MATRIXSYNTH: Monday, December 29, 2008


Monday, December 29, 2008

Radikal Technologies Spectralis II

"Spectralis II is the even more powerful successor of Radikals sophisticated Hybrid Synthesizer. With up to 2 GB sample memory and tons of new features Radikal raises the bar again for our competition. Never stop the sequencer engine again with our fully redesigned sequencer engine that allows for on the fly realtime sequencing, recording of MIDI controllers and overdubbing. Quick Sound Selection for every part - your most favorite sounds are just one fingertip away. Transpose your patterns and step sequences with the attached keyboard and control the Spectralis parameters via MIDI from your computer. There is only one thing, we left untouched in our new design - the sound engine. Still the warmest and richest sound out there with the power of a modular synthesizer in a box.

The Hybrid Synth
The SPECTRALIS II hybrid synth, fueled by the latest DSP- and true analog technology, delivers maximum tonal capabilities and leads you into a radical new world of sounds full of life and animation. The SPECTRALIS’ oscillator section takes sound design to new extremes. The 4 oscillators offer continuously variable waveshapes plus time linearity modulation, FM, PM, oscillator synchronisation, bit reduction and independent pitch and volume envelopes. The self resonating filters, a 4 pole lowpass and a 2 pole multimode filter with LP, HP, BP and notch outputs, use two highly improved true analog circuit designs to overcome the restrictions of modelling based synths. The way players can interact with the destinc-tive user interface makes the SPECTRALIS II hybrid synthesizer a killer live instrument with unbeatable richness and stunning flexibility. The synthesis engine takes advantage of a sophisticated step sequencing system - 32 independent parameter control lines with up to 192 steps let you explore an universe of previously unheard rhythmic effects and atmospheric textures. Punchy high resolution envelopes, are the cutting edge of todays synthesizer technology. They are the perfect weapon for the creation of floor pounding kicks, state of the art sequencer staccatos and numerous percussion effects.

The Filterbank
Rumbling noises, nasal sounding oboes, booming SciFi-drones and vocaloid solo-voices - all these different sounds have one thing in common - the fixed filterbank. Consisting of 8 bandpasses, one lowpass and one highpass filter, the filterbank allows the selective modification of certain frequencies. The spectrum of the sound is divided into separated frequency bands where each resulting spectrum slice has an individual attentuator. Like the instrument corpus forms the frequency response of an acoustic instrument, the fixed filter bank provides a new approach in the creation of realistic instrument timbres and bizarre FX-sounds. In contrast to big modular systems of the past, where the filterbank had fixed filter response curves and simple pots to regulate the levels of the frequency slices, the SPECTRALIS comes with sequencer controlled level modulation and in depth parameter editing like individual frequency band panning, Q and roll off slope control and filter stage spacing. The usage of the fixed filterbank isn’t limited to hybridsynth voices - simply feed any DSP synth part thru the filterbank or even any external signals from the external analog inputs. The SPECTRALIS II step sequencer comes with step envelopes, where normal step-sequencers only offer a fixed value setting per step. In conjunction with the filterbank, these step envelopes allow for instance the creation of a new drum beat by simply feeding noise into the filterbank and programming some decay steps for selected frequency slices.

The sampling section
In contrast to many other groove oriented sampling instruments, the SPECTRALIS II offers real multisampling and a 32 stereo voice polyphonic sound engine with powerful subtractive synthesis capabilities. Lush strings ensembles, dramatic soundscapes or earthshaking drum grooves - simply drag and drop the highlights of your personal soundlibrary from your computer onto the SPECTRALIS II. The highspeed USB2 interface transfers even large sample instruments in a few seconds. An included sample conversion utility allows importing wav- and soundfont2-files. After finalizing your music production, the entire song content with patterns, sounds and samples can be stored back to the computers harddrive. Satisfied with the backup functionality but still wondering about the LIVE situation? Don’t worry about that! The SPECTRALIS II comes with a SD-Card slot and has an onboard 1GB flash memory (expandable up to 2GB) for permanent storage of samples, songs and sounds. Features are only one side of the story - but realizing them with the latest Texas Instruments floating point DSP generation and featuring HiEnd Burr Brown DA converters gives the SPECTRALIS II the no compromise touch of a groundbreaking new star in the sonic wonderland of electronic music instruments.

The sequencing system
As a groove oriented system the SPECTRALIS II features a powerful pattern based sequencer playground with realtime, overdub and step by step recording as well as grid based drum programming. Additionally, the state of the art step sequencer opens a complete new universe of tempo dependent sound manipulations and freaky polyrhythmic sequencer battles. Designed with the live situation in mind, you will enjoy the absolute freedom of realtime manipulations during your session. Mute/unmute tracks, exchange the motifs on the fly, tweak volumes, panning or FX-sends with the built in mixing console or transpose an entire pattern by simply pressing a note on your keyboard. Editing of sequences can be done without stopping the sequencer - one of the most desirable features in todays groove oriented live instruments. Start your session with a simple basic groove and add steps on the fly until the audience is totally freaked out. Are you into more serious music production? Well, the SPECTRALIS also comes with a song section, where you can arrange the patterns to complete songs."

You can find more info including samples on Radikal Technologies. via zamise.

PlanB Model 10 as an audio source


YouTube via dkimcg
"a model 15's morph output controls cycling of a model 10 with envelopes fast enough to generate audio. Basically it's a wave shapeable synced oscillator that's especially neat when you feed it multiple outputs from the same model 15. some powerful wave shaping...with an envelope generator.

I had read the m10 was fast enough to use as an audio source, n the scope shows the proof. :)

add the usual ending for stereo. top scope on left, bottom on right.

pardan the bad camerawork, my arm was stopped abruptly by a taxi door in downtown LA."

Inside an Ensoniq ASR-10

flickr set by firegroove
(click for more)

Akai MPC 2000XL and S1000

via this cl post also on Ebay. via R

MPC2000XL: "max memory and 8 outs, even has the EFX Board, internal floppy, external zip drive"
S1000: "S1000 has a maxed 32mb of RAM, 8outs, the scsi option card, AND i'm throwing in an external SCSI 135mb removable media scsi drive, with 3 discs full of samples, and three NOS wrapped in plastic discs. The s1000 is running OS 4.04"



VAKO ORCHESTRON DOUBLE "C"

via this auction
"Vako double "c" model orchestron!!!!! Exceedingly rare, exceptional, dual manual version of the legendary orchestron, only a handful of these dual manual versions remain in existence, only fifty units, including all models, were ever made!!! I unearthed this beauty in a forgotten, hidden back room, in a basement of an ancient music store and recording studio in butte, montana! Of all places!! It literally sat, in a room, for 28 years in a flight case, forgotten. Can you just believe it???? Well, it's all true, kiddies. So now, you got a shot at owning a piece of progressive rock history, and i don't think it will pass by this way again. You can google up all the info you desire on this unique and wonderful contraption, of course, it's the much more developed big brother, to that upstart snotty optigan, and it's other bratty sibling, the chilton talentmaker. They all read optical light discs, and, i have it on pretty good authority that these optical light discs are all about to return to production, with custom versions available to god's special people. That means expanded beyond the original master tape libraries. So, on the double "c", you get to play two different discs at the same time!!! What more could you ever want? Anyway, it comes with the aforementioned heavy duty flight case, but, and i want to shed a tear here, (sic) the original (8) optical light discs are corrupted from exposure. But, i do have them, and the special custom original partitioned case that they originally came in! So, there it is. What are ya gonna do? Take out 2nd mortgage on the house, or, rob the kid's college fund? I know, beg the folks for an advance on your inheritance!! >>>>>>>>>>>>> vako dual manual double "c" orchestron!!!" via Ivan


Smule: Zephyr [Pass it on...]


YouTube via smuleage

"Zephyr, for iPhone and iPod Touch, by Smule.
http://www.smule.com"
You can get Zephyr here:
Zephyr
Smule are the makers of Ocarina:
Ocarina

Gadget Orchestra with RockStar


YouTube via jetdaisuke

"http://webdog.be/archives/081230_1153...
Nintendo DS Lite(ELECTROPLANKTON), Nintendo DSi(KORG DS-10), iPod touch(Mokugyo 木魚), iPhone(Bloom) and KAOSSILATOR connected to Belkin Rockstar.
ヘッドフォンスプリッターとしても簡易ミキサーとしても。BELKIN「RockSt ar」でつながる楽器ガジェットの音 "

Broken Oscillator


YouTube via nevenen. "Wat's wrong with my VCO??? Should I keep it this way?"

making a "hoover" on the mks 50, slicing it with the SL20 and jamming with it on a C@132 BPM


YouTube via muzik4machines
"I got a few requests for sound tutorials/demo so here's an easy one, the simili-hoover, and as I can't stop just tweaking, a little jam at the end(see comments for links to the time it starts being a jam) and annotation to show some of what I do as my camera sucks to get stereo sound/ widescreen embeds use &fmt=22 at the end of the URL

gear used
Korg ESX1: All Sequences/Drums
Yamaha TX81z: Reverby/Pumpy Sawtooth Bass (chain:TX81z-Akai MFC42-Alesis Nanoverb-DBX266 ch1 (pump)-ch2 (Compression)-Mixer)
Roland MKS50: Hoover/Saw/Lead/Pumpy Synth (Chain MKS50-Boss SL20-DBX266-Zoom RFX2200-Mixer)
Redsound SoundBite Pro: Vocals/looping
Korg Kaoss pad 2: Tempo Delay
Korg Kaoss Pad 3: Loops, Looper(snare rolls), Grainshifter
Korg Kaossilator: Noise Sweeps (path: K01-Mini KP(Delay)-Mixer)
Korg ER1: Beatbox AND sidechain signal (Chain: left out-ProCo Turbo Rat-Boss V-Wha-Mixer)
DX200: Fm E-piano, pads, 303-esque sequences, etc (Chain: Left Out-Boss DD5 delay-Mixer)
Motu Midi Mixer 7s: My mixer, controlled by the BCF2000)
Kawai Midi Patchbay:Guess
DBX MC 6: Output Compressor

NOT used:
a computer, besides recording it; no edition, no mastering, What you hear is what I send out of the main outs"

trippin with my Max 5 synth together with generative music patch and transport bar


YouTube via jamesvla
"this is my last youtube video where I show you me trippin up with my new max 5 synthesizer in its last encarnation, together with a generative music patch and the Max 5 transport bar"

drum and bass hardware demo


YouTube via filtersweeperVCO
"Cubase sequencing various synths: Waldorf, Neptune 2, Juno 106, and MPC running beats. Some filtering done by Sherman filterbank."

Roland SH 1000 phat phunk son


YouTube via filtersweeperVCO
"Playing some electronic funk on the Roland SH 1000"

TB303+TR707 DEMO


YouTube via etonepan

Analogue Synthesizer ETI Project circa 1979

via this auction
"This ETI Synthesizer project was built around 1979 by my father, the modules all worked when I powered them up recently (the original keyboard and power supply is not available due to someone connecting the mains to a +/- 12Volt input!) The modules consist of :

4 x VCOs
2 x VCFs
2 x VC Variable state filters
1 x Reverb unit
1 x VCLFO
2 x VC Mixers
1 x Noise/Sample & Hold module
1 x DRF
1 x Ring Modulator
2 x Dual ADSR modules
2 x Dual VCAs
1 x Dual Envelope Generator
1 x VC Envelope Generator
1 x D-A Convertor
1 PA (not tested)"

MOOG MG-1 ANALOG Synth

via this auction



Roland Juno-106

via this auction

"Well I thought I would try a Synth but I'll think i'll go back to guitars or try a keyboard with less knobs." Hmm...

MidiDuino - Midi Command + Arduino



"demonstrating the integration of the midi command into the arduino environment"
More info on Ruin & Wesen and CDM.

MS10 & Yamaha

flickr by i.genius
(click for more)

full size

KORG MS10
Novation Basstation
Alesis Micron
Yamaha DX11

sonicbrat

http://www.myspace.com/s0nicbrat

pics in order:
Tenori-on
OLD SOUNDS 2008 @ NMS Photo by Yuan Zhiying
Doepfer A100 Modular System
My studio gears 2006
Be sure to check out sonicbrat's myspace for more

Sonicbrat on MATRIXSYNTH



If-Morebass 20-12-08


YouTube via enclavevision
"If Records 13th birthday compilation launch,20 December 2008,at More Bass,Melbourne."
Beginning features bits of a 4 way korg ds-10 live jam. You can find 28 minutes of the jam here.

Expert Sleepers Minky Starshine



via Seth on AH:

"I'm surprised that in all of this discussion nobody's mentioned additive synthesis (or at least if they have I don't recall it). I have an interesting soft synth called Minky Starshine, from Expert Sleepers, which lets you adjust the harmonics, control any of them with any of three envelope generators and modulate them with LFOs. On top of that, it shows you what the resulting wave will look like. If someone could send the desired levels of the harmonics in decimal format (i.e., fundamental at full volume is 1.0, next harmonic is 0.75, third is 0.5, etc.) for what the various waves are supposed to be I can plug them in and post some screenshots of the resulting waveforms. Maybe I'll even dig out my scope as well.

It's darn cool and it's only $29. You can play with it all you want in demo mode as well.

I'm not usually a fan of soft synths, but this is one of the ones I like, mostly because it's so unique."

Official description:
"Minky Starshine is at heart an additive synthesiser, augmented with possibilities for subtractive synthesis (i.e. filtering) and pulse width modulation.

A waveform is created by summing 16 independently controllable 'partials'. By setting the relative levels of the partials appropriately you can create familiar waveforms such as sawtooth and squarewave, but you can also create an infinite range of timbres in between.

As well as simply setting the levels of the partials, you can flexibly assign them to three 'groups'. Each group has a very flexible envelope generator and an LFO, so you can change the balance of the partials (and therefore the timbre of the sound) over time.

The LFOs have a wide frequency range and can also be used as ring modulators.

The waveform as a whole can have its pulsewidth controlled. An envelope and LFO is provided, as well as control by note velocity.

A resonant filter is available, capable of lowpass, bandpass and highpass and a continuous range in between. Again, control by envelope, LFO and note velocity are possible.

A flexible modulation section is provided, capable of chorus, flange and delay effects.

The factory presets showcase some of the range of sounds that can be produced.

If you'd like to read more about the plug-in before downloading it, the user manual is online here."

Oberheim OB-Mx CEM3374

images for this auction

CEM3374 and empty case

Note the auction is for a 2-voice expansion board only, not the case.

click the images for the full size shots.

etwas Modulargedudel…

via Aliens Project:
"An einem Sonntag findet man auch mal wieder etwas Zeit, um ein völlig sinnloses “Irgendwas” am Modularsystem zu patchen. Viel Spaß beim Anhören:"

Googlish:
"On a Sunday you can find a little time once again to a completely senseless "Something" on the modular system to patch. Have fun listening to:" [Original link / Googlish link]


Synths:
"For my Sunday Modular Gedudel were the dotcom and the PPG-300 modular synthesizer used. The analog strings came from Solina string ensemble and the beats of an old Roland CR-78, including the master clock (trigger) gifts.

As the effects came Jomox T-Resonator for the CR-78 Drums and a Monacor REV-25 for the PPG-300 is used. The strings were stopped by PPG Voltage Controlled modifier and a DC-50 Roland chorus skillfully. "

Raymond Scott Centennial Vinyl Figurine & CD Set


Available at raymondscott.com

via Boing Boing, via Jeff of http://raymondscott.blogspot.com/ in the comments of this post.

Note Press Pop also make the Bob Moog doll.

The small keyboard is Raymond Scott's Clavixox. The larger instrument is Raymond Scott's Electronium, video of it directly below (previously here).


Raymond Scott's Electronium

YouTube via DrRek

"As it remains in non working order in the Basement of Mark Motherbaugh's Mutato Music Offices in Hollywood, CA courtesy of http://absurdity.biz's circuit bending documentary"
Be sure to click on the labels at the bottom of this post for more. There are a lot of nuggets in there.

bent consola


YouTube via comemelinhos. "my first video game bent... korg kaoss sound"

KORG DS-10 DEMO


YouTube via aqi
"KORG DS-10ウェブサイト用デモソングです。
こちらもあわせてご覧ください。
http://www.aqi.co.jp/produc..."
KORG DS-10 on Ebay
KORG DS-10 on Amazon

Synthesizer Korg 770


YouTube via mouwaap. Audio is not the greatest on this one, but it should give you a feel for it's size, interface, and some of it's tonal character.

Korg Legacy Collection Analog Edition Polysix


YouTube via bulksagara

Korg legacy collection Mono/Poly


Korg Legacy Collection Mono/Poly X-MOD


Korg Legacy Collection Mono/Poly VCO

邦題 愛しのCANDY ダルファー ♪


YouTube via PXE02321
"KORG DIGITAL EDITION DEMO FOR EWI USB"

Korg Poly 800 + Roland TR-707 Demo /// Walking Home


YouTube via nekrobot
"Title: Walking Home

Bass, Strings, Lead = Korg Poly 800
Drums = Roland Tr-707 (Samples)

Demo i made for an auction a while ago."

SCI Prophet VS + Roland Juno-60 + TR-808 "Mystic Island"


YouTube via retrosound72

"vintage synth demo track by RetroSound

'Mystic Island'

-inspired by early John Carpenter soundtracks-

high strings and storm fx: SCI Prophet VS
dark strings: Roland Juno-60
drums: Roland TR-808

direct recorded, no playback"

cs15 yamaha analog synthesizer


YouTube via abertronic
"ebay Item number: 220336501439. 2min external reverb added"

"Interesting article concerning the cs15 and links to service manual

cs15 manual" [via synthdiy.com]


ELECTROPLANKTON エレクトロプランクトン演奏


YouTube via jetdaisuke.

"The ELECTROPLANKTON is Nintendo DS music software made by Toshio Iwai known as the TENORI-ON producer"

And for those curious about jetdaisuke's shades (glasses):

カニエ・ウェストのシャッターサングラス


click here for prior posts on electroplankton.

New Interfaces for Musical Expression

"On behalf of the NIME 2009 Committee, we invite you to be part of the 9th International Conference on New Interfaces for Musical Expression, organized by the School of Music, School of Art, Carnegie Institute of Technology, Entertainment Technology Center and School of Computer Science at Carnegie Mellon University.

We encourage contributions in the following categories:
* Papers (full papers, short papers, posters)
* Demonstrations
* Live Performances
* Installations

Complete submission guidelines are available on the conference website here.

TOPICS
We welcome submissions on topics related to new interfaces for music performance including, but not limited to:
Novel controllers and interfaces for musical expression
Novel controllers for collaborative performance
Novel musical instruments
Computational methods of composition
Augmented/hyper instruments
Interfaces for dance and physical expression
Interactive Game Music
Robotic Music
Interactive sound and multimedia installations
Interactive sonification
Sensor and actuator technologies
Haptic and force feedback devices
Interface protocols and data formats
Gesture and music
Perceptual & cognitive issues
Interactivity design and software tools
Musical mapping strategies
Performance analysis and machine learning
Performance rendering and generative algorithms
Experiences with novel interfaces in education and entertainment
Experiences with novel interfaces in live performance and composition
Surveys of past work and stimulating ideas for future research
Historical studies in twentieth-century instrument design
Reports on student projects in the framework of NIME related courses
Artistic, cultural, and social impact of NIME technology
Gesture measurement
Enabling music networks
Bio-music

IMPORTANT DATES
Submission of proposals (papers, posters, performances, installations):
January 24, 2008

Notification of acceptance/rejection (installations and performances):
March 13, 2009

Notification of acceptance/rejection (papers and posters):
March 20, 2009

Early registration:
May 1, 2009

Author registration (papers and posters):
May 1, 2009

Submission of final papers:
April 15, 2008

FURTHER INFORMATION AND CONTACT
For any further information/question/comment/suggestion, please send a message to the local organizing committee at http://www.nime2009.org"

PPG Wave 2.2

via this auction
"Very Rare...One of 300 ever made...this is the nicest I've seen!!

Polyphony - 8 Voice / 8 Part Multitimbral

Oscillators - 2 to 16 Oscillators per voice (using Digital Waveforms); 30 Wavetables with 64 waves per table

SSM Filters - analog 24 dB/oct lowpass VCF filters with ADSR envelope

The German made PPG Wave 2 series of synthesizers are incredibly great sounding analog/digital hybrid vintage synths. They use digital samples of wavetables and feature analog VCA envelope and VCF filter sections for a classic and warm sound. The Wave 2.2 (pictured above) has oscillators that can generate over 2,000 different single-cycle 8-bit digital waveforms! Covered by knobs, the Wave still looks analog and this comprises the "Analog Control Panel". More complex and new-wave editing of the wavetables and samples is covered by the "Digital Control Panel" where there are several key-pad buttons and an LCD screen. Another familiar treat to analog junkies is the inclusion of an 8-track sequencer which features automation of pitch, loudness, filter cutoff, waveforms and more. A cool feature - its onboard sequencer will also record any filtering and wave changes, in real-time!! The more commonly encountered Wave 2.3 followed the 2.2."


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