"A TR-808 sounds great, but sometimes a bit of grit can make it sound more distinct. That’s why I ran the already lovely lofi Goldbaby Cassette 808 samples through a Mattel UCreate Music, a cheap toy sampler/FX unit/loopplayer. It adds a harsh 8bit crunch to all the sounds without loosing punch."
Demo and download on Hainbach
Thursday, December 23, 2010
Uncreate808 - a free TR-808 8bit sample set
Snazzy FX Wow And Flutter delay w/ Moog Slim Phatty
YouTube via bigcitymusic | December 23, 2010 |
"The luscious new Moog Slim Phatty is being triggered by the Elektron SPS-1 UW+ and is being processed by the Snazzy FX Wow And Flutter. The Wow and Flutter is an amazing sounding pedal which allows you to dial in just the amount of screwiness that your music requires."
tb 303 input filter
YouTube via selectimputor | December 23, 2010 |
"juno 60 through 303 input filter"
WERSI EX 20 MIDI Expander - Digital Synthesizer
Numerology 3 Demo : Glitch Dub
Numerology 3 Demo : Glitch Dub from Five12 on Vimeo.
"A video of a demo track from Charles Stanyan (charlesstanyan.com) that features several new goodies in Numerology 3, including the stack library, built-in FX, updated synth engines and more."
Syntha Claus Works It Out.mov
YouTube via davidryle | December 23, 2010 |
"Ol' Saint Nick works through the pain to get the goodies out for the boy's & girls."
Remember to check out the holiday label below for more.
Percusión y barahúnda
Percusión y barahúnda from Común y corriente on Vimeo.
"Loops de percusión hechos con la M_brane y el Nanozwerg en Live, procesados por el T-Resonator. ¡Atención a los triggers caseros!"
This Second Sleep - Abecedarian
YouTube via arthurpainter | December 23, 2010 |
"http://thissecondsleep.blogspot.com/
Another improv using my new Buchla 200e as the only sound source, with the exception of some delay. And yes, this is like learning a new alphabet."
rude_NHS = acid indigestion
YouTube via nhs2 | April 06, 2010 |
"sloppy 303 and 909 jam. ACEEEEEEEEEEEEEEEEEEEEEEEED"
Ned Rush = Kaoss Pad Rack for Ableton Live. Coming 2011!!! teaser.mp4
YouTube via MrNedRush | December 23, 2010 |
"New Project. Kaoss Rack and Kaoss FX packs for Ableton Live. Tweaked up XY jams designed for the very reasonably priced Korg Nano Pad and Ableton. Coming 2011!!!!! :D"
edit 011
YouTube via beepstreetapps | December 23, 2010
iSequence
iPads on eBay
iPads on Amazon
iPod Touch on eBay
iPod Touch on Amazon
vtol volfram expander
::vtol:: volfram controlled by MFB Kraftzwerg via Volfram Expander #6 from ::vtol:: on Vimeo.
::vtol:: volfram controlled by Doepfer Dark Energy via volfram Expander #6 from ::vtol:: on Vimeo.
"more info -
volfram - samoletuvvp.narod.ru/vto/diy/vol.html
volfram expander#6 - samoletuvvp.narod.ru/vto/diy/expander.html#ex6"
Untitled
Untitled from dautrescordes on Vimeo.
"franck vigroux (electronics: moog rme, electribe ESX) ben miller (voice)"
An improvisation jam on an alternative midi-controller.
An improvisation jam on an alternative midi-controller. from Rasmus Nyåker on Vimeo.
"An improvisation jam on an alternative midi-controller.
All sounds you here is straight out of a Nord Modular G2, straight into the camera. No audio-editing whatsoever.
The G2 is using 2 slots:
The first for collecting and sorting out the data from the controller and making the synthesizer sounds.
The second running some gate sequencers as well as making the drumsounds.
So a bit deeper information about the first slot. The data from the controller (position and pressure) is sent as 24 discrete CC-messages. These are going into separate "Sample and Hold"-modules that are clocked by midi on slightly different time-divisions.
The synthesizer patch is actually 2 simple monosynths, controlled by each sides 6 control-strips on the midi-controller.
The first strip from the left on each side is controlling pitch (quantized in C-minor) by position and waveshape (from sinus to ramp) by pressure.
The second strip controls amount of tracked FM from the opposing synth's oscillator on the oscillator by position and cut-off frequency of a 24dB LowPass-filter by pressure.
The third strip controls amount of Osc-FM on the filter by position and amount of filter resonance by pressure.
The fourth strip controls a WaveWraping waveshaper by position and how much of it that will be mixed with the preWaveWrapped signal by pressure.
The fifth strip controls amount of LFO-modulation of the oscillator-pitch by position. (Same LFO for both synths). And the pressure controls whether or not the Oscillator will sync with the LFO.
The last strip controls final amplitude of the synth by position and varies the reverb sound by pressure.
This was mainly an exercise in how you can make very expressive patches by simple means with an alternative way of control.
If you wanna know more about the controller I'm uising, please check out this link
Regards
Rasmus Nyåker
Copenhagen Noise Lab"
The Roton
via Gleetchplug
"Taking inspiration from Cornelius Cardew’s Treatise, the Roton is a graphical score for any number of performes and electronic instruments and devices.
The score is a kit made of 23 (for now) circle shaped trasparent plastic sheets that the performer can group and arrange in every way he/she wants."
See Gleetchplug for more info.
Synth Cover - Forty Six & 2 (Version 1)
YouTube via audibleobsession | December 23, 2010 | 0 likes, 0 dislikes
"A healthy dose of Moogs never hurt anyone. I've started working on a synth cover of a great Tool song and this is the first version of Moog scratch tracks. Its mostly Little Phatty and Arturia Moog, laying down a good foundation for the next version; keep posted, as I'm hoping to upload them all as a sort of "making of" series.
I always felt that Tool riffs were perfectly suited for monophonic synths and I'm having a real blast working this one out. Footage is from Archive.org, as usual. Thanks for watching!"
Sinevibes Turbo S AudioUnit video tutorial
YouTube via ArtemiyPavlov | December 23, 2010 | 0 likes, 0 dislikes
"Check out full details at: http://www.sinevibes.com/turbo-s/"
Ensoniq ASR 10 Advanced Sampling Recorder - Basic Review & Comparison
YouTube via TheDaydreamSound | December 23, 2010 | 1 likes, 0 dislikes
"The ASR 10 is by far the most popular Ensoniq sampler and possibly the most popular instrument made by Ensoniq. It's been widely used by musicians worldwide and has been noted to have a very unique sound.
This is a Basic Overview and comparision of the Ensoiniq ASR 10. I'll go over the layout, expansion options, sound quality and do a quick comparison between the ASR 10, the EPS 16+ and the ASR X.
Seasons Greetings!
As Always Thanks For Stopping By!
Subscribe to me on YouTube!
http://www.youtube.com/thedaydreamsoud
Join me on Facebook!
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An improvisation jam on an alternative midi-controller.
An improvisation jam on an alternative midi-controller. from Rasmus Nyåker on Vimeo.
"An improvisation jam on an alternative midi-controller.
All sounds you here is straight out of a Nord Modular G2, straight into the camera. No audio-editing whatsoever.
The G2 is using 2 slots:
The first for collecting and sorting out the data from the controller and making the synthesizer sounds.
The second running some gate sequencers as well as making the drumsounds.
So a bit deeper information about the first slot. The data from the controller (position and pressure) is sent as 24 discrete CC-messages. These are going into separate "Sample and Hold"-modules that are clocked by midi on slightly different time-divisions.
The synthesizer patch is actually 2 simple monosynths, controlled by each sides 6 control-strips on the midi-controller.
The first strip from the left on each side is controlling pitch (quantized in C-minor) by position and waveshape (from sinus to ramp) by pressure.
The second strip controls amount of tracked FM from the opposing synth's oscillator on the oscillator by position and cut-off frequency of a 24dB LowPass-filter by pressure.
The third strip controls amount of Osc-FM on the filter by position and amount of filter resonance by pressure.
The fourth strip controls a WaveWraping waveshaper by position and how much of it that will be mixed with the preWaveWrapped signal by pressure.
The fifth strip controls amount of LFO-modulation of the oscillator-pitch by position. (Same LFO for both synths). And the pressure controls whether or not the Oscillator will sync with the LFO.
The last strip controls final amplitude of the synth by position and varies the reverb sound by pressure.
This was mainly an exercise in how you can make very expressive patches by simple means with an alternative way of control.
If you wanna know more about the controller I'm uising, please check out this link
Regards
Rasmus Nyåker
Copenhagen Noise Lab"
Prog Cat - Cat From Uranus - Synth Playing Cats debut gig
YouTube via kingdulcimer | July 24, 2010 | 1 likes, 0 dislikes
via CatSynth
"FLAMIN DARWIN RECORDS PRESENTS... OTTO "GENTLE DIAMOND" SMOTHERS-SMITH, CAT OF SATURN SMITH (FROM REX ROPE & FRIENDS). DEBUT PERFORMACE, LIVE FROM THE TIME TRAVEL INN, CAMDEN. BOOKING INFORMATION: HTTP://FLAMINDARWIN.BLOGSPOT.CO.UK
"BIG SALADS" - REX ROPE
"THE MOST FEROCIOUS IN THE WORLD, DESTROY!" - MAL THINGTON JR
"OPTIONS ARE NOT YOU FRIENDS" DOGGY ASHCROFT"
YAMAHA CE20 ANALOG SYNTH
via this auction
Update via daden in the comments: "this seller got it all wrong each time i see his auctions..way crazy prices..apart from that the ce20 is a early fm preset box;with a sound of its own.and is velocity sensitive." previous posts on the CE20
"AKA the KITARO SILK ROAD LEAD VOICE synthesizer. This Yamaha CE20 keyboard is an unusually expressive instrument, with a rich palette of mono lead voices, as well as 6 Polyphonic voices/presets. Includes the magic "SYMPHONIC" button that adds a richness even beyond the ensemble effect on a Korg PolySix.
Know what a Marshall Time Modulator is? It's a $2600 rare sound processor. What it does is the closest I've heard to what the ANALOG SYMPHONIC MODULATOR of this unit does. I believe the CE-20 was Yamaha's first commercially available FM synthesis tone generators (forerunner to DX-7 et al). Coupled with the exotic ANALOG SYMPHONIC MODULATOR, this rare instrument is a hybrid of FM and analog sound generation/ modification technology of decades ago.
But what really sets this one apart from the pack is its unique after-touch pressure sensitivity, and how it's routed.
Sounds are highly realistic and remarkably natural as they are generated with "advanced FM tone generator technology" and processed with the rare, proprietary ANALOG SYMPHONIC MODULATOR which takes up 40 square inches of real estate on one of the two major PCBs. Also note the "Glide Controls" on the left hand cheekblock. Portamento ("Glide" has never been so instantly and handily available (except perhaps on an ARP 2600 keyboard).
HERE'S THE EXPRESSIVENESS DEPARTMENT - WHAT MAKES THIS AN INSTRUMENT instead of just another synthesizer. Note the depth/rate and delay controls on pressure-sensitive Vibrato....plus the aftertouch control of Tone Initial and AFTER!
INCLUDED: what you need to get the maximum out of this extraordinary instrument- a NEVER USED Yamaha EXPRESSION PEDAL, AND A VINTAGE, AUTHENTIC YAMAHA SUSTAIN SWITCH. A printed copy of the full original USER'S MANUAL is also included.
Update via daden in the comments: "this seller got it all wrong each time i see his auctions..way crazy prices..apart from that the ce20 is a early fm preset box;with a sound of its own.and is velocity sensitive." previous posts on the CE20
"AKA the KITARO SILK ROAD LEAD VOICE synthesizer. This Yamaha CE20 keyboard is an unusually expressive instrument, with a rich palette of mono lead voices, as well as 6 Polyphonic voices/presets. Includes the magic "SYMPHONIC" button that adds a richness even beyond the ensemble effect on a Korg PolySix.
Know what a Marshall Time Modulator is? It's a $2600 rare sound processor. What it does is the closest I've heard to what the ANALOG SYMPHONIC MODULATOR of this unit does. I believe the CE-20 was Yamaha's first commercially available FM synthesis tone generators (forerunner to DX-7 et al). Coupled with the exotic ANALOG SYMPHONIC MODULATOR, this rare instrument is a hybrid of FM and analog sound generation/ modification technology of decades ago.
But what really sets this one apart from the pack is its unique after-touch pressure sensitivity, and how it's routed.
Sounds are highly realistic and remarkably natural as they are generated with "advanced FM tone generator technology" and processed with the rare, proprietary ANALOG SYMPHONIC MODULATOR which takes up 40 square inches of real estate on one of the two major PCBs. Also note the "Glide Controls" on the left hand cheekblock. Portamento ("Glide" has never been so instantly and handily available (except perhaps on an ARP 2600 keyboard).
HERE'S THE EXPRESSIVENESS DEPARTMENT - WHAT MAKES THIS AN INSTRUMENT instead of just another synthesizer. Note the depth/rate and delay controls on pressure-sensitive Vibrato....plus the aftertouch control of Tone Initial and AFTER!
INCLUDED: what you need to get the maximum out of this extraordinary instrument- a NEVER USED Yamaha EXPRESSION PEDAL, AND A VINTAGE, AUTHENTIC YAMAHA SUSTAIN SWITCH. A printed copy of the full original USER'S MANUAL is also included.
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© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
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MATRIXSYNTH - EVERYTHING SYNTH
© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH