
VEMIA - Click on Auctions, Search, and search for 5946.
Update via peterwendt in the comments:
"As for the Fairlight connection ... apparently, the 4600 was co-designed by Kim Ryrie, a co-founder of Fairlight, and Trevor Marshall, who had some provisional patents on the switched-resistor VCFs and on the sawtooth waveshaping in the VCOs. (He used variable-duty-cycle HF oscillators and CMOS switches to turn the resistor paths on and off in a VCF, thus varying the effective resistances and the cutoff frequency.)
Trevor's WWW page about it is here.
I've always been puzzled by the stories of the Fairlight involvement. Interviews gave the impression that this was their first attempt at a synthesizer before they went on to the CMI, but I don't remember them mentioning Trevor. I'm not saying that there was a controversy, but I just don't know who actually did what.
If I remember correctly, the 4600 construction articles started in ETi in Oct. 1973."
Update via peterwendt in the comments:
"Not wishing to spread undocumented hearsay, I did some research.
An article about the Fairlight CMI in Sound on Sound states that Ryrie designed the 4600 and founded the magazine, ETI (Electronics Today International) that published the construction articles.
That's where I read about the supposed Fairlight connection.
The actual construction articles are on Cloned Analog Gear as a large PDF file, here.
One of the intro/title pages specifically states:
"Designed in Australia by Barry Wilkinson and Trevor Marshall". Ryrie's name doesn't appear.
But the articles are just as I remember them. Sigh."
I'd love to have this particular 4600 for historical interest, but I'll have to pass it up.
ReplyDeleteAs for the Fairlight connection ... apparently, the 4600 was co-designed by Kim Ryrie, a co-founder of Fairlight, and Trevor Marshall, who had some provisional patents on the switched-resistor VCFs and on the sawtooth waveshaping in the VCOs. (He used variable-duty-cycle HF oscillators and CMOS switches to turn the resistor paths on and off in a VCF, thus varying the effective resistances and the cutoff frequency.)
Trevor's WWW page about it is here:
http://www.trevormarshall.com/eti.htm
I've always been puzzled by the stories of the Fairlight involvement. Interviews gave the impression that this was their first attempt at a synthesizer before they went on to the CMI, but I don't remember them mentioning Trevor. I'm not saying that there was a controversy, but I just don't know who actually did what.
If I remember correctly, the 4600 construction articles started in ETi in Oct. 1973.
Not wishing to spread undocumented hearsay, I did some research.
ReplyDeleteAn article about the Fairlight CMI in Sound on Sound states that Ryrie designed the 4600 and founded the magazine, ETI (Electronics Today International) that published the construction articles:
http://www.soundonsound.com/sos/apr99/articles/fairlight.htm
That's where I read about the supposed Fairlight connection.
The actual construction articles are on Cloned Analog Gear as a large PDF file, here:
http://rubidium.dyndns.org/cag/pdf/eti4600a.pdf
One of the intro/title pages specifically states:
"Designed in Australia by Barry Wilkinson and Trevor Marshall". Ryrie's name doesn't appear.
But the articles are just as I remember them. Sigh.
From Trevor's site: Barry Wilkinson at ETI was responsible for the final packaging and kitting coordination. I don't doubt that Ryrie had input into the design.
ReplyDelete