“TRON LEGACY” – Sound Panel from Michael Coleman on Vimeo.
Making the exception on this one as specific gear for the most part isn't discussed. This one is more about sound design, processing and use of plug-ins. Starts with the light cycles and use of filter, resonance and pitch sweeps. Avid's reNOVAtor gets a mention about 20 minutes in for cleaning up audio. Avid of course is the company behind the new M-Audio Venom. Vocal processing and effects come in around 31 minutes but no mention of what was used. De-rezzing and disk audio effects come in around 40 minutes. Light cycle formation sound is revealed right after the one hour mark. See if you can guess what it is.
"Explore the sound and music of "TRON LEGACY", the long awaited sequel continuing the adventures through the world inside your computer.
The sound team behind the film will take you behind-the-scenes of the science fiction epic, presenting special excerpts from the movie. Watch how the sound team approached various elements of the mix and edit while they tell you the stories behind them.
Guiding you through their digital realms will be Supervising Sound Editor Gwen Whittle, Sound Designer Steve Boeddeker, Music Supervisor Jason Bentley, Re-recording mixer Gary Rizzo, and Film Editor James Haygood, ACE.
Filmed on January 12, 2011 at the Walt Disney Studios, Burbank, CA.
For more exclusive videos check out SoundWorksCollection.com
Join the SoundWorks Collection Vimeo Channel: vimeo.com/channels/soundworkscollection"
I prefer this guys sound design for the new Tron.
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Actually its is all great! ant wait for the DVD release :-)
ReplyDeleteWow, this reminds me about how terribly disappointing the sound design for tron was.
ReplyDeleteI was disturbed by the remains of that whining from the EL-wire throughout the movie.
Didn't they notice that overtones of the whining was still there?
And the fact that they didn't just desig a new pwm driver for the el-wires?
Man, it's shocking that they hire such average skilled sound designers for such a big movie.
In contrast, the sound design special features for WALL-E were excellent.
ReplyDeleteI haven't seen Legacy, but I have no doubts that it's not going to be groundbreaking in any such way.
I would think unfortunately the hip, Matrixyness of it they kept pushing in the previews along with the corporate say so that quite probabaly dictated the entire direction of the movie, kept it well away from the potential it could have had.