MATRIXSYNTH: Monday, February 21, 2011


Monday, February 21, 2011

Vintage Simmons SDS-9 Drum Synth


via this auction

"The SDS9 is a 5-drum kit, comprising bass, snare and 3 tom-toms, triggering up to 40 complete “drum kits” (20 factory and 20 programmable presets). Hitting a specific pad triggers the corresponding channel on the ‘electronics’. A microprocessor controls the dynamic (or volume) of each individual ‘hit’ giving a sensitivity to playing previously unheard of in electronic drums: a ‘real’ drum feel, in fact! The Simmons SDS9 gives you the sounds, feel and control of acoustic drums plus all the sounds and advantages of electronic drums. The SDS9 electronically synthesises the sounds of each drum. The bass, snare and toms use different methods of synthesis – each the most appropriate for the sound and control you require. The bass is software generated directly by the computer. The snare/rim are digital samples of acoustic drums. The tom-toms are synthesised using analogue circuitry. The tom also have unique ‘second skin’ switch to match the sound and response of a double headed acoustic tom. The program/store memory facility allows you to build up your own drum sounds. These programmed sounds can be saved to tape, giving you almost limitless capacity to store new sounds, or recall previously stored sounds. There is also a sophisticated automatic trigger that allows sounds to be reviewed without hitting pads, and a mode where the drums can be triggered by button tapping. The SDS9 is the first drum kit that has a built in MIDI interface. This is completely assignable in terms of voice changes and note values. By using the MIDI interface you can directly interface with many available keyboard synthesisers and play their voices from pads. You can also use MIDI real time recorders/sequencers to record your playing and then playback the SDS9 exactly as you played it. Another interesting feature of the SDS9 is its built in programmable echo. This programmable effect can be used for single slap-back echo or for long repeating echoes to produce stunningly unique rhythmic-ic-ic patterns and eff-eff-ects-ects.

ARP ODYSSEY ANALOG KEYBOARD SYNTH

via this auction

Dave Smith Instruments Prophet 08

via this action

Pittsburgh RaisedByMachines: Little Soundcloud


"A sparkling moog, Radias, and M3 song by Raisedby Machines. Moving patterns and textures creating a light moving and sound healing song."

"About Raisedby Machines
A true Story.
In the shadow of Sputnik, brought forth into 1g, weighing slightly more that 1kg, I arrived with zero chance of survival.
Immediately after receiving “last rites,” I was delivered to an isolette which provided breathing and temperature regulation. The life-sustaining pseudowomb provided my basic needs but for the next eighteen months, I was deprived of human touch as it was a commonly held belief that biologic contact would result in the transfer of disease.

Minimally held by glove-wearing staff, viewed over masks through tempered glass, the constant vibration of life-giving systems coursed over and through me…attenuating threats of an outside world and providing rhythm and breadth to my being.

'All watched over by machines of loving grace.' --Richard Brautigan"

Raisedby Machines is also Life in Balance

FIN Presents Superwave P8 1.1 Demo.wmv


YouTube via FloridaIndustrialTV | February 19, 2011 | 3 likes, 0 dislikes

"Just playing around with SuperWave P8 in FIN Studios"
Roland JP-8000 emulator.

Circuit bent Kawai XD 5 XD-5


YouTube via stylinghead | June 13, 2009 | 8 likes, 3 dislikes

"Circuit bent Kawai XD-5 driven by Elektron Machinedrum with a bit of tape delay and spring reverb."

56 tv


YouTube via comemelinhos | February 21, 2011

EFFECTOR 13 TEST PATTERN DEMO1


YouTube via devieverfx | February 21, 2011

New! Ableton m4l tutorial: modulate any device parameter, dubstep style, with Max for Live!!


YouTube via eameres2 | February 19, 2011 |

"Watch this in full screen in HD to really follow what's happening!!!!

Use this quick max for live device to modulate any device parameter dubstep and dnb style! Add as many LFOs (low frequency oscillators) to Operator, or any other device as you like!"

via Resonant Filter

Sequential Circuits Pro One

via this auction

"It's the J-wire version, with the good power supply."

cat not included?


OLAND JUNO 106 PROGRAMMABLE POLYPHONIC SYNTHESIZER

via this auction

Roland SH-101 with Mod Grip

via this auction
"Comes with the optional Mod Grip and sholder strap so you can do your best Devo impressions. Also included is a 1/4" to 1/8" headphone adapter so you can use walkman-type headphones (man, I must be dating myself.... ipod type headphones). Also included is a wall adapter. No batteries included, but this can be battery powered for portable use. As you can see from the picture, batteries have never leaked or corroded in the battery compartment.

Here is a link to the user's manual direct from the Roland USA web site: http://media.rolandus.com/manuals/SH-101_OM.pdf

Wikipedia entry for this great synth: http://en.wikipedia.org/wiki/Roland_SH-101

Here is a better review than I can do, with links to download samples: http://durftal.com/music/edmx/dmxstudio/sh101.htm

A little google will find you a lot more."

MTI Auto-Orchestra

via this auction

Alesis Andromeda A6 Pics

Pics via offaxis on the forum. Click on each pic for the full size shots. This A6 is for sale in the UK.

Macbeth M5 meets Tenori-On


YouTube via jenamu6 | February 21, 2011 |

"Ambient piece that erupts into a M5 massacre.

Tenori-on is sequencing everything.
Strings Roland Alpha Juno
Synthsound Macbeth M5 through EHX memory boy deluxe.
Drums Tenori and Korg Emx"

K4815 Pattern Generator Jam


YouTube via shiftedphase | February 21, 2011 | 0 likes, 0 dislikes

"Here's a little experiment I did with my Kilpatrick Audio K4815 Pattern Generator. I've got a pair of K3020 Dual VCOs... one is making the sound with the second channel modulating the blend mix. The second K3020 is used as the clock source for the K4815 Pattern Generator, with the first channel being the primary clock and the second channel ramping the speed up and down, as well as changing the K4815 playback direction.

Sorry about the low audio, my phone doesn't do a very good job with its built-in mic."

48 Buchla 259e Complex Waveform Generator Scoped


YouTube via 7thDanSound | February 21, 2011 |

"The 259e is an amazing device. Since last time I've had a few requests to show the waveforms better on the scope. I was a bit hesitating so I asked the very nice people at Buchla and they sad no problem. So here's a video where I try to show how the module actually works and what the waveforms look like. It's a bit longer than usual and may be boring to some but I thought I'd offer this for the interested. For the rest of you, just skip through and you'll find some examples of just how amazing this fine module can sound. I'm being impressed every time I play it and this video is just the tip of the ice berg on this one!"

When life gives you a broken Korg Polysix...


YouTube via andreanjos | February 21, 2011 |

"...just roll with it.

http://remixartistcollective.com"

FL Studio Guru - Wobble Bass


YouTube via imageline | February 21, 2011 |

"To download the projects featured in this video click here: http://forum.image-line.com/viewtopic..."

Roland R8 - Human Rhythm Composer - Circuit Bending


YouTube via hesed23 | February 21, 2011 |

"5 Switch not much but stable ;)

www.atm23.net
www.discrete-audio--solutions.com"

More Synth Pics via By elektrobahnmusik

flickr By elektrobahnmusik
(click for more)

ARP Axxe
Crumar Spirit
Octave Cat
Custom Sequential Circuit Pro-One minus keys

Update: flickr link added above.

FWD.dj Presents Droid Behavior: Drumcell Interview


YouTube via FWDdotdj | February 21, 2011 |
some synth spotting
"Moe Espinosa aka Drumcell, Droid Behavior Co-Founder and Droid Recordings Founder, discusses his introduction to electronic music and rave culture, his production process in the studio, some of the gear that's crucial for the Drumcell sound, and the beginning of Droid Recordings.

Crew:
Executive Producer, Editor: Sam Allman
Director, Camera, Lights: Chris Parise
Interview: Alex Talan

Special thanks:
To Drumcell and all of Droid Behavior for letting us shoot in the studio and for the extra party footage.
To Lucy from Stroboscopic Artefacts for setting this whole thing up."
via TRASH_AUDIO

X-Tension (x0x b0x X2 | Korg ES-1)


YouTube via Elektriber | February 21, 2011 |

"Live"

Leakage (x0x b0x X2 | Korg ES-1)

Elektriber | February 20, 2011

Dirty Electronics : Solder a Score @ ICA London


YouTube via eddie23a | February 21, 2011 |

"Dirty Electronics : Solder a Score @ ICA London 16th to 20th Feb 2011
The composer and instrument maker John Richards takes up temporary residence in the gallery with Solder and Score, a unique participation opportunity for visitors to the ICA. Over the course of five days workshop attendees will build a large patchwork quilt-like instrument and co-write a musical score with John, culminating in a group performance and auction. Referring to his process as Dirty Electronics, Richards conjures electronic phenomena at odds to those found in today's mass produced digital culture and utilises characteristics such as designer trash, hand-made, ready-made, hacked, bent, fedback and kitsch in the process.
For Live Weekends: Notation and Interpretation, the proposed workshops will immerse attendees in the interplay between process and performance beginning on the workbench, co-devising the modules that will form the 'instrument' and then extending onto the stage. The workshops will be informed by a musical score written especially for Dirty Electronics by sound artist Nicholas Bullen (founder member of Napalm Death and Scorn and a frequent collaborator with artist Mark Titchner).
http://www.ica.org.uk/27692/Music/Dir..."

Octatrack Slice Tutorial, Part 1


YouTube via Catabolicdj | February 21, 2011 |

"Here's a turbo-start to using one of the most powerful (and fun) aspects of the Octatrack, the slice function. This video is for those who are looking to get started on the Octatrack as opposed to established users. The Octatrack is quick to work with once you get a few basic ideas nailed down. After watching you should be slicing within minutes. HD video available so you can get a detailed look at the screen."

Vintage analogue synthesizer Eko Ekosynth P15 "Digital System"


YouTube via booksforsaleATebid | August 07, 2009 |

"I think this synthesizer was manufactured in 1979.

Although described by the manufacturer as a "digital system", it is an analogue synthesizer. The 'digital' refers to the type of circuitry employed i.e. silicon chips rather than transistors - so I am told.

The audio is to give you an idea of what the synthesizer is capable of, even though it seems to have a number of faults - you can read more about this on ebid.net, ( http://uk.ebid.net/stores/booksforsale ) go there and enter the following search terms: Eko P15

You will of course realise that I am no musician, that is not the purpose of the audio, I just want you to hear what the synth can do. There are no effects, it is totally dry, apart from a little compression.

It reminds me of the early Roland synthesizers in look and sound.

This synthesizer is rare. It will be an excellent project for anyone who likes to get these 'old dears' back to how they were in the land of Kraftwerk, Gary Numan and Ultravox."



via this auction

"This is an original 1979 suitcase synth made by Eko, better known for organs and guitars. Due to the companys organ background its got a great keyboard feel. It sounds brilliant with really present and deep oscillators that are massively tweakable from all the knobs and sliders, ranging from subbed out to lfo madness., a completely different sound to say Roland synths. Obviously pretty rare, this one is in good condition having just been serviced. This is an excellent and unusual bit of gear.

It says "digital system" on the front panel, but that refers to the fact that most of the circuitry consists of Integrated Circuits rather than indivudual components.
There are 15 preset sounds (Hence, P15). You can play them as they stand, or switch the Voltage Controlled Filter (VCF), and Voltage Controlled Amplifier (VCA) into "manual" mode, and tweak the sound anyway you want. There is also a full LFO section, capable of affecting the Oscillator, and the Filter. (Wah Wah and Tremolo). The VCO functions can be delayed as well. (as per Roland Juno)!"

Powertran Transcendent 2000


YouTube via telecastersteve | March 05, 2009 |

"2nd youtube video of Transcendent 2000, all the parts were played on this synth using SONAR and a digital delay..no other synths used!"

via this auction
"Wave Shapes - Pulse / Saw / Triangle / Noise
1 Oscillator / Sub Oscillator
1 Filter - LPF / BPF / Self-Reso 2 Pole
2 Envelope Generators - ADSR / AD
Midi Control via CV Gate
37 keys

Some things you may not know about this surprising synth –
1. The ADSR envelope generator can be set to repeat mode, turning the envelopes into a
second (low-range) LFO.
2. The ADSR envelope generator can be bypassed, allowing the oscillator to sound indefinitely, perfect for drones, wind noises etc.
3. The triangle Wave Shape is adjustable from a ramp to a sawtooth allowing some rather subtle, delicate timbres to be created.
4. There is also VCF input that takes the supplied expression pedal, allowing the filter’s cutoff to be played like a wah-wah. Talking of which, the filter can self-resonate with the best of them and can be switched between BP and LP modes."

Monotron Routing iPod


YouTube via Saibot216 | October 04, 2010 |

"I routed my iPod through the Monotron's auxiliary jack and was able to do... magical things. The song I'm using is "Der Tor Ist Ein Dandy" by Einsturzende Neubauten"

And some music via Saibot216 aka Fafhrd:

glitter box.mov


YouTube via drmoonstien | February 21, 2011
drmoonstien on eBay

black thing with lofi envelope generator.mov

drmoonstien | February 21, 2011

Roberson Audio RA Mowg, Oddy-Free and Prophanity



via Roberson Audio

"RA Mowg

The Roberson Audio Synthesizers interpretation of the MiniMoog Model D synthesizer."

From the ReadMe file:
“This synth is meant to be a model of the Minimoog Model D synthesizer, and a lot of time was invested to get it the way it sounds, including oscillator and filter character as well as modulation struction and response.

A few notes to keep in mind before you get to playing with it:
-The synth was built with 48khz sample rate in mind, so it may not sound the same in other sample rates (generally though, higher will not have negative effects)

-Even though a mod wheel is not present in the graphical portion of the synth, using the mod wheel on your keyboard still has the same effect as the real synth

-There is a switch on the synth for an external input. In a real Minimoog, this could receive any audio input, but for this plug-in it has been hardwired as a feedback loop from the audio output of the synth. Be careful pushing the volume of it too high!

-The synth is completely monophonic, with priority given to last note played. Realism has been sacrificed for playability, but I believe it is a good trade-off in this instance.

-Update Version 1.2 *IMPORTANT*

-Made a few modifications, basic playability is largely unchanged. Most mods came in the form of filter modifications, it is BIG sounding now. Also, can resonate itself into oblivion, which itself can be dependent on what sample rate you are using, so BE CAREFUL. You’ve been warned. Some patches from prior versions may then have problems or may cause unwanted side-effects, so load them with caution.

Any updates will be reflected in this document with the corresponding update packs. If you have any questions or comments about the synth, you may refer them to blu_gruv@lycos.com, or contact me on KVR Audio under the screen name “Chris Roberson”.

Artwork for the instrument was provided by Modeler of KVR Audio forums. Truly brilliant work if I do say so myself.

I hope you enjoy using the synth, and look forward to hearing what you have to say about it.

Cheers,
Chris Roberson
Roberson Audio Synthesizers”



From the Readme file:

'The absolutely fantastic artwork and GUI were done by androidlove and Modeler of KVR, many many
thanks to him as the synth just wouldn’t be the same without it.

Now onto business…

The Oddy-Free is quite apparently a emu of an Arp Odyssey Mk.II, and much attention
to detail was given in the layout of the signal path to have it behave as accurately
as possible. Granted it does have just a touch more umph than most originals would,
this particular emulation was based on the “illegal” filter versions based on Moog’s
-24dB Low-Pass filter, so it sounds quite a bit smoother and richer but at the same
it can produce the harsh metallic tones known from the Odyssey.

I really hope you enjoy the synth, I know that I enjoyed making it. It brings me joy to
release free models of synth emulations that otherwise one may have to pay out the nose
to get.

If you liked the synth and/or were able to find good use of it, please vote for me
and it as the number one entry in the KVR Developer Competition ’07.
——————————————————————————————

Update Version 1.1
Changes:
–new face panel, a little bit of a more realistic touch.
–fixed spelling issues on face panel
–fixed masking problem with slider cap graphics, so there is no longer the black box
around the caps (rather nice fix)
–added “analog” features, including oscillator and filter instability, along with a few
minor affects on related components, also a very subtle power supply bleed-over to
related components.
–added a slight filtering to the final output to reduce the unrealistic high end of the Oddy
just a slight amount for accuracy purposes.
–added voltage and amplification mods to waveforms to enhance edginess of waveforms
and certain modulations (you may need to correct previously made patches.)
–added user-made patch banks and individual FXP files for the Oddy, hopefully you’ll enjoy. :)
–and probably some other things I forgot at 2 in the morning. :D

Updated Version 1.2
Changes:
–numerous internal changes to oscillator structure, including totally different oscillators to begin with
–modified filter to behave differently and a little more “analog”.
–removed much pre-EQ in the signal path, making it a much easier to mix instrument
–removed older user patch banks from pack, they became incompatible with new oscillators and filter.”

-Update Version 1.4 *IMPORTANT*

-Made a few modifications, basic playability is largely unchanged. Most mods came in the form of filter modifications, it is BIG sounding now. Also, can resonate itself into oblivion, which itself can be dependent on what sample rate you are using, so BE CAREFUL. You’ve been warned. Some patches from prior versions may then have problems or may cause unwanted side-effects, so load them with caution.

Cheers,
Chris Roberson
Roberson Audio Synthesizers"



From the ReadMe file:

“Hi and thanks for downloading Prophanity, the Prophet 5 clone.

I know it’s been a long time coming, so I hope you enjoy.

There isn’t a terrible lot to say for the synth, it’s a model of the Sequential Circuits Prophet 5. Much time was given for attention to detail in nearly every aspect of the instrument, and most every subtlety has been accounted for.

The excellent artwork was done courtesy of Modeler of KVR audio.

If you have any comments or requests or problems/questions with the synth, my email is blu_gruv@lycos.com, and can also be found at www.myspace.com/mrblugruv.

Hope you enjoy the synth.

UPDATE VERSION 1.1:

-Added unison mode

-implemented new oscillators, which behave more accurately in poly-mod section

-modified filter design to sound more pleasing

-changed envelope response to exponential, no more linear envelopes

-added per-voice instability, to simulate the multiple signal path architecture of the original

UPDATE VERSION 1.2:

-fixed some oscillator distortion problems

-massively overhauled filter/preEQ to make it more pleasing and technically correct

-many small adjustments to hone behavior to that which is closer to original

-Update Version 1.4 *IMPORTANT*

-Made a few modifications, basic playability is largely unchanged. Most mods came in the form of filter modifications, it is BIG sounding now. Also, can resonate itself into oblivion, which itself can be dependent on what sample rate you are using, so BE CAREFUL. You’ve been warned. Some patches from prior versions may then have problems or may cause unwanted side-effects, so load them with caution.”

The end result of all this is a (hopefully) more true-to-life representation of the original. As mentioned above, direct any questions to blu_gruv@lycos.com, www.myspace.com/mrblugruv, or find me on KVR under the user name “Chris Roberson”.

Sincerely,
Chris Roberson."

"Bug machines I & II" (electronic drumtrack) by Zviij



"Bug machines I & II" (electronic drumtrack) by Zviij — Beat making production by Zviij
""Bug machines" (drum track) by Zviij — © 2011
Beat making production: electronic drumtrack w/ Elektron Octatrack, Jomox M-Base 01 & M-Resonator + Oto Biscuit (raw file)

http://www.zviij.com
http://www.vimeo.com/zviij
http://www.youtube.com/zviij
http://www.facebook.com/pages/Zviij/186822201343111
Release date: Feb 21, 2011"

"Archangel's Thunderbird" by Mauve La Biche feat. Cary Grace


YouTube via Door13Music | February 20, 2011 |

"The legendary Mauve La Biche covers the Amon Düül II song "Archangel's Thunderbird" (single release coming soon) with guest vocals and electronics by Cary Grace [ http://www.carygrace.com ].

Guitars and bass by Andy Budge.
Drums by Mark Lilley.

Mixed-media video production by Grant Richter of Wiard Synthesizer Company in collaboration with Cary Grace."

via @carygrace "The latest offering from Wiard Pan-Galactic Headquarters and Cary Grace (Buchla 200, Putney)"

COMDYNA LGP-20 Analog Computing System

via this auction
As always, the seller's description:
"This machine is a combination of two Comdyna GP-10 analog computers and a MicroHybrid I digital control and interface system. It is one of only 20 made for the US Navy for use in their control laboratory schools. It offers 20 Operational Amplifiers, multipliers, coefficient setting pots, etc etc. The MicroHybrid has comparators, two counters, and I/O facilities for controlling the two GP-10 machines. The Operator's and Maintenance Manual, as well as various descriptive brochures, are included. It is assumed you have a basic familiarity with analog computation techniques, and the proper math backround to be able to set up the programming.

I purchased this machine some years ago for use in experimental music synthesis and composing. It was to be an expansion of my Comdyna GP-6 machine (which I am using currently). It was purchased in the condition shown and described below. My music research has branched out into other channels, so this Computer is not going to be used for the original purpose. Time to get it out of storage in into use!

This LGP-20 apparently had it's control panel broken at some point in it's life, and another LGP panel was provided. The replacement panel was cut out of a machine, and has a power transformer and the external sockets, as well as a connector for the regulator board attached. These parts are also on the main machine. The control panel harness must be spliced into the existing wiring. The main machine harness has bits and pieces of the switches, etc still attached. The clean-up and splicing job should take about an hour for a competent tech to perform.

The Power Supply regulator board is missing. There are three main options:
1. If one is still available from Comdyna, purchase it. Even a 'blank' board can then be easily populated.
2. Make a new board. All parts are common and are instantly available from Mouser, Digikey, etc,. The complete schematics and layout is in the Manual.
3. Operate the System using external power supplies - plus/minus 15VDC, plus/minus 10VDC (well regulated) and plus 5VDC for the MicroHybrid is required. Current is an amp or two, and there are many supplies which will do the job.

I have recently powered up the MicroHybrid portion of the System and it appears to be working as it should.

If you are experienced in basic electronic-technician level work, or can enlist the services of someone who is, restoring this machine will be easy. I just have too many other projects currently to allow the luxury of time needed for it." This one in via Brian Kehew.

Update via dkelvey in the comments: I have a LGP-20 that is working. I just this last weekend had it doing spyrogrphs at the Maker Fair in San Mateo, CA. I can assist in connecting the wires by giving someone a point to point listing. I'd be most interested in a copy of the LGP-20 manual though. That I don't have. See a quick flash of my machine and output at: http://www.youtube.com/watch?v=bDnIGM-J4Os [comes in at 1:30]
Dwight "

Helmatronic Challenger in the Flesh


via OurDarkness on Gearslutz

CV & MOD BUSSES
"Modulation Sources:
1. The square output of the LFO
2. The triangular output of the LFO
3. The upwards sawtooth output of the LFO
4. The downwards sawtooth output of the LFO
5. S&H
6. Oscillator 4
7. External In 1
8. External In 2
9. Env (the envelope from VCF1)

Modulation Destinations:
1. Oscillators (individually)
2. Filters (both)
3. Pitch (equivalent to modulating all oscillators simultaneously)
4. Pan

Mod Wheel Range:
Specifies how much the modulation wheel affects the modulation between source and destination.

1977 ARP Odyssey Ad


via Retro Synth Ads where you'll find the write-up.

Hartmann Neuron VS


flickr By mushboy
(click for more)

"Nuke controller"

bielefeld 4502

flickr By s.alt

"wow switch"

Roland SH-2000

little jam session


YouTube via felmoe | February 21, 2011 |

"little jam session" Vermona Perfourmer

ETHER^RA STUDIO

via ethera.blogspot.com

Buchla
Folktek
Chimera
Yamaha Tenori-On


ether^ra STRATEGIC OPTION 1
YouTube via potterpaint2000 | February 21, 2011 |

"a Buchla 200e improv, live and looped. http://etherra.blogspot.com/"

ether^ra STRATEGIC OPTION 2


ether^ra STRATEGIC OPTION 3



Update: all three vids added above in order.

MOOG 1125 Sample & Hold vintage analog modular cv unit

via this auction

"The 1125 is a unique voltage accessory made for early Moogs with the multi-pin Cinch-Jones jack. It is a nicely featured S&H with some interesting features like scale, pattern, and a manual "Sample" button. This Moog accessory is very rare.

This 1125 was recently serviced by Switched On Music Electronics and is working perfectly. It has newly wired connectors and plugs. The cosmetic condition is very good--a few small scratches here and there."

Vintage Moog 1125 Sample & Hold Controller

via this auction

"Like Hen's Teeth!!

super-rare vintage Moog 1125 Sample & Hold Controller for use with your original Minimoog or modular Moog synth. This one was manufactured in 1977 by Moog Music Inc. at their Buffalo, New York HQ.

Complete with all original fitted connectors, there are just four plugs to hook up, and you can be up and running in a jiffy. There is a 6-pin Jones plug for power (from the Minimoog), an S-Trig plug and two jack plugs to trigger oscillator pitch and filter (or volume).

It generates random or sawtooth samples or a combination of both, varied by slider. Scale and glide are varied in a similar way. There is a wide/narrow scale span switch, variable rate (speed) and pattern rotary controls, separate output switches and short/long trigger switch."

MOOG 1150 Ribbon Controller

via this auction
"The 1150 is a classic Bob Moog innovation. It sends CV and Gate out and is the preferred interface for many performers. This item works with early Moogs with the Cinch Jones accessory connector.

This 1150 works completely, but the gate is occasionally inconsistent if you don't touch it in the right place (perhaps due to some oxidization on the touch plate). There is a sweet spot on the touch plate that will send gate correctly all of the time. The ribbon has a slight voltage drop once the gate is released. It will require a wiring harness (like the one included with the Moog Sample & Hold in my other auction) in order to make it useful. The cosmetic condition is very good--with some light wear here and there."




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