via mono-poly
"vcs3 driven by a wiard 300 series wogglebug. added some reverb and the sound is overdriven trough a limiter."
Wednesday, December 12, 2007
OZNI Music Synthesizer Systems Update
Back in November 21, 2005, I put up this post on OZNI Music Synthesizer Systems. CAndres who claims to have worked on the system just left a few comments. I've updated the post with those comments and thought I'd put up a new post let people know.
Vangelis ( Chariots of Fire )
YouTube via nostroamor. via Nusonica. I originally put this up here, but it looks like the old video got pulled. We'll see how long this one stays up.
Ableton Live7: Analog
YouTube via acidmoongfx. via sequencer.de
"Programming the Live7 synthesizer "Analog".
Cuz starting from "init" is kinda boring i've added some trippy animations in this lil' tutorial."
'69 Moog Modular --Not dead yet!
via CZ Rider on this VSE thread (click for the thread with more images)."Just resurected an old Moog Modular System 1P, built in August 1969. I aquired this Moog last month from a person that stored it in his attic for the past 17 years. After ordering the parts I needed to first rescue the 38 year old power supply, the final part arrived this past Tuesday. So I wasted no time installing the fresh caps and wire-wound trimmers. Got a nice steady +12 and -6 VDC, and I was ready to fire it up!
I still have to calibrate and clean the individual modules, but was able to coax some sound out of the old guy. Here is a small sample of the first music this machine has made in years. Using a Dotcom 960 clone to run a sequence, the old Moog started churning out what sounded very old school Berlin style rythm. Recorded live as I played a Synclavier II (violin) and my 2 dollar soundblaster (flute) over top. moogmodular.mp3"
How to Make Your Sound Sing with Vocoders
"The vocoder has been a novelty staple (if that isn't an oxymoron) of pop music for more than 30 years. Even if you've never heard the word vocoder, you've heard the smoothly sexy yet oddly alien sounds that emanate from this device. In the '70s and '80s, vocoder was used on songs by Kraftwerk, Stevie Wonder, Bon Jovi, Donna Summer, Phil Collins, Laurie Anderson, Pink Floyd, Styx, and many other artists. (See the "Famous Vocoder Songs" sidebar.) In more recent years, Foo Fighters, Metallica, Beck, Britney Spears, Madonna, Marilyn Manson, and other pop icons have dialed up the sound of the vocoder."click here for the full article on O'Reilly Digital Media
Made In Sheffield - The Birth Of Electronic Pop
YouTube via sheffieldvision.
"Buy DVD from sheffieldvision.com of critically acclaimed feature length film Made In Sheffield about early eighties post-punk music scene in Sheffield, starring The Human League, Heaven 17, ABC, Cabaret Voltaire, Pulp, John Peel"
SDS 8 ++ TR-808
YouTube via cretin4321. images on http://cliplead.blogspot.com/ Godzilla
If you like Godzilla, check out Toho Monster.
Molar VST ported to PadKontrol / MicroKontrol!
YouTube via spmaspma.
"2 instances of Molar on MicroKontrol, 2 instances on PadKontrol, one running on the Monome 256 for good measure.
A bad demonstration, yes. I spent the time on the code, just got it all working solid on OSX and Windows (direct detection/communcation to the Korg devices!) :)"
STG Soundlabs P-L/LPF ARP 4072 Filter
images via this auctionPost-lawsuit Lowpass Filter
"This filter is not a clone of the ARP 4072 submodule. It does, however, have an identical topology with the same transistors and operational amplifier array. Some people may find this is close enough to use the "C" word but not here at STG Soundlabs, so in tribute to the origin of this filter design it is called the Post-Lawsuit Lowpass Filter.
And before you call to complain, let me point out that Post-Ambiguous-Legal-Action Lowpass Filter just didn't have the same ring.This module has a standard Synthesizers.com-compliant power connector in addition to a MOTM-compliant power connector. physically it is compliant with MOTM frames and cabinets. thanks to Det3 and Yves Usson for their work on the inside."
via Suit & Tie Guy
Vintage ARP 2600 Synthesizer **RARE** - $4800
"I have a vintage Arp 2600 that I'm looking to get sell. It was previously owned by Roger Waters, and is now in the Thievery Corporation (ESL) studios. Its in great condition, but currently taking up too much space in the studio. It is complete with the matching cases, and we are having it serviced right now to ensure that everything is working properly before being sold. If you would like to see pictures, please let me know! We can even provide the receipt for the work as soon as its done.
I have seen ARPs in worse condition sell on ebay for $4,500+, Considering the history and the condition of this particular ARP, we would like to make sure we are getting what it's worth."
via this Craigslist post.
We haven't had a poll in a while, so why not...
Update: click here for some images of the unit courtesy of daddio of tapewarm who contacted the seller.
Udpate: and a response from the seller:
"I completely understand that you would like more proof, but it was meant more as a point of interest rather than the only selling point. The current owner has had it for years, and really has no way of proving that Roger Waters owned it, it was just a little bit of interesting history on this particular ARP. I can however, prove that it is in Thievery Corporation studios."
I have seen ARPs in worse condition sell on ebay for $4,500+, Considering the history and the condition of this particular ARP, we would like to make sure we are getting what it's worth."
via this Craigslist post.
We haven't had a poll in a while, so why not...
Update: click here for some images of the unit courtesy of daddio of tapewarm who contacted the seller.Udpate: and a response from the seller:
"I completely understand that you would like more proof, but it was meant more as a point of interest rather than the only selling point. The current owner has had it for years, and really has no way of proving that Roger Waters owned it, it was just a little bit of interesting history on this particular ARP. I can however, prove that it is in Thievery Corporation studios."
Peter Zinovieff & EMS
"Electronic Music Studios (London) Ltd. was formed in 1969 by Dr. Peter Zinovieff to market innovative ideas arising from his private studio and interest in musical applications of computers. Over the next ten years many seminal products were released and many talented designers worked for the company. EMS had its own peculiar brand of British eccentricity which could be both endearing and annoying, but should be viewed in the context of true pioneering. It is easy to copy and follow others, but not to think up new ideas in the first place and EMS had no shortage of originality. The EMS influence was significant and can be traced into many contemporary products." Click here for the full article including more images. Pictured: "the Unit Delta Plus studio set up by Delia Derbyshire, Peter Zinovieff and Brian Hodgson." via daddio of tapewarm
JP 8000 emulating a PRO ONE. Playing Just Can't Get Enought
YouTube via DX5. Need to balance out the last post.
"Me playing Depeche Mode's "Just Can't Get Enought" in a Roland JP8000. Just emulating the SCI PRO ONE sound (original synth used on the first record)."
Roland Juno 60 Van Halen Jump by JimmyPound
YouTube via synthartist69.
"Here is a Video of the Juno 60 in action. I programmed the jump patch from an analog brass sound by changing the cutoff, resonance, Attack, and chorus. The secret to getting a good Van Halen OBXA patch lies within the boundaries of a good chorus delay or reverb effect. This version is not exactly right, but it works. I played the bridge two different ways throughout the song and both are an easy variation of the original. Same goes for the synth part under the guitar solo. Hope you enjoy!"
sk-1 thru circuit bent TV oscilloscope
YouTube via salamanderanagram.
"a handheld TV i turned into an oscilloscope yesterday; showing the soundwaves off my circuit bent sk-1. later tonight i'll do a quick writeup on it at circuitbent.wikispaces.com for anyone who is interested."
Yamaha DX27S
images via this auctionYamaha DX27 with internal speakers. Out of 11,428 posts to date, this is currently the only one of a DX27S.
"61 note full sized keyboard with 8 voices and 4-operator programmable FM synthesis. It holds 192 presets in memory.
Digital FM (frequency modulation) Synthesis :
Four operators, each comprising a digital sine wave generator and a five-paramater envelope generator, are utilized in the arrangement of "algorithms" producing a broad array of sound.
Preset ROM Voices :
192 preset ROM voices accessible through two separate play modes.
Voice Programming :
Special edit function allows the programming of all the voice parameters for any of the existing voices.
Bank Play Mode :
Contains 192 preset ROM voices in 4 banks of 24 voices. Voices can be rearranged, selected and edited to suit individual taste or requirements.
Internal Play Mode :
Accesses the 24-voice internal RAM, where a personal "voice set" can be stored, edited, and from where original voices can be instantly recalled.
Internal Speakers :
A stereo amplifier and speakers are built right into the DX27S. A speaker ON/OFF switch is available for use with external sound systems.
Effects Controllers :
The Pitch Bend and the Modulation Wheel, along with the optional Breath Controller add enhanced expression and a broader range of voices.
Cassette Storage :
Equipped with a data cassette interface, through which newly created or edited voices can be permanently stored.
MIDI Functions :
MIDI-compatable, therefore MIDI information can be sent and received over the entire network of MIDI-equipped instruments.
Specifications:
Keyboard 61 Keys
Sound Source FM Tone Generator (4 operators, 8 algorithms)
Simultaneous Note Output 8 notes, reverse priority
Internal Memory 24-voice Internal memory (alterable),
192-voice Preset memory (read-only),
96-voice number bank (alterable)
Effects: Pitch, Bend, Modulation, Portamento, Sustain, Key Veloocity (via Midi input only), & Chorus
Controls: Pitch Bend Wheel, Modulation Wheel, Volume
External Controls Terminals: Breath Control, Foot Switch, Foot Control
Output Rated output level - 20dB/output impendance 10k Ohms or less
Phones Rated output level - 16dB/output impendance 47 Ohms or less
Foot Switch (Portamento On-Off, Sustain On-Off),
MIDI In, MIDI Out, MIDI Thru,
Cassette (transmission speed, 1,200 baud)
Breath Control DC 12V IN
United States and Canada Model 120V, 50/60Hz
Dimensions 1091(w) x 82(h) x 270(d) mm, 43(w) x 3.2(h) x 10.6(d) inches
Weight 7.5kg (25.25 lbs)"
Yamaha VL-1
images via this auction"Yamaha VL-1 Virtual Acoustic Synthesizer in very good condition. Includes manuals on CD in pdf format, power cable and gig bag.
VL-1 SPECIFICATIONS
• 49 key, C-to-C, keyboard with Velocity and Channel Aftertouch sensitivity
• Pitch Bend, Modulation, Assignable Wheels
• Octave shift up/down buttons
• 2 Continuous Slider controls
• Breath Controller input
• 2 Foot Controller Pedal inputs
• Data Entry Wheel
• Synthesis method: Self-oscillating Virtual Acoustic (S/VA) synthesis. Voice made up from 1 or 2 separate Elements.• Modifiers: Harmonic Enhancer, Resonant Dynamic Filter (Low-pass, High-pass, Band-pass & Notch), 5-band Parametric Equaliser, Impulse Expander, Resonator.
• Built-in S/VA-specific Effects processor (32-bit DSP, stereo in/out): Modulation (flanger, pitch change, chorus), Delay (Echo), Reverberation, Distortion.
• Polyphony: 2 notes maximum.
• Internal RAM storage: 128 voices.
• External Storage: 3.5 inch DD / HD disk drive.• 240 x 64 dot backlit LCD
• Output Level: Stereo, 2.5 +/- 2 dBm into 10k Ohms.
• Dynamic Range: Not available (but uses two 20-bit DACs).
• MIDI Response Time: Measured at 5 +/- 0.5 milliseconds"
Maestro FSH-1
via this auction"Maestro FSH-1 filter sample and hold guitar/keyboard pedal designed by Tom Oberheim."
LELL UDS
images via this auction"This drum synthesizer is a hard-to-find now! It has fat, very analogue and warm percussion sounds, many fx, drum variations! Item in very good working condition, panel translation to english and 5-din to 1/4 jack adapters are included!
LELL UDS is a compact analog electronic percussion module like SIMMONS, FORMANTA (ROKTON) USSR, Latvian ELSITA or similar...Good for use if you need a 80-th type drum sounds or modern and experimental rich/warm percussion. Lell UDS module can be triggered from any drum machines individual outputs or used with standard velosity sens. drum pads.
It has 2 independent and identical channels with powerfull parameters of synthesis such - GAIN, TONE PITCH, ENV MOD, RELEASE, RESONANCE, ACCENT, NOISE HI-LOW, MIX TONE-NOISE, LEVEL etc...
Polyphony - 2 voices
Oscillators - 2 + 2 noise generators with AR
Filter - resonant lowpass, env mod
Pitch - tone tuning
Amplifier - attack, release, volume
Ext control - 2 rubber drum pads with velocity
Inputs - two 5DIN plug
Outputs - line 5DIN plug
Weight - about 3kg (module)
NOTE: this is actually my demo examples, created by me (Copyright by John © 2007 www.ruskeys.net)
Lell UDS module was triggered by TR-707 from it's individual audio outputs
sound1 - hip-hop kit
sound2 - long drum kit
sound3 - beat box
sound4 - loops and phrases
sound5 - individual drum examples
NOTE: the demos 4 and 5 is created by "Arrival Project"- Lell UDS controlled by Roland TR-626 outs"
TOM-1501
images via this auction
"It is a Russian version of Crumar or Solina String Ensemble! Very FAT warm strings, punched brass through REZ FILTER with ADR, cool piano, clavichord, built-in analog chorus, vibrato, split keyboard, multi stereo outputs, pedal input etc...Strong solid wood case...In mint collection condition! Old CCCP price in soviet rubles 1225 (about 1500 USD!)
DESCRIPTION: Tom-1501- 61-note (F-F) string / brass / piano multi-keyboard. This one reminds me of Crumar multi-keyboards. Nearly all controls on sliders on sloping back panel. Splittable. Vibrato depth, speed. Brass filter AR, resonance and cutoff. Preset sounds, mixable, include piano, clavinet, orchestra (violin, alto, contrabass), brass. Chorus. Piano has separate out. Made at the Tula factory. Size: 920 x 360 x 195 mm. Weight: 13 kg. Full description and my review here
PANEL PARAMETERS:
- VOLUME: phones level, 5-din out
- VIBRATO (LFO): depth, rate, tuning
- VOLUME GLOBAL: strings, bass (+on/off), piano
- BRASS-FILTER: attack, decay, resonance, cutoff
- LEFT MANUAL: piano, clavichord, alto, viola, brass (+on/off)
- STRING ENSEMBLE: timbre level, orchestra (chorus) on/off
- RIGHT MANUAL: piano, clavichord, alto, viola, brass (+on/off)
- SUSTAIN: level ; POWER on/off
- CONNECTIONS (5-din): pedal in, mono out, stereo out (brass left, pno-strings right), piano out; 220V power socket, fuse, ground.
Tom-1501 provides very impressive analog sound, it is convenient for modeling of really fat strings and warm pads, classic brasses and horns, old space leads, vintage piano sounds, layered combinations etc.."
More info and demos on the excellent Ruskeys. It does look a bit like the Crumar Orchestrator.
Be sure to check out the seller's other items.
Starr Labs PB-2 Ztar
via this auction"rare Starr Labs PB-2 Ztar Synth Module. This module originally listed for $ 480, has long since been discontinued and is highly sought after. It functions as both a phantom power supply, and an excellent synth sound engine for the Ztar, or any other Midi Device. It features Midi In and Out jacks, a Line Out jack, Volume Knob, and a Headphone Pre-Amp Jack. It measures approximately 8" X 4 ", which makes it a powerful, compact midi synth engine that you could literally carry in one of your pockets. It contains approximately 100 excellent Midi patches, including Pianos, Electric Guitars, Classic Synths, Strings, Horns, Voices and Special Effects. So, grab your Ztar, Keyboard, or other Midi controller device and a pair of headphones, and you can practice or compose anywhere without lugging your gear. Or, show up with this module and your controller at an Open Mic and use the Line Out jack straight into the venues PA or Amplifier. I believe the synth engine was designed by Yamaha, but you may wish to verify that through Starr Labs."
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MATRIXSYNTH - EVERYTHING SYNTH
© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH
