via this auctionAnyone know more about Gary Leuenberger's Patch Guide and Demo CD mentioned in the auction description further below? He is mentioned in this prior post on Computer Chronicles from 1986 on MIDI Music.
"Included with CS80 and E1010 are:
* (1) Original Yamaha Metal Instrument Base / Stand. One of the feet / leveler's is missing.
* (1) Original Tolex Covered Wooden Synth Cover w/(4)Casters
* (1) Original Yamaha Bag / Soft Case to hold metal stand & accessories
* (1) Original Yamaha Sustain Pedal
* (1) Original Yamaha Volume / Control pedal
* (1) Original Yamaha CS-80 Owners Manual
* (1) Yamaha CS-80 Service Manual on CD in PDF Format
* (1) Gary Leuenberger's, Patch Guide - This guide is a compilation of detailed patch sheets which shows positions for all of the parameters.
* (1) Gary Leuenberger Patches Demo CD - This has been transferred from a cassette tape. It is an audio tape that discusses, in detail, the best way to utilize Gary's Patch Guide per patch. It's noisy, has noticeable channel crosstalk and overloads at points. However, The CD provides very detailed examples of his famous patches, how to create them and, more importantly, how to play them. If you follow Gary's instruction, you will get a unique look at some ways, in which, Gary uses initial and aftertouch and how he puts the CS80's envelopes and ring modulator to good use.
* (1) Original Yamaha Factory Music Rest - One of the flush mounted flat head screws is missing. This will need to be replaced or other another fix created for the music rest to work properly.
Features:
Specifications
Polyphony - 8 times two patches
Oscillators - saw, square, sine wave, noise, PW and PWM, LFO
LFO - 5 waveform function LFO can modulate either or all of VCO, VCF and VCA
Filter - HP, res, LP, res, filter ADR envelope
VCA - Mix in for the VCF out and the sine, ADSR
Keyboard - 61 weighted keys w/ velocity and polyphonic aftertouch
Memory - 4 Patches
Control - external modulation input
Date Produced - 1976-79
Total # of units made - 2000
External Input for special sub oscillator effects - It allows for modulation of the filter, oscillator or amplifier by line-level sources, such as external oscillators, rhythm boxes, or other "cyclic" electronic instruments. The input is high impedance,so it will not overload the external device. Sensitivity is adjustable with the External Level Control, but even at maximum sensitivity the input will not provide a discernable effect with mic-level or guitar pickup level signals." via adrien
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