The Fundamentals of Synthesizer Programming

Fundamentals of Synthesizer Programming pt.1 from Moog Music on Vimeo.

via Moog Music
"Moog Music Inc. is proud to present Dr. Joseph Akins’ five part series on the fundamentals of synthesizer programming. Dr. Akins is an associate professor at Middle Tennessee State University and strives to teach his students a complete understanding of synthesizers and computers as tools for modern music production. In this five part series Dr. Akins uses a Voyager to teach the process through which a synthesizer’s sound is generated and the techniques needed to program your own sounds and sonic experiments. In part one of this five part series Dr. Akins gives a brief history of synthesizers, goes over basic synthesizer theory, and overviews basic signal flow."

The Fundamentals of Synthesizer Programming Pt. 2

YouTube Uploaded by MoogMusicInc on Feb 9, 2012

"In part two of this five part series Dr. Akins goes over operation of a synthesizer's two main sound sources the oscillators and the noise generator."

The Fundamentals of Synthesizer Programming Pt. 3.mov

YouTube Uploaded by MoogMusicInc on Feb 17, 2012

"In part three of this five part series Dr. Akins goes over signal modifiers and filters."

The Fundamentals of Synthesizer Programming Pt. 4

YouTube Uploaded by MoogMusicInc on Feb 24, 2012

"Moog Music Inc. is proud to present Dr. Joseph Akins' five part series on the fundamentals of synthesizer programming. Dr. Akins is an associate professor at Middle Tennessee State University and strives to teach his students a complete understanding of synthesizers and computers as tools for modern music production. In this five part series Dr. Akins uses a Voyager to teach the process through which a synthesizer's sound is generated and the techniques needed to program your own sounds and sonic experiments. In part four of this five part series Dr. Akins gives an in depth lesson on the envelope generator."

The Fundamentals of Synthesizer Programming Pt. 5

YouTube Uploaded by MoogMusicInc on Mar 2, 2012

"In part four of this five part series Dr. Akins gives an in depth lesson on the low frequency oscillator or LFO."

Also see: New York School of Synthesis - Intro to Synthesis

Roland Museum Germany Massive Synthesizer Selloff - Most Gear for Sale in a Single Auction

Note: Auction links are affiliate links for which the site may be compensated.

This one in via Marko of Retrosound.de.

26.000,00 Euro gets it all.

via this auction

Someone needs to contact the Guiness Book of World Records. Longest list of gear for sale ever:

CLICK FOR MORE »

"Dr. Bob's Modular" Benefit Sample Library for Bob Moog Foundation

"Acclaimed Sound Designers Drew Neumann and Kevin Lamb Create Dr. Bob's Modular Sample Library to Benefit the Bob Moog Foundation

December 1, 2010 – Asheville, NC/Los Angeles, CA – California-based sound designers Drew Neumann and Kevin Lamb have joined forces to create a sound library entitled Dr. Bob's Modular as a benefit for the Bob Moog Foundation. Sounds from Dr. Bob's Modular were sampled from a vintage modular Moog System 15 belonging to collector Dr. Howie Shen. The sample library of unique modular synthesizer sounds is available in the Native Instruments Kontakt 3.1 format at http://www.droomusic.com/dn_prodbundles.php.

The complete library of over 120 sounds is available for $50, while smaller bundles of 13 sounds each are available for $10 apiece. Purchase of the entire library offers significant savings. All bundles come with a special BMF electronic drum kit. Two compositions made with sounds from the library, “Bad Monkeys” and “BMF Carol of the Bells,” can be heard at www.droomusic.com and SoundCloud:


[Bad Monkeys get loose in the house. A short demo...

This was done entirely with one analog synth, a vintage Moog System 15 Modular loaned to me by Dr. Howie Shen. All sounds were generated on the synth, sampled using Redmatica software and loaded into Kontakt. Sequence written using Digital Performer. No monkeys were harmed.]


[Another one--this was also done entirely with the vintage Moog System 15 Modular loaned to me by Dr. Howie Shen. All sounds were generated on the synth, sampled using Redmatica software and loaded into Kontakt. Sequence written using Digital Performer. This showcases a sound set that will be sold at www.droomusic.com starting December 1, 2010 as a fundraiser for the Bob Moog Foundation. 50% of all proceeds go directly to the foundation. Happy Holidays!]

Fifty percent of all proceeds from the purchase of the library and bundles go to benefit the Bob Moog Foundation.

Dr. Bob's Modular is a downloadable-only sample library created to honor synthesizer pioneer Bob Moog's memory and to support the Foundation's mission of igniting creativity at the intersection of music, history, science, and innovation. Kontakt was chosen because it is a widely supported platform with powerful synthesis capabilities of its own. Kontakt supports monolithic file formats that make Web downloads and installations easy. There is a free downloadable Kontakt Player available at Native Instruments' website.

The full version of Kontakt is recommended for users who would like to dig deeper and want to edit and create their own new sounds using the raw waveforms.

Droomusic.com is a work of collaboration between award-winning and renowned composers/sound designers Drew Neumann and Kevin Lamb, who have nearly 70 years of combined experience working with analog synthesizers, both as builders and as players. The website offers extremely affordable sounds ready for immediate download.

Neumann and Lamb state, “Both of us became interested in electronic music through Dr. Moog's wonderful instruments—a passionate interest that led to our careers. We feel that this is one way we can give something back, to help a new generation discover music technologies, and to honor Dr. Moog's highly influential work.”

Drew Neumann (www.drewneumann.com) is an L.A.-based musician and composer of film and television scores for Disney, Paramount, MTV, Nickelodeon, and Cartoon Network. He created the soundtrack of the science fiction animated series Æon Flux and has composed music for many other shows including The Wild Thornberrys, The Grim Adventures of Billy & Mandy, and Aaahh!!! Real Monsters. He studied film, animation, and composition at the California Institute of the Arts. In addition, Neumann has contributed sound design and music composition for a variety of synthesizers, sound libraries, and software and computer products.

Kevin Lamb (www.premeditatedmusic.com) has worked as a keyboardist, synthesizer programmer, keyboard tech, and engineer for a number of notable international acts such as the Temptations, Chad Hugo (Neptunes), Guitar Legends, the BBC, John Wetton, Phil Manzanera, Tam White, Boz Burrell, Heitor Pereria, Steve Goodman, Simply Red, Thompson Twins, Icehouse, Vitamin Z, Take 6, The End, The Doors, Al Jarreau, Device, Tavares, and the Four Tops. He is an Ivor Novello-nominated composer for UK/European television. Kevin also creates sounds for synthesizer manufacturers and libraries, including Moog, Arturia, and Native Instruments. He is the designer of v4 firmware for C-Thru Music's AXiS-64 MIDI controller.

The Bob Moog Foundation (www.moogfoundation.org) honors the legacy of synthesizer pioneer Bob Moog through its mission of educating and inspiring people with the intersection of music, history, science, and innovation. Its projects include its MoogLab Student Outreach Program, which brings electronic musical instruments into the schools to teach children science through music; the Archive Preservation Initiative, an effort to preserve and protect the inventor's extensive and historic archive; and the future Moogseum, an innovative educational, historic, and cultural facility to be located in Asheville within the next five years.

The Bob Moog Foundation is an independent, donor-driven 501(c)(3) non-profit organization and is not formally affiliated with Moog Music, Inc."

Arturia Memorialises Moog’s Birthday with Dr. Bob’s Collector Pack Promotion

"GRENOBLE, FRANCE: music software and hardware company Arturia is introducing a timely time- limited pricing promotion for its limited-edition Dr. Bob’s Collector Pack produced in collaboration with — and in aid of — The Bob Moog Foundation as a tribute to synthesizer pioneer Dr. Bob Moog who would have been 79 on May 23...

Arturia’s Dr. Bob’s Collector Pack pricing promotion starts on May 23 and runs for one week only. During this time, Moog fans, musicians, and producers worldwide wishing to pay tribute to the inventive individual responsible for singlehandedly revolutionising the sound of modern music production with his namesake 1965-patented Moog Ladder Filter design — which featured in the breakthrough voltage-controlled Moog modular synthesizer and its game-changing 1971-vintage compact MinimoogTM monosynth followup (for which Dr. Bob Moog was posthumously inducted into the U.S. Patent and Trademark Office National Inventors Hall of Fame) — can purchase Dr. Bob’s Collector Pack from the Arturia website at a reduced rate of €129.00 EUR/$129.00 USD (instead of €249.00 EUR/$299.00 USD). As always, a percentage of the sales proceeds will be donated by Arturia to The Bob Moog Foundation. In turn, this supports the dream of building the MoogseumTM (Bob Moog Museum), the convergence of The Bob Moog Foundation’s goals of inspiring and educating people through electronic music.

Moog fans, musicians, and producers will take delight in the beautifully produced and carefully curated package that is Dr. Bob’s Collector Pack on many levels — be it factual, historical, and, of course, musical. First up, the latest versions of two award-winning soft synths from Arturia successfully showcase the company’s ear-opening TAE® (True Analog Emulation) synthesis technology: Mini V 2.5.4 meticulously models the distinctive tones and analogue nuances of the legendary MinimoogTM Model D monosynth; after all, Dr. Bob Moog changed the musical world with the MinimoogTM and Arturia helped change the music software world with the Mini V! Similarly, Modular V 2.6.3 gives Dr. Bob Moog’s monstrous Moog modular synthesizer concept a software makeover fit for 21st Century composition and recording workflow — virtual analogue nirvana, indeed! (The use of trademarks is only meant as a reference to clarify the instruments whose sound was modelled and does not imply any endorsement.)

But that’s not all: the included Moog DVD documentary film by Hans Fjellestad — Best Documentary award winner at the Barcelona Inedit Film Festival — takes viewers on a compelling journey inside the imaginative mind of its illustrious namesake, alongside admiring interviews with and performances from the likes of DJ Spooky, Keith Emerson, Money Mark, Stereolab, and Rick Wakeman. Curated and prefaced by Michelle Moog-Koussa, Executive Director at The Bob Moog Foundation, the limited-edition From Bob Moog’s Private Archives book fascinatingly features never-before-seen photographs and rare documents from the archives of Dr. Bob Moog himself.

And last, but by no means least, the official Bob Moog Foundation button badge is a great way of showing support for The Bob Moog Foundation by buying Dr. Bob’s Collector Pack — wear it with pride! So let’s collectively celebrate a legacy in honour of Dr. Bob Moog’s 79th birthday and help inspire the future.

The Dr. Bob’s Collector Pack pricing promotion runs for one week from May 23 during which it can be bought from the Arturia online store (http://www.arturia.com/evolution/en/buy/online-shop.html) for the reduced rate of €129.00 EUR/$129.00 USD (returning to €249.00 EUR/$299.00 USD thereafter)."

MOOG LIVES. PLAY ON. | The Making of the Little Phatty & Its Discontinuation

Published on Sep 9, 2013 MoogMusicInc·253 videos

"The Little Phatty was released in 2006 as a tribute to the life and legacy of Moog Music founder and synthesizer pioneer, Bob Moog. Following the passing of Dr. Moog, The Little Phatty was the first Moog synthesizer designed by Moog Music's Chief Engineer, Cyril Lance.

Over the course of its seven year production run, the Little Phatty has gone through three incantations including The Tribute, Stage I, and Stage II editions. During that time, the Little Phatty has become one of the best selling professional analog synthesizers in history. Its sonic impact on modern music can be heard on thousands of records, and its signature swooped-back silhouette can be seen in top recording facilities around the world as well as on the stages of internationally touring musical acts such as Rush, Jack White, Queens of The Stone Age, No Doubt, Bernie Worrell and the hit shows American Idol, Nashville and Portlandia"

via Moog Music Inc. on Facebook

"Today we announce the discontinuation of the Little Phatty synthesizer, released in 2006 as a tribute to the life and legacy of Moog Music founder and synthesizer pioneer, Bob Moog"

Update: and the official press release:

"ASHEVILLE, NC – September 9, 2013 – Moog Music today announced the discontinuation of the Little Phatty Stage II analog synthesizer. Moog plans to continue building a limited quantity of units at their factory in downtown Asheville while parts and materials last, which is not expected to be more than two months. The Little Phatty was released in 2006 as a tribute to the life and legacy of Moog Music founder and synthesizer pioneer, Bob Moog. Following the passing of Dr. Moog, The Little Phatty was the first Moog synthesizer designed by Moog Music's Chief Engineer, Cyril Lance.

“After Bob’s passing, we faced the immense challenge of creating a new synthesizer that would embody the values that we all treasured in Bob," Lance recalls. “We worked around the clock to develop an instrument that was founded on his continually forward-looking view of synthesis."

Over the course of its seven-year production run, the Little Phatty has gone through three incantations including The Tribute, Stage I, and Stage II editions. During that time, the Little Phatty has become one of the best selling professional analog synthesizers in history. Its sonic impact on modern music can be heard on thousands of records, and its signature swooped-back silhouette can be seen in top recording facilities around the world as well as on the stages of internationally touring musical acts such as Rush, Jack White, Queens of The Stone Age, No Doubt, Bernie Worrell and the hit shows American Idol, Nashville and Portlandia.

“The Little Phatty represented a key foundational element in what would become the future of Moog Music," said Michael Adams, Moog Music President & CEO. "It was the synthesizer that proved to the world that Moog Music would continue to create market leading, forward-thinking synthesizers. The fact that the Little Phatty remains an industry standard instrument for artists and producers to this day, is a testament to its design.”

The Little Phatty Stage II is still available in limited quantities at stocking dealers in standard and custom colors while supplies last. For pricing and availability, please visit www.moogmusic.com/dealers.

Mini Documentary and Promotional Incentives
Moog Music released a mini-doc entitled Moog Lives. Play On.: The Making of the Little Phatty today which can be viewed on the Moog website. In the video, Moog Music President Mike Adams, Chief Engineer Cyril Lance, and Product Development Specialist Steve Dunnington recall how the Little Phatty came to life, the challenges that were faced when Dr. Moog fell ill, and how they were eventually overcome to create this one of a kind instrument.

As a thank you to existing Little Phatty owners, Moog Music is offering a free Little Phatty Gig Bag (an $80 value) with the purchase of the Little Phatty CV Output Modification. The modification adds one gate and four CV outputs to the Little Phatty for those desiring greater expressive flexibility. Moog Music is also offering a free percussion and legacy preset pack for Phatty owners available via download on its website.

The Phatty family of synthesizers lives on through the new Sub Phatty analog synthesizer and the Slim Phatty desktop synthesizer. For more information on the Phatty family of analog synthesizers go to: www.moogmusic.com/products/Phattys

Links:
Video Link: http://www.moogmusic.com/content/moog-lives-play-making-little-phatty
Free Percussion and Legacy Preset Pack Link: http://www.moogmusic.com/content/percussion-legacy-presets
CV Out Modification: http://www.moogmusic.com/products/phattys/little-phatty-cv-out-modification
Moog Music website: http://www.moogmusic.com/
Moog Music on Twitter: http://www.Twitter.com/MoogMusicInc/
Moog Music on Facebook: http://www.Facebook.com/MoogMusicInc/"

Corsynth Drum Modules + Transistor Mixer

video upload by NOISEBUG

"Corsynth - Massive Drums + Harmonic Mixer

The Corsynth drum collection for MU format modular sounds nothing short of massive! Especially when all drums are patched into the Moog-Style C111 mixer. Feed the mix back into itself and quickly witness the clean analog saturation get completely destroyed (in a harmonically satisfying kind of way)

The Corsynth drum modules are available now at Noisebug.

The DR-01 Bass Drum is the first of a new series of Corsynth modules dedicated to analog drum synthesis and it’s also the first module of this kind commercially available in MU format. Create a drum sounds from scratch using a modular synthesizer is always time and resourcing consuming. With the DR-01 you will save a lot of space, money and modules that can be used for other purposes. The DR-01 has all you need to create bass drums , toms a many other percussive sounds in just one single space. And thanks to the Tune CV input is even possible to use the DR-01 to create bass lines. Punchy techno drums, industrial drums, drum sounds of the firsts analog drum machines, FM sounds... With the DR-01 is really easy to get the sounds that you need at every moment. All the parameters in the module have been carefully chosen to be used in a drum synthesis context (envelope times, oscillator frequencies, oscillator waveform etc ). These are the DR-01 Bass Drum main features:
* A voltage controlled oscillator with dedicated CV input for tuning.
* A voltage controlled timbre circuit.
* A dedicated tune modulation envelope.
* An amplitude envelope with three different settings for the attack time.
It’s time to add drum sounds to your synth sequences! .

The DR-02 Snare Drum is the second module in the DR series dedicated to analog drum synthesis. This module is designed to synthesize electronic snare drum sounds of any kind. From the classic preset drum machines from the 70s to TR-XXX, electro snares, zaps... But thanks to its 12 knobs and 3 CV inputs the DR-02 Snare Drum can synthesize much more than snare drums, sounds like hit-hats, toms, cymbals , congas, FXs are also possible and even it can be used as an oscillator. The DR-02 is composed for two different sections , Head and Snare each of them with its own volume control. The Head section has two voltage controlled oscillators with a fixed frequency interval between them. One modulation envelope to modulate the oscillators tuning and one VCA with an AD envelope to control de decay of the snare head. The Snare section is composed by a noise generator , two voltage controlled filters connected in series ( one 12db resonant high pass filter and one 6db non- resonant low pass filter). One envelope to modulate the high pass filter cutoff frequency and one VCA with an AD envelope to control de decay of the snare.

The DR-03 Hi-Hats / Metal is the third module in the DR series dedicated to analog drum synthesis. It is designed to synthesize Hi-Hats and metal percussion like cowbells or cymbals and even FX. Three different voices are available at the same time Closed Hi-hat, Open Hi-hat and Metal plus a Hi-Hat mixed output .

Hi-Hats To synthesize a Hi-Hat there is a key element that defines the final result, the primary sound used to create it. The DR-03 has three possible sound sources , a white noise generator, a mix of six square wave oscillators and a mix of ring modulated square wave oscillators. These three sound sources, together with the VC Band Pass filter and the Low Pass Filter allow the DR-03 to create a wide range of hi-hat sounds. Another interesting feature is that the Open Hi-hat decay time is voltage controlled and it can be triggered independently or conditioned to the Closed Hi-hat. Metal The Metal sound is created using two ring modulated square wave oscillators and a VC Band Pass Filter. The frequency of one oscillator can be manually controlled and the other one has a fixed frequency. The variable oscillator can modulate the cutoff of the BPF to create metallic FM sounds.

#synthesizer #modularsynth #synth #mumodular #dotcom #corsynth #5u"

https://www.noisebug.net/

Moog Music Introduces the Moog Synthesizer IIIc Limited to 25 Units Worldwide

Moog Synthesizer IIIc (Or: Music For Riding Dragons)

Published on Apr 28, 2017 Moog Music Inc

"In the late 1960s, Bob Moog and a team of ten skilled technicians began hand-building cutting-edge musical instruments that they called "synthesizers" -- instruments that would radically change the landscape of music.

Fifty years later, we are proud to announce the return of the Moog Synthesizer IIIc to production for a very limited time.

Every Synthesizer IIIc will be built using all-original documentation, art, and circuit board files. Moog Synthesizer IIIc production is highly limited. Only 25 units will be produced and sold worldwide.

Sequencer Complement B sold separately."


via Moog Music

"The Moog Synthesizer IIIc Returns to Production

Throughout the 1960s, Dr. Robert Moog collaborated with over 100 composers of electroacoustic music to create the synthesizer concept, born of thousands of design decisions and countless conversations. At the time, the available method of producing electronic music was the “classical studio,” a makeshift production environment cobbled together from individual electronic sound-generators such as surplus telecommunications devices, radio equipment, and early tape machines. Moog and the musicians he worked with streamlined this classical studio technique into a system of standardized sound modules.

In 1965, Bob Moog began taking orders for individual modules and customized modular systems. By 1967, he and a team of ten skilled technicians were hand-building production models in an unassuming brick storefront in Trumansburg, NY. The cutting-edge musical instruments that they called “synthesizers” signaled electronic music’s maturation from an awkward and shy intruder in the realm of music to a dynamic and significant medium of musical expression.

The first models were aptly named Synthesizer I, II, and III. With the introduction of the Moog Synthesizer IIIc -- the “c” referring to the walnut “console” cabinet -- musicians could purchase a complete instrument pre-configured for logical access to a range of facilities usually associated with the largest classical studios.

Each synthesizer took weeks of patient, steady crafting to complete, but the payoff would be rich -- a tool that would change the landscape of music.

The world got turned on to the idea of the synthesizer -- and electronic music -- through the visionary works of experimental musicians like Wendy Carlos and Isao Tomita. Sonic masterpieces like Switched On Bach and Snowflakes Are Dancing were made possible by the early modular Moog Synthesizers. These original modular systems designed by Bob Moog are inimitable in sonic character and remain highly coveted for their limitless reconfigurability and vibrantly organic musicality.

Fifty years later, we are proud to announce the return of the Moog Synthesizer IIIc to production for a very limited time.

'Through archival designs, so-called obsolete electronics, and outmoded production processes, we are rediscovering the magic of our past. It’s a privilege to build instruments in this way; it lets us reimagine what future tools can be. There is so much potential in this history.' - Anna Montoya, Moog Production Engineer / photo via deadaudioblog

Every Synthesizer IIIc will be built using all-original documentation, art, and circuit board files. Each instrument features thirty-six hand-stuffed, hand-soldered modules, including ten 901-Series audio oscillators, the 984 Matrix Mixer, and the 905 Spring Reverb. All modules are securely mounted into two hand-finished, solid walnut console cabinets at the Moog factory in Asheville, NC.

Moog Synthesizer IIIc production is highly limited. Only 25 units will be produced and sold worldwide."

Hofstra Honors Herb Deutsch with Moog Modular Display

"Hofstra Honors Professor Emeritus of Music Herbert Deutsch and Unveils

A Display of the Moog Synthesizer That He Co-Created with Robert Moog,

An Invention That Revolutionized Music

Wednesday, April 14, 2010, at 11:15 a.m., New Academic Building, South Campus

Hofstra University, Hempstead, NY … Hofstra University Professor Emeritus of Music Herbert Deutsch will be honored for his years of service to the University and his place in music history in a special ceremony on April 14, 2010, at 11:15 a.m. The ceremony will see the unveiling of a display featuring the Moog synthesizer, co-created by Dr. Robert Moog and Professor Deutsch in 1964 –an invention that changed the course of music history.

The display is situated in Hofstra’s New Academic Building, located on the South Campus. In addition to Hofstra students, alumni, faculty and administrators, the ceremony will be attended by Michael Adams, president of Moog Music, located in Asheville, North Carolina.

Professor Deutsch, who is a resident of Massapequa Park, NY, is also a Hofstra alumnus, having graduated in 1956 with a B.S. in education. He returned to the University as a professor in the early 1960s. At a 1963 New York State School Music Association Conference, Professor Deutsch met Dr. Robert Moog , who invited him to collaborate on the design and development of a music synthesizer. Professor Deutsch received a $200 research grant from Hofstra to be used toward expenses on the project. Dr. Moog and Professor Deutsch designed the first prototype synthesizer in July 1964 and completed its construction by the fall of that same year.

Professor Deutsch is also a well-known composer, who has received approximately 15 ASCAP awards and more than 20 Meet the Composer grants. In 2007 he was named Music Educator of Note by the Long Island Music Hall of Fame. A composer of music in various media, Professor Deutsch’s work has been widely performed and commissioned works have been featured at national and regional conferences of The Music Educators National Conference, Small Computers and the Arts Network, the Society for Electro acoustic Music in the United States and other organizations.

In 1972 he co-founded and currently serves as president of the Long Island Composers Alliance (LICA). He has served several previous terms as president and is also the Alliance’s archivist. In 1973 he created the first "Music By and For Students" concert for LICA. During his teaching career at Hofstra, he founded the Jazz Ensemble, the Electronic Music Studios, The New Music Ensemble and developed B.S. degree programs in Composition/Theory, Jazz & Commercial Music and Music Merchandising.

The display that will be featured at the April 14 ceremony showcases not only Hofstra’s first synthesizer but also correspondence from Dr. Moog and a congratulatory letter from Hofstra confirming Professor Deutsch’s $200 research grant.

For more information on the ceremony, call Hofstra’s Department of Music at (516) 463-5490 or the Office of University Relations at (516) 463-6819.

About Moog Music: Moog Music and its customers carry on the legacy of Bob Moog, who along with Herb Deutsch invented the synthesizer. Moog designs and manufactures electronic musical instruments, including Little Phatty® and Minimoog® Voyager® synthesizers, Moogerfooger® effects modules, Etherwave® theremins and The Moog Guitar. Founded by Bob Moog, Moog Music designs and manufactures its products in Asheville, N.C."

Songs on the Casio Cz-5000 Synthesizer prof.Miki

Published on Jul 20, 2019 Miki

Playlist:

1. Kerber Songs- 1- on the Casio Cz-5000 Synthesizer prof.Miki

Only for Education and Entertainment;-)Kerber Songs 1 on the Casio Cz-5000 Synthesizer by prof.Miki

Kerber Songs 1 List:
1.Ratne Igre-Kerber
2.Na Raskrscu-Kerber
3.Bolje da sam druge ljubio-Kerber
4.Hajde da se volimo-Kerber

Prof.Miki keyboard covers and original work on the Electronic keyboards Roland D-50,Yamaha Dx-7,Korg M-1 Casio Cz-5000 Casio Ap-45,Casio Wk-3500 Roland Va-7,Roland VP-550
Drum Machines;Roland R-8,Boss Dr-660 mk2
Mixer and hd recorder;Yamaha Aw-16g+Zoom H1
Post Production;Adobe Audition 1.5

2. Kerber Songs 2 on the Casio Cz-5000 Synthesizer prof.Miki

Samo za Obrazovanje i Ucenje;-)Kerber Songs 2 on the Casio Cz-5000 Synthesizer prof.Miki Casio Sintisajzer Cz-5000 sa Pd sintezom zvuka sa 2 oscilatora ako se dobro programira moze da zvuci ovako;-)

Kerber Song List;
1.Sutrasnji dan -Kerber
2.Poslednja -Kerber
3.Izmedju jave i sna-Kerber
4.Jos samo ovu noc mi daj-Kerber
5.Zauvek slobodna-Kerber
6.Tvoja pesma-Kerber

Prof.Miki born in Kragujevac Serbia(1975)Serbian New Age Composer Equipment;-)Casio Cz-5000(1985)Phase Distortion Synthesizer

Roland D-50- Linear Synthesizer(1987),ROLAND VP-550-Vocoder-(2006),Roland Va-7 Arranger Synthesizer(2001)Roland Cube-30x amplifier(2006),Roland R-8 Drum Machine(1989)Boss Dr.660 Mk-2 Drum Machine(1993),Yamaha DX-7-Digital Programmable Algorithm Synthesizer(1983) KORG M-1- Sampler rom synthesizer-(1988)Korg-sustain pedal,Boss DD-6 Digital Delay Pedal(2002),Digitech X-Stereo Phaser Pedal X-Series(2002)Boss RT-20 Rotary Ensemble Pedal(2005) Boss Tr-2 Tremolo Pedal(2001)

Casio AP-45-Digital Piano(2007),Casio WK-3500-Arranger Synthesizer(2003),YAMAHA AW-16G-Mixer+Hard Disc recorder(2002),Zoom H-1 Handy Recorder-(2010),,AKG-K-240 Studio Headphones-(2011);-)Used Software:Adobe Audition 1,5;-),Power Director 11 and Microsoft Office Picture Manager+Google Images;-)

3. Queen songs on the Casio Cz 5000 prof.Miki

Only for Education and Entertainment;-)
Queen songs on the Casio Cz-5000 Synthesizer custom sounds by prof.Miki
Queen Song List
1.Back Chat
2.A kind of Magic
3.Vultan's Theme
4.Who wants to live forever
5.I want it all
6.Save me
7.Spread your wings
8.Scandal
9.Under pressure
10.Radio Ga-Ga

Moog Introduces New Model 10 Synthesizer

Making a Moog Synthesizer Published on Sep 17, 2019 Moog Music Inc

"At the Moog Factory in Asheville, North Carolina, every Moog modular synthesizer is hand-built to its original factory specifications. Individual modules are brought to life just as they were nearly 50 years ago: by hand-stuffing and hand-soldering components to circuit boards, and using traditional wiring methods. Each module is then hand-tested, finished with an aluminum panel, and placed into a custom tolex cabinet before the synthesizer leaves for its new home. Watch "Making a Moog Synthesizer" and step inside the Moog Factory to see how Moog synthesizers are built with love and care by the employee-owners at Moog Music.

Original score created by Bana Haffar and composed on a Moog Model 10 Synthesizer."

via Moog Music

"The Moog Model 10 Synthesizer returns to production at the Moog Factory in Asheville, NC – making this iconic analog synthesizer available again to artists after nearly 50 years. Every Model 10 is hand-built to its original 1971 specifications and is a true recreation of the original. Individual modules are brought to life just as they were nearly 50 years ago: by hand-stuffing and hand-soldering components to circuit boards, and using traditional wiring methods. Each module is then hand-tested and placed into a custom tolex cabinet before the synthesizer leaves for its new home.

Watch Making a Moog Synthesizer [above] and step inside the Moog Factory to see how Moog synthesizers are built with love and care by the employee-owners at Moog Music.

The Model 10 is faithful in every way to its 1971 counterpart (the first compact modular synthesizer model created by Dr. Robert Moog) – all the way down to its hand-soldered electronic circuits. The Model 10 is comprised of 11 discrete analog modules, including the 907 Fixed Filter Bank, revered for its vast sound shaping and timbral possibilities, and three 900-Series oscillators, the foundational sound behind Wendy Carlos’ Switched-On Bach and Isao Tomita’s Snowflakes Are Dancing.

The predecessor to the Model 15, the Model 10 design focuses on purity of sound, speed, and simplicity while providing the enormous sonic depth and dimension found only in a vintage Moog modular synthesizer."

DR-OM for iOS

DR-OM by Fluxama (demo 1) from Shawn Greenlee on Vimeo.
"Now available on the iTunes Store.

Demonstrating one of the three DR-OM instruments included in Fluxama's DR-OM App for iOS. Works on iPhone 4, iPhone 4S, iPad 2, & New iPad. Developed by Shawn Wallace, Shawn Greenlee, and Elliot Clapp.

http://www.fluxama.com"
iTunes:
DR-OM - Fluxama
iPads on eBay
iPod Touch on eBay

Additional videos below.

"DR-OM is a virtual synthesizer that simulates the hackable yard sale treasure of the same name. Dozens of DR-OM units have been adapted from a rare, limited science lab function generator that started turning up in flea markets in the 70s.

DIY synth enthusiasts discovered the device was easily hackable, and closely-guarded photocopies of modding schematics have been handed around the community for years. The directions show how to rewire the generator into a nice little synth with two mixable Low Frequency Oscillators and a Voltage-Controlled Filter.

This app is a complete and playable simulation of three different versions of DR-OM boxen that were discovered at a yard sale near Quonset Point along with a folder of photocopied schematics. Each DR-OM unit has its own characteristic sound because of degrading components or bad wiring by the owner. The Speed dial is the most finicky part of the assembly; depending on the box, the dial can cause tuning drifts, random events and gnarly effects.

In the seventies, the noise generator was nicknamed "Doctor Om" for the meditation-friendly tones it generates. Others believe the name is an acronym for Drone Ready Oscillator Module or Dual Recirculating Oscillator Module, but no one knows for certain where the name comes from originally.

Note: You'll probably want to use more than 2 fingers with DR-OM, so try turning off Multitasking Gestures in the General Settings on your iPad. This is a universal app for iPhone 4+ and the iPad. It is produced by the Fluxama Group, purveyors of fine simulated synths like Noisemusick. Sound and video samples may be found on the support web site."

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Analogue Solutions Mr Hyde and Dr Strangelove synthBlocks Signal Processors Now Available

"AS announces availability of Mr Hyde and Dr Strangelove synthBlocks signal processors


KINGSWINFORD, UK: British boutique electronic instruments innovator Analogue Solutions is proud to announce availability of Mr Hyde and Dr Strangelove — introducing its synthBlocks series of small and affordable desktop signal processors with two tantalisingly-named new products squarely aimed at laptop and audio plug-ins-focused digital musicians wishing to apply analogue, hands-on hardware processing to their sometimes sterile-sounding computer- based creations — as of November 17…

The synthBlocks series represents an all-new range of small and affordable desktop signal processors produced by British boutique electronic instruments innovator Analogue Solutions, an acclaimed company with over 24 years of designing serious-sounding synthesizers featuring fully-analogue audio paths with analogue LFOs (Low Frequency Oscillators) and EGs (Envelope Generators) to its notable name. Similarly, synthBlocks are all-analogue affairs — albeit with some lo-fi digital effects thrown in for good (musical) measure. Menus and software are all eschewed in favour of a hardy hardware approach. As such, synthBlocks are squarely aimed at laptop and audio plug-ins-focused digital musicians wishing to apply analogue, hands-on hardware processing to their sometimes sterile-sounding computer-based creations. Cue simply plugging the synthBlocks in question into an audio interface’s I/O connections, then routing drums, synths, vocals, or whatever out of the DAW (Digital Audio Workstation) and through the transistors and op-amps of the synthBlocks and recording the results back into the DAW. Something similar can be achieved by connecting the synthBlocks to the auxiliary buss of a mixing console — just like any other effects processor. Whatever the workflow, turning the dials and flicking the switches by hand of course changes the sound in realtime — often with radical results. Results of course can be radically different — depending on which of the two available synthBlocks are applied to any given sound signal.

Many might have heard of Mr Edward Hyde, an abominable alternative personality of Dr Henry Jekyll, a fictional character in Robert Louis Stevenson's Strange Case of Dr Jekyll and Mr Hyde gothic novella first published in 1886. However, hearing Analogue Solutions’ Mr Hyde in the here and now is something else entirely! As announced, Mr Hyde was the first out of the starting blocks in its synthBlocks series as an analogue filter effects box bringing subtle to extreme filtering and modulation effects to the analogue processing production table. To further aid ease of use, Mr Hyde has quarter-inch input and output jacks on its rear, so can be connected straight to an audio interface or mixer without the need for adaptors. The topside of its distinctive blood-red panel features minijack sockets to patch with a semi-modular synth, such as Analogue Solutions’ relatively recently released Fusebox — an aptly-named, three-VCO (Voltage- Controlled Oscillator) true analogue monophonic synthesizer that favourably fuses the company’s characterful vintage sound with an advanced choice of modulation and melodic possibilities (in a beautifully-built box); ever-popular Eurorack small-format modular systems; or other modular systems.

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Waves of Inspiration: The Legacy of Moog Exibition Updates

"Exhibition features Keith Emerson's Legendary “Monster Moog” Modular Synthesizer through October 18th, 2009

CARSLBAD, CA/ASHEVILLE, NC – The Museum of Making Music (Carlsbad, CA), in partnership with the Bob Moog Foundation, has opened Waves of Inspiration: The Legacy of Moog exhibition, to run through April 30, 2010. The exhibit is the first of its kind, marking the first public display of the artifacts from Bob Moog’s archives and an examination of the impact of his work on the world of music.

MONSTER MOOG INSTALLATION
On August 30th, Keith Emerson's (Emerson, Lake and Palmer, The Nice) mammoth “Monster Moog” modular synthesizer was added to the exhibit after it was featured the previous evening in a musical celebration of the exhibit opening by Emerson and Erik Norlander. Emerson used this remarkable instrument on numerous recordings over the past 40 years, including his solo in “Lucky Man” (1969), possibly the most popular synth solo in history. He also used the synthesizer on countless world tours and is generally credited with pioneering the use of the Moog modular as a touring musician.

The “Monster Moog” began as a modest system, but grew over time as Emerson
requested that Moog create custom additions for his touring instrument, including extra modules, custom sample-and-hold, and several pre-sets, an innovative addition for that time. The synthesizer grew into a massive cabinet of five sections and over 75 modules. It stands more than four feet above its special base – almost 8 feet high. Its sound is noticeably clearer and stronger than any other keyboard Emerson plays – it is an instrument of significance and legend, and arguably the most famous synthesizer of all time.

Bob Moog and Keith Emerson enjoyed a special relationship of toolmaker and musician that grew in to a lifelong friendship. Moog is noted for listening to musician's needs and technical specifications which he then used to improve his instruments: This dynamic is explored throughout the Waves exhibit.

KEITH EMERSON

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New Corsynth DR-01 Bass Drum 5U/MU Module

"All sounds from the Corsynth DR-01 Bass Drum module. Four DR-01 has been used to create these demos."

via Corsynth

"The DR-01 Bass Drum is the first of a new series of Corsynth modules dedicated to analog drum synthesis and it’s also the first module of this kind commercially available in MU format.

Create a drum sounds from scratch using a modular synthesizer is always time and resourcing consuming. With the DR-01 you will save a lot of space, money and modules that can be used for other purposes. The DR-01 has all you need to create bass drums , toms a many other percussive sounds in just one single space. And thanks to the Tune CV input is even possible to use the DR-01 to create bass lines.

Punchy techno drums, industrial drums, drum sounds of the firsts analog drum machines, FM sounds… With the DR-01 is really easy to get the sounds that you need at every moment. All the parameters in the module have been carefully chosen to be used in a drum synthesis context (envelope times, oscillator frequencies, oscillator waveform etc ).

These are the DR-01 Bass Drum main features:

A voltage controlled oscillator with dedicated CV input for tuning.
A voltage controlled timbre circuit.
A dedicated tune modulation envelope.
An amplitude envelope with three different settings for the attack time.
It’s time to add drum sounds to your synth sequences! .

The DR-01 Bass Drum is built using high quality electronic components, Switchcraft jacks, Cosmo knobs (the same used by Moog Modular) , anodized aluminum front panel…."

Modor DR-2 drum machine & Akai MPC 1000 '' HIP HOP ''( no talking )

video upload by Dziam Bass

"Today I made some beats with Modor dr 2 drum machine.
I see most DR-2 demos are in the electronic genre so I went a step further and used the DR-2 in Hip Hop
It's a really great machine
All drums are from Modor dr-2, samples and bass from MPC1000
I don't want to say pros and cons .. just listen.

First of all: although it's digital, the DR-2 is not about sampling. It's a drum synthesizer, like a classic analog drum machine, but it uses digital sound synthesis algorithms instead of analog circuitry. There are no samples in the DR-2, and there's no sample memory.

Just like the Modor NF-1, the DR-2 is not build to recreate the classics of the past. The DR-2 uses digital sound synthesis to innovate drum sounds and rhythms. Many sounds will be recognizable. It is possible to make classic sounding bass drums, snares and rimshots. It's not difficult to program classic floorfillers with the DR-2. But with 12 synthesis parameters per drum, you'll easily find yourself creating your own individual sound."

Cirko Hound

This one in via Dr. Georg Müller. Title link takes you to a 5.65M zip of mp3s. Image via Synrise. Details below via the web archive. I remember when this came out.

"Hound Synthesizer
Cirko Electronics is a Dutch company specialized in custom made hardware. In a two years span we developed a music synthesizer module from scratch called the "HOUND". It is a multitimbral analogue synthesizer module build in a 19" rack. There are three version available only differing in the number of voices (6-, 10-, or 16-voices). This is not a so called "virtual analogue" synthesizer, with the VCF's simulated by fast DSP chips. The "HOUND" combines digital oscillators with real analogue (V)oltage (C)ontrolled (F)ilters. This synthesizer sounds big. That's why we called it the "HOUND". It's a savage beast.

Main Aspects
The VCF is equipped with not only the well known "Cutoff Frequency" and "Resonance", but also has a controller named "Fatness". There is a mode called twin mode where the voices are grouped to make the synthesizer function as a stereo device. Easy to learn menu driven graphical user interface with only six pushbuttons and a rotary knob. The four available audio outputs satisfy the full 16 part multi-timbral properties.

Librarian
The "HOUND" is delivered with a free librarian software package (W95/W98 only). This will enable the user to store and rearrange Patches(sounds) and Multi(timbral) settings on the PC's harddisk.

HOUND Analog Synthesizer Module

Polyphonic digital/analog classic synthesizer build in a 19" rack 2U.
24 dB/octave real analog VCF with Resonance & Fatness.
8-voice stereo or 16-voice mono routed to 4 outputs.
Digital oscillators with FM & PWM.
10 MIDI controllers (7 continuous, 3 pedals) simultaneously available.
Polyphonic Portamento.
Sample & Hold
16 Part Multi Timbral.
98 continuous parameters & 37 switches to setup a Patch
Easy manipulation of patches via 6 pushbuttons & rotary controller.
Large LCD display supports the graphic presentation.

HOUND specifications
The HOUND synthesizer combines both digital and analog technology. The oscillator's are digital in order to guarantee a sound source with very stable frequencies. The VCF is really analog (not virtual), thus giving warmth to the sound. The HOUND is a plain synthesizer. There are no samples inside, and no effect processors are build in.

The HOUND is MIDI controlled (MIDI-IN, MIDI-OUT, MIDI-THRU) and 16 part multitimbral. A total of 10 MIDI- controllers (7 continuous, 3 pedals) can be used simultaneously. All multitimbral settings are stored in multi's with a total of 24 multi's. Also the multitimbral routing to the four outputs of the HOUND is stored in a multi.

Different sounds are stored in patches of which 120 patches can be stored. A sound can be modified by editing the according patch. With the help of the graphical display and a smooth turning rotary knob it is easy to make adjustments. While editing a patch the parameters are surveyable displayed. Four pushbuttons have given a strict function, and two pushbuttons are soft keys. The latter functions are showed on the display.

The 10 MIDI-controllers (7+3) and the MIDI-messages note/velocity/aftertouch/release-velocity can control each patch in a way free to the users mind. Almost 100 parameters are available to make this possible.

The HOUND can operate in sole mode using the maximum number of voices available or in twin mode. In twin mode the voices are grouped in pairs resulting in stereo performance. Of course the number of voices is then cut in half, but in return there is more in it.

As a users aid a MIDI tester is available. It shows MIDI messages on different MIDI channels and displays them distinguished by MIDI message type."

The First Synth to....

Update: The new home for this list is now here. You can add to the list there or comment here and I will update both lists. Note that the complete list however will be there as I do not plan on updating this list with updates made there. That would be too much work and would compete with me being able to put up new posts here. Can't let that happen. : ) Related but separate from that list also see https://120years.net. That said...

If you are going to add to the list in the comments, use the same format.

Year - Manufacturer - Model - First at
1837 - C.G. Page (Salem. Mass) - first to produce electronically generated sound (not necessarily associated with a musical instrument). After inventing the Volta in 1800 (an early battery), in 1837 Page was doing experiments with coils and realized when certain coils were attached to a batter they omitted a ringing sound. While he initially thought the ring came from the electrical current was interrupted (battery disconnected), what was actually taking place was the induction through the coils was causing them to vibrate. via Peter Grenader
1885 - Person and Ernst Lorenz -'Elektrisches Musikinstrument' - the first musical instrument designed to produce electrically generated sound. It used electronic vibrations to drive an electromagnet that were connected to resonating boards, which translated these vibrations to sound. via Peter Grenader
1897 - Taddaeus Cahills - Telharmonium - electromechanical instrument.
1936 - Oskar Sala - Mixturtrautonium - first synth using Subharmonic synthesis
1939 - Homer Dudley invents the Parallel Bandpass Vocoder (VODER) - A manually key operated speech synthesizer
1940 - Homer Dudley invents the The Voder speech synthesizer - A device which used the human voice and an artificial voice to produce a composite
Both were researched as a way to transmit speech over copper wires (id est, telephone lines)
1948 - Hugh LeCaine - Electronic Sackbut - First voltage-controlled synthesizer
1948 - Dr. Raymond Scott - Wall of Sound - First polyphonic Sequencing Worstation (electromechanical) and the Electronum - first sequencer.
1950 - CSIR - Mk 1 - The first known use of a digital computer for the purpose playing music
1956 - Louie and Bebe Barron - Produced the first all-electronic musical score for a major motion picture - MGM's 'Forbidden Planet'
1957 - Max V. Mathews at Bell Labs - MUSIC - the first digital synthesizer. Technically, it was a computer program, though it set the stage for every digital synthesizer that proceeded it. See Laurie Spiegel with one here.
1963/64 - Buchla - model 100 modular - 1st "modern" modular synth
1967 - Moog - Moog modular synthesizer I, II & III - 1st commercial modular synth.
1969 - EMS - Synthi VCS-3 - first non-modular mini-synth
1970 - MOOG - Minimoog - 1st Mono Synth with keys (non-modular)
1971 - Tonus/Arp - Soloist - 1st preset mono synth
1971 - John Chowning - developed FM synthesis using the MUSIC-IV language (source), a direct descendent of Mathew's MUSIC program. FM synthesis was later licensed by Yamaha, and used in popular synths such as the DX-7.
1972 - Triadex Muse - first digital synth
""is the first digital musical instrument and was produced in 1972. It was
designed by Edward Fredkin and Marvin Minsky at MIT. It is an algorithmic
music generator: it uses digital logic circuits to produce a sequence of
notes based on the settings of various parameters. It has four small sliders
in that control Volume, Tempo, Pitch, and Fine Pitch. It is not known how
many were made, but they are considered extremely rare.
The Muse is the subject of U. S. Patent 3610801"
1973 - Coupland Digital Music Synthesizer - First Digital (Triadex beat it?) Update via Peter Grenader: "No time to read through all these posts to see if it's come up yet, but the Coupland was vaporwear...it never existed. I met Mark Vail, who's now a friend, by writing him a letter informing him that his story about the Coupland in his Vintage Synthesizers book (GREAT book) which mentioned it's only recorded showing was at the AES show in LA in 1978 was a farce. I was there - at their booth and their suite in the Hilton where the instrument was said to be. I was there on the first day, I was there on the last day. The only thing they had was a small model - about six inches across, sitting on a table. The booth was amazing - this radial orb multiple people could sit in, with a cover that came over each person which played what I remembered was a very impressive demo which swirled around four speakers inside the box. I, and everyone else, were blown away. They kept saying...'it will be here tomorrow, it'll be here tomorrow'...so I showed up the last day just to see it, figuring by the then it would have arrived...it didn't. I did see the frst Synthclavier at that show however. Their suite was across the hall from the Coupland folk. That completely kicked the crap out of everything else shown that year."
1973 - Dartmouth Digital Synthesizer - NED - Synclavier prototype - first digital synth
1974 - Roland - SH-3A - first commercial additive synth
1974 - RMI - Harmonic Synthesizer - first commercial additive synth
1975 - Buchla 502 - six voice polyphonic with minicomputer and ability to save patches to tape drive. Development on the 500 series began in 1969.
1975 - Oberheim FVS - four voice polyphonic with Polyphonic Synthesizer Programmer. Not sure if the Buchla 502 or FVS was released first.
1976 - PPG - PPG 1003 sonic carrier - 1st programmable mono/duo synth with patch memory (this, along with the model 1020, might have been the 1st synths to use DCO's as well)
1977 - Yamaha - CS50/CS60/CS80 - first single enclosure polyphonic keyboard synthesizers with the CS80 to be the first synth with poly aftertouch
1977 (late) - Oberheim - OB-1 - 1st commercial programmable mono synth with patch memory
1978 (late) - PPG - Wavecomputer 360 - 1st wavetable synth
1978 - Sequential Circuits - microprocessor control the SCI prophet 10 (briefly) and the P-5 --- again based on existing E-mu tech stuff
1979 - NED - Synclavier - First FM
1979 - Fairlight CMI - First Sampler, First Workstation
1980 - Performance Music Systems - Syntar - First self contained keytar
1982 - Sequential Circuits - Prophet 600 / First Midi Synthesizer (though some argue the Prophet 5 rev 3.2 is pre-MIDI MIDI)
1983 - Yamaha - DX7 - Digital takes over, FM goes mainstream
1983 - OSC - OSCar - First real-time additive with analog filters
1984 - Sequential Circuits - SixTrak - first multitimbral
1985 - Casio - CZ-101 - First battery-powered all digital mini-synth
1987 - Kawai K5 and Technos Axcel - first additive synths
1989 - E-Mu Systems - Proteus - First dedicated ROMpler
1992 - Seer Systems - first host-based software synthesizer in 1992
1994 - Yamaha - VL1 - first physical modelling synth
1995 - Clavia - Nord Lead - 1st Virtual Analog
1996 - Rubberduck - still not the first softsynth but came before Seer Systems Reality.
1996 - Steinberg - VST - Ok not a synth but enabled a lot to be written as plug-ins and used simultaneously
1997 - Seer Systems - Reality - First Modular Soft Synth
2002 - Hartmann Neuron - first neuronal synth
2912 - KalQuestoTron - the first genetically engineered synth. Each cell is an oscillator, filter, and neural sequencer. Can be delivered via injection to always play 'hold music' in your head.

I thought it might be fun to have a "first synth to..." post. There's been a lot of buzz over Sonic State's Top 20 Synths of All Time with good reason. What exactly is a "top synth?" Is it it's influence on the music scene? It's rarity and lust appeal? The number of synths sold? According to Sonic State their list was the result of Sonic State reader's voting for their favorite synths. Blame the voters if you don't like what you see. Based on what has come up on the list so far, the E-Mu Proteus and Roland JV-1080 for example as well as the Roland Jupiter 8 not even making the top ten, I'm guessing a bit of it has to do with the vote and... possibly the most influential/ground breaking synths for their time. The JV1080 and Proteus? Not super sexy in this day and age, but what they offered in their time? Who knows. It's obviously subjective. But there is something that isn't. The most influential synths of all time not because they were super sexy or utilitarian, but because they offered something that was not previously available.

I thought what might be interesting to create a list of the first synths to feature a particular technology or feature. For example what was the fist synth to bring FM to the table? Was it the DX7 or a predecessor? What was the first digital synth and when? The first additive synth? I have a good idea and could probably look it all up, but that wouldn't be any fun, so.... You tell me. I am going to make this an open post that will live over time. You get to participate by putting an entry in the comments. I will update the list and when I do I will change the time stamp of the post to keep it current. That said, for the archives, this post went up with a time stamp of 4/11/07 7:20 PM PST. I'll start the list (btw, do correct me on the MOOG, what model should we be talking about here? The A, B, C or D or all of them?).

Year - Manufacturer - Model - First at
1970 - MOOG - Minimoog - 1st Mono Synth with keys (non-modular)
1978 - Sequential Circuits - Prophet 5 - 1st Programmable Polyphonic Analog
... List continues above.

Update 3/34/12: Also see the first synthesizers to offer patch storage here.

Spectrasonics Announce Winners in "OMG-1 Contest"

"BURBANK, CALIF -- SEPTEMBER 15, 2011 -- Spectrasonics today announced the winners of their worldwide "OMG-1 Contest." Over 400 entries for the contest were submitted from 68 different countries, with a very wide diversity of musical styles. The goal for each contestant was to use the sounds from the Bob Moog Tribute Library in a creative and inspiring way. The company reports that the Contest and the Library have been able to raise record-breaking funds for the Bob Moog Foundation to support their innovative projects.

Eric Persing, Spectrasonics Creative Director and Founder, said, "With the hundreds of creative entries from around the world, the OMG-1 Contest was an incredible success! The overall quality of all the entries was so much higher than we expected, it was extremely difficult to choose the winners."

The Grand Prize of Persing's custom-built OMG-1 synthesizer has been awarded to Torley Wong of Washington State [matrix edit: Torley's been featured here on MATRIXSYNTH a number of times] , who submitted an entire album's worth of music--15 pieces, over one-hour in total--exclusively using the "Bob Moog Tribute Library" in Spectrasonics' Omnisphere software synthesizer for the tonal elements of his album. The one-of-a-kind OMG-1 synthesizer will be presented as the Grand Prize to Mr. Wong in a special event at the 'Moogfest' in Asheville, North Carolina in October 2011.

In fact, so many great pieces of music were submitted in the contest that three other major winners were announced as well, winning prizes generously donated by hardware synthesizer manufacturer Moog Music:

* "Outstanding Achievement Award" David Soltany (Strasbourg, France)

* "Next Generation Award" Eric Oberthaler (Berkeley, California)

* "Most Original Composition" Waen Shepherd (London, UK)

Fifteen additional contestants were recognized with "Creative Excellence Awards" and have their music featured on the Spectrasonics website.

View the complete contest-winners list and listen to their music: [LINK]

The OMG-1 Synthesizer
The grand prize in the contest, the OMG-1 hardware synthesizer, was designed by Persing as a live performance instrument and is not a commercial product. It integrates the worlds of analog synthesis with a Moog Little Phatty®, and software synthesis with Omnisphere software synthesizer and the Omni TR™ iPad app--all in a hand-crafted curly maple cabinet containing Apple iPads and a MacMini.

The Bob Moog Tribute Library - Still Available for all Omnisphere Users!

Produced by Eric Persing, the Bob Moog Tribute library features over 700 stunning new sounds for Spectrasonics' Omnisphere Power Synth. The Soundsources in the library were developed using highly creative processing techniques--often with exotic gear. The sounds in the library were created by more than 40 of the world's top synth artists, remixers and sound designers, including Hans Zimmer, Vince Clarke, Jean Michel Jarre, The Crystal Method, Bernie Worrell, Larry Fast, Ryuichi Sakamoto, Jan Hammer, Richard Devine, Danny Elfman and many more. Although the OMG-1 Contest has ended, Spectrasonics' Bob Moog Tribute Library will continue to be sold as a $100 downloadable library for Omnisphere, and 100% of the proceeds will continue to be donated to the Bob Moog Foundation.

Check out the Bob Moog Tribute Library


About Spectrasonics
Founded in 1994, Spectrasonics is a leading innovator of world-class, award-winning virtual instrument software plug-ins, used by the top recording artists, producers, remixers and film composers on the planet. Key Spectrasonics products include its flagship synthesizer Omnisphere®, the Trilian® Total Bass Module, and the popular Stylus RMX® Realtime Groove Module. For more information visit http://www.spectrasonics.net

About the Bob Moog Foundation
The Bob Moog Foundation honors the legacy of synthesizer pioneer Dr. Bob Moog through its mission of igniting the innovative and creative spirit through the intersection of music, science and history. Its projects include Dr. Bob's Sound School, which brings electronic musical instruments into the schools to teach children science through music, the Archive Preservation Initiative, an effort to preserve and protect the inventor's extensive and historic archive and the future Moogseum, an innovative educational, historic, and cultural facility that will bring Bob Moog's spirit alive to ignite innovation and creativity in children and adults. It will be located in Asheville, NC in the years ahead, pending necessary funding. The Bob Moog Foundation is an independent, donor-driven 501(c)(3) non-profit organization and is not formally affiliated with Moog Music, Inc."

Ult Sound DS-4 Toyo Gakki Drum Synthesizer Demo

Published on Nov 26, 2013 kanallı kanal·36 videos

Googlish description further below.

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The End of an Era - Moog Voyager to be Discontinued

It's hard to believe it's true, but the Moog Voyager, Bob Moog's first synthesizer after getting the Moog Music name back, is being discontinued after 13 years.

I was fortunate enough to pick up a Signature Series Voyager, brand new in the box, on clearance years ago when the last ones were being blown out. It never left the studio and I never sent it out for updates. I wanted to preserve Bob Moog's Voyager exactly as it left the factory, as he signed off on it.

I also have a Minimoog Model D, a Minitaur and the Sub Phatty. What set the Voyager and Model D apart of course was that third oscillator. It makes a difference. I'm curious if Moog will replace the Voyager with another three osc synth. Perhaps a re-issue of the original Model D? Owning both, I have to say each stands on it's own and is different enough to warrant both. The Voyager is refined, yet exudes power. The Model D is wild, aggressive, rough around the edges, but can be tamed.

Whatever Moog comes up with next, I'm sure it will be great. All of their synths to date have something special to offer.

An interesting side note is Bob Moog's Moogerfooger and theremins, released before the Voyager under the Big Briar name, will live on.

The official press release from Moog Music with a tribute video from Nine Inch Nails' Trent Reznor follows below.

"After 13 years & 14,000 instruments, production of the Minimoog Voyager is coming to an end. Moog will lovingly handcraft 600 final units of the Minimoog Voyager at their factory in downtown Asheville, NC before saying goodbye.

The Minimoog Voyager is the foundation of the modern Moog synthesizer. When it went into production in 2002, it signaled the rebirth of Moog Music, and the re-emergence of the analog synthesizer as a viable creative tool in our increasingly digital world. The design philosophy behind the Minimoog Voyager set the pattern for all of Moog’s subsequent work: where beauty, high mechanical quality, and sonic excellence are equally paramount in the service of musical ideas. The Minimoog Voyager is an embodiment of this ideology, and a wellspring of inspiration for Moog’s instrument design now and into the future.

Most importantly, the Minimoog Voyager is the last synthesizer that Bob Moog designed from start to finish. His DNA is in the circuits of this machine, and it is the culmination of Dr. Moog’s life’s work, which was dedicated to electronic musical instrument design.

Recently, Moog had the honor of sitting down with Nine Inch Nails’ Trent Reznor, the genre-defining music innovator, master synthesist and Academy Award winning composer. In the interview, Reznor recounts his intimate relationship with the Minimoog Voyager, which he feels “is the archetype of what a synthesizer is and should be.” Through personal stories, Reznor reveals his decades long history with the instrument and how it has shaped the way he views and creates music. The video is set to an original score by British electronic music producer, The Haxan Cloak, co-producer of Bjork’s Vulnicura. Befitting the occasion, the artist used a Minimoog Voyager and a prototype Mother-32, Moog’s newest synthesizer, to create the score.

Over the course of its 13-year production run, the Minimoog Voyager has become one of the most iconic analog synthesizers in history. Its impact on modern music can be heard on countless records and seen on stages around the world with artists such as Stevie Wonder, Dr. Dre, Radiohead, Herbie Hancock, Alicia Keys, Kanye West, Daft Punk, Bjork and many more.

As a thank you to existing Minimoog Voyager owners, Moog is offering 20% off on all Minimoog Voyager upgrades, modifications and calibrations to domestic customers until the end of the year. Contact techsupport@moogmusic.com for more information.

The Minimoog Voyager is still available in limited quantities at stocking dealers in Performer and Electric Blue versions while supplies last. For pricing and availability, please visit www.moogmusic.com/dealers."

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Trent Reznor | Archetype of a Synthesizer

Published on Sep 30, 2015 Moog Music Inc

"Through personal stories, Trent Reznor recounts his relationship with an iconic analog synthesizer and describes how it has fit into his creative process over his storied career.

Original score by The Haxan Cloak, co-producer of Bjork’s Vulnicura. Befitting the occasion, the artist used a Minimoog Voyager and a prototype Mother-32, Moog’s newest synthesizer, to create the score."

http://www.moogmusic.com/news/end-voy...