touch devices will be powerful enough to drive MIDI via USB.

John Duval's Custom Silverface "blond" Milton Sequencer

This is the very last Milton out of Cynthia's (Cyndustries) shop.

JoMoX M-Resonator Demos

Demos via Ookpikk - Ookpik

"The first demo goes through each different part of the M-Res, basically breaking it down into comprehensible chunks, the second and third are on a drum-loop and a whole track, and they're much more subtle than, say, REwire's Sonic Trio demo."


M-ResDemo1.mp3
"This demonstrates the individual parts of the M-Res, e.g. what the filters sound like, how the envelope follower reacts, what the phase-inverting feedbacks do. In many ways, this is the most informative of the three. The sounds are coming out of the Nord Modular first, sequence is a simple sawtooth except for the distortion demo, and the pad is something a little more complicated."

M-ResDemo2.mp3
"This is a MDUW drum track through the M-Res."

M-ResDemo3.mp3
"This is a full track (or a part thereof) through the M-Res to show how much more fun it is than filter-sweeping a track."

More demos and details here including demos of the Elektron Machinedrum

AFG (Audio Frequency Generator - VCO)

Via Mark Pulver on AH:
"Livewire is ready to release the AFG (Audio Frequency Generator - VCO). This is looking to be the hottest VCO on the market.

The the Chaos Computer first showed up at Musikmesse 2006, looks like the (next!) ultimate random voltage generating machine. Mike is saying that it _will_ be out before the end of the year.


Then there was an inference that there may be other goodies released before those.

Pics from his showing at NAMM are here:
http://www.fdiskc.com/syn/namm/2007/LivewireACandAFG.html
http://www.fdiskc.com/syn/namm/2007/LivewireChaosComputer.html
http://www.fdiskc.com/syn/namm/2007/LivewireXModandAFG.html

"

Allen & Heath XONE:VF-1

"The XONE:VF-1 is a high quality, 1U rack analogue filter unit equipped with a wide range of input and output connectors, which features an enhanced version of the legendary XONE Filter circuits. An RIAA preamp version - the Xone VF-1R - enabling direct connection to turntables, is also available.

Live Perfomance
The VF-1 is designed with live performance in mind. It offers the artist control over the music and the creative experience. The valve overdrive option gives the “dirty” sound to bass and synthesized sounds giving added depth and “fattening” of the sound. The filters can be linked to another VF-1 for control of both VF-1 units by one control as well as the ability to link VF-1's to a Xone:92 and control the VF-1 filters from the Xone:92. As well as the valve overdrive there is an envelope follower giving added effects to a live performance. LFO is also included for an automated response of the filter cutoff, and many filter types are included. Superior sounding Filters associated with valve analogue circuits (e.g warmth, clarity and depth) with the features and control of digital equipment.

In the Studio
The VF-1 is an ideal addition for the studio, be it project or professional. The Filters can be used to remove unwanted sounds (e.g. low frequency rumble) or as an effects processor with tube (valve) front end for added warmth. MIDI implementation means that filter sweeps can be recorded and replayed from a sequencer. The VF-1 can be controlled from external MIDI equipment and can also manipulate MIDI equipment, offering exceptional flexibility from an analogue filter."
click the image for a full size shot. [more info]

Synthwood Minimoog

flickr by info_dump

click here for the full size shot
click here for more

Synthwood

ASMO : Echo Destruktor [ circuit bent ]

YouTube via eddie23a.
"Circuit bent barbie karaoke machine, I can pick up radio broadcasts on this baby."

ASMO : Texas Chaos [ circuit bent ]

YouTube via eddie23a. "Circuit bent control voltage test"

ASMO : Chaos Sequencer [ circuit bent ]

"Circuit bent Chaos Sequencer and modular controller. Made from the circuits of 2 Vtech Little Smart Tiny Touch phones, (the same one I used in the Dub Siren) with their brains wired together. The case was made to my specifications by Will and JJ at http://www.wernick.net, big thanks to them. It has powder coated aluminium chassis and bubinga wood end pieces, and it looks the bollocks. The electronics are work in progress, I still have to add CV trigger outs, 2 internal LFO's, and CV ins for external modulation."

fear2

YouTube via rustyanalog. "club of knobs analog modular synthesizer"

Admin: Number of Posts on the Main Page Now Set to Two Days

I'm noticing the site is getting a bit slower to load. I think most loyal readers on the site actually visit daily, so I decided to cut it down to from 3 days to 2. You can always click on older posts at the bottom of the page, and there's a drop down menu for the archives on the right. Hopefully this will also help the Mac users out there that have seen issues with the site. Update: 2 days, not 2 posts. ;)

MOOG Model 1P

via this auction.

"1968 vintage

This Moog synthesizer was recently hooked up and played at the computer lab at C.W. Post University, and is working well. It has been stored, covered with plastic, for the past 15 years, and is in remarkable condition for its age. With a basic overhaul this synthesizer should function well. It has excellent sound production capability. For a collector, sound purist, recording artist or engineer, or a college professor teaching synthesis, this two case Moog is a rare find indeed.

Description
1. 956 Ribbon Controller (Scale dial and Lowered voltage switch) (ribbon needs replacement)
2. 950 Keyboard Controller (scale program (internal/external switch) scale, range and portamento dials- Glide/No Glide Switch)

Case 1
(2) 902 Voltage Controlled Amplifiers (Internal & external control mode switch. Fixed Voltage Control Switch)
2 signal inputs and 2 signal outputs, plus 3 control inputs per Amp.
Trigger envelope and voltage component (6 switches) [8 input multiple component]

pitch component
6 inputs-
6 trigger outlets.
(2) ½ amp slow burn-fuses
(1) 1½ amp-fuse.
and power switch and light.

Back of Case 1
5 trunkline inputs plus power cord hookup prongs

Case 2
(1) 907 Fixed Filter Bank Component (1 lowpass & 1 highpass dial- 8 equalizing dials (with wide Hertz control)
250, -350 -500, -700, 1000, 1400, 2000, 2800

(1) 901-A Oscillator Controller
2 Fixed Control Voltage dials and one (width of wave form dial
3 control inputs

(2) 901-B Oscillators
Frequency range dial – 2’-32’ & Lower Frequency Vermer dial
Four outputs – Sawtooth, sine, pulse, and triangular wave. (on each component)

(2) Voltage control components with four switches each- 1ext input and an attenuator dial on each

(1) 903 white Sound source with one output.

(2) mixer/input components
5 dials each, 12 input slots.
Click filter switch (master gain and output volume control.)

(3) 905 Reverberation Unit with ten position dial –and input and output slot.

(1) 901 Voltage controlled Oscillator
(fixed control voltage dial, (Frequency range dial), (width of pulse wave form dial) (volume dial)
4 separate dials for sine, sawtooth, triangular, and pulse waves.
3 control inputs.
4 fixed level inputs for sine, sawtooth, triangular, & pulse.
4 variable level inputs.

(1) filter and attenuator component bank with 3 inputs, and 3 outputs lowpass dial, high pass dial, and attenuator dial.

Back of case 2
1 trunk line hookup (to join cases) and 4 trunk line inputs.

Additional Information
(The two cases have solid covers when not in use.)
There are 16 patch cords (amplifier cables) of varying size (from 1 foot, to 4 feet.)
2 click track connector wires.
Power cable/extension cord-heavy duty.
3 trunk line cables.
1 can Tuner Renu Cleaner

Included are some basic instructions- 8 handwritten pages by the previous owner and descriptions of hookups and schematic drawings showing basic connections and functional description."

Roland MSQ-100

images via this auction.

box shot

Casio CZ-101

images via this auction.

"Interfaces: 1 Audio out (mono) 1 MIDI In, 1 MIDI Out Synth capabilities: Digital Phase Distortion synthesis 8 Oscillators, up to 4 per sound Effective polyphony: 4 4-part Multi-timbral Keys: 49 mini, not velocity sensitive The Casio CZ101 was a popular entry point into the world of digital synthesis, putting a surprising amount of power into its home-keyboard style case. The unit's Phase Distortion technology is capable of some surprisingly complex sounds, including chunky bass, not least owing to the fact that up to 4 oscillators could be combined into one patch. This would reduce the polyphony to a mere 2 parts though! The 101 came with 16 presets and 16 user patches, which could be edited and stored via SysEx. Close siblings to the CZ101 included the CZ230s which came with a pattern-based sequencer, and the CZ1 which had a full size keyboard and double the number of oscillators. Bottom line is this is practically showroom perfect which is very difficult to find in this condition. It has a nice 80's synth feel and supports midi. Various patch editors out there allow easy patch transfers back and forth."

1973 MOOG Sonic Six

images via this auction.

"Manufacture Tag: Final Assembly - 3-28-73 , Mechanical Inspection - 4-11-73, Electrical Test - 4-13-73. Can't find a serial although 1193 is written on the control face."

Yamaha CS15

images via this auction.

"It's basically a 2 oscillator (VCO) synth with almost two of everything. It has 2 multimode filters (Low, Band and High Pass), 2 mixers, 2 VCA's and 2 Envelope Generators. It also has an LFO with three selectable waveforms and it goes from super-slow to super-fast. It actually reaches audio speed so you can do basic filter FM and get pseudo ring modulator type sounds.

There's also selectable Noise and External Input, so you can plug in your guitar, other synths, whatever and play it through the filters of the CS-15. I've put my guitar through it many times and get an excellent analog tone out of it. From nice clean filter sweeps through to classic 70's overdrive. Very nice!

The filter is 12db so it won't self-oscillate on it's own but I discovered that by plugging the Output into the Input, you effectively have a filter that self-oscillates for screaming effects and sub-bass. Don't worry, it doesn't hurt the synth!

It really is a thoroughly flexible synth with 38 knobs and 10 sliders for manipulation of your sounds. It does very convincing Moog type leads, basses etc but I had much fun doing experimental music with it. By doing the aforementioned output-to-input plug, and modulating the oscillators with the 'sample and hold' LFO and hooking it up to a cheap reverb, much weird fun was had!"