Sequentix Cirklon: Live Jam 12-2-13—Echo Return

Published on Dec 2, 2013 Echo Return

"Live jam on Sequentix Cirklon, 12-2-13.

Gear used:
Sequentix Cirklon
Roland TR-707 (Circuit bent)
Roland TR-727 (Circuit bent)
Ladyada x0xb0x
Yamaha AN-200
Yamaha DX-200
Alesis 3630 Compressor
Electrix Warp Factory vocoder
Novation A-Station
Yamaha MEP4
TC Electronic M-300 stereo delay
Line6 Filter Pro
PreSonus Studio One DAW

PreSonus Studio One is used for audio recording, compression, and reverb. No MIDI.

This is my first live jam on the Cirklon. All sequences created in Cirklon. MIDI sent to Ladyada x0xb0x is also sent to Yamaha MEP-4, which is sending three MIDI-delays of this sequence to the Novation A-Station, each on separate octaves.

AN-200 signal is fed through Alesis 3630, gate is triggered by rim shot sound from the Roland TR-707. The Yamaha AN-200 is then routed through Filter Pro and M-300. Setting the Cirklon's pattern to "Brownian" makes for some great, unpredictable-but-musically-relevant gating effects.

Yamaha DX-200 signal is fed through Electrix Warp Factory with no formant input, for creepy robot chanting sounds.

Pseudorandom drum 'improvisation' is created by a track on the Cirklon where toms and additional snares have a 30% chance of triggering per step."

Minimoog & More - Videos by martinjazz78

Published on Jan 11, 2017 martinjazz78

There are 12 videos in this playlist by martinjazz78. They start with Moog's recently discontinued Minimoog Model D followed by the Voyager. Other gear featured include Analogue Solutions Telemark - K, the Dreadbox Erebus, DSI Polyevolver, Sequentix Cirklon, and a Rhodes. There are a couple of live band performances in there as well.

Playlist:

1. New Minimoog D - Brass Patch Solo - Complete Session
2. New Minimoog D - Brass Patch Solo #2 with Rhodes, Telemark and Erebus

"Published on Jan 11, 2017
This is complete session video of my dawless improvisation on the new Minimoog Model D. I started with sort of brass patch with filter modulation and filter tweaking and little bit more of glide, but it develops and changes to not so brassy lead throughout the video. Sequences on the background are Erebus by Dreadbox and Telemark-K as well as DSI Polyevolver.

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Cirklon Track Control Values

00:00 - Entering the black hole of knowledge
00:59 - transpose, octave and leng%
03:50 - quant% and tbase
08:00 - quant% and tbase use suggestions
09:19 - reich
14:45 - Adding more than six track control values
15:40 - note% and noteC
20:50 - Forcing notes to a scale with fts-S and fts-R
27:27 - Forcing notes to a user created scale
31:38 - velo% and veloC
33:32 - Clearing the track control values
34:29 - Saving track control edits and two feature requests
38:20 - Bonus beats goodbye

Update your Cirklon firmware: http://files.sequentix.com/
Update your postcard collection: https://splitradix.bandcamp.com/merch...

Cirklon Song, Scene and Track page informational video message


00:00 - Put the kettle on
01:34 - Update yer firmware
04:32 - Song page
09:58 - Safe stop
10:46 - Track page
14:56 - Changing an instrument
16:16 - Track mixer page
18:58 - Track pattern / fill / track name / instrument view
21:16 - Creating a new instrument definition

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Vinyl Debut by NYZ - SHFTR FRQ - Featuring Aphex Twin's Sequentix Cirklon & PreenFM2

"+ [Special note for track A9 - SHFTR_CA#BB1] => A huge shout of thanks to Richard D James for gifting me a Sequentix Cirklon sequencer and PreenFM2 synth during my Regional Arts Fellowship in 2017! This was the first track I made using this gear. You can also read up more about my open source Farey Sequence FM programming tool for the PreenFM here =>
github.com/noyzelab/FareyPreenFM2

++ Folks interested in using cellular automata can also check out my open source Arduino based synth module here =>
github.com/noyzelab/uMANIAC"

NYZ of Noyzelab has a new release out on neon orange vinyl (limited to 300 copies) titled SHFTR FRQ which features PreenFM2 sequenced by the Sequentix Cirklon. You will find a track off the release above. Below you will find some exclusive pics sent my way from NYZ and info on the release from Forced Exposure where it is available in the US. The album is available in the UK from Boomkat here. Update: it's also available at Phonica Records, Norman Records, Juno Records, Redeye Records, and Bleep.

"The Death of Rave is honored to plate up the vinyl debut by NYZ; the cult, algorithmic/ generative music project of award-winning artist/scientist Dave Burraston (Bryen Telko, Noyzelab). The A-side revolves 14 succinct blatz, ranging from cranky percussive pieces to queered microtonal dissonance and SAW II-like atmospheres -- notably including one track made on a Sequentix Cirklon sequencer and PreenFM2 synth gifted him by Richard D. James. The B-side contains a steeply immersive spectral drone tract that (never) ends in a locked groove, especially cut at D&M, Berlin. The results are wholly unique and speak to the endless, playfully experimental variation of NYZ's art/research. They reveal visceral, alien microcosms of curdled microtonal tunings and proprioceptive chicanery bound to thrill and induce strange, new sensations in even the most hard-to-please fiend of electronic music. It's strongly recommended to followers of Russell Haswell's chaotic gnash, the mind-bending tunings of Aphex Twin, the visionary algorithmic scapes of Roland Kayn, and Eliane Radigue's microtonal meditations. In Dave's own words:

"SHFTR FRQ is a series of experimental studies into simple synth setups controlled by varying levels of generative complex systems [MANIAC cellular automata]. SHFTR FRQ was recorded over the last six years on an ever-changing hybrid of equipment encompassing the domains of modular and MIDI-based microtonal sound synthesis [analog and digital]. Setups were always ultra-minimalist, often with just the MANIAC cellular automata sequencer and one or two modules/synths to provide a consistent sensory focus. The studies range from ultra-short sequences, micro-ditties, investigatory motifs, to a full length high spectral drone meditation."

Burraston has previously collaborated with Alan Lamb on recordings of a mile-long telephone wire in the Australian outback, and more recently he issued nearly a dozen NYZ tapes and CDs with some of the most crucial modern music labels, as well as a number of releases under the Noyzelab and Bryen Telko aliases. In 2014, Dave self-published SYROBONKERS!, the most technical and in-depth interview ever given by Aphex Twin. Screen-printed jacket. RIYL: Russell Haswell, Aphex Twin, Eliane Radigue, EVOL/ALKU, Roland Kayn."

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Sequentix Cirklon + Sonic|Core XITE-1 - MIDI test1

YouTube Uploaded by neutron7 on Jun 27, 2011

"Completely DSP non analog abomination!

A single pattern on Sequentix Cirklon running only Sonic|Core XITE-1 DSP synthesizers, (synthesized)drums and effects through 1 MIDI cable.

No DAW was running, it was recorded direct to disc with VDAT, then substituted directly to the video track (and some video effects added for fun).

I did not do any mixing, just turned tracks on and off on the Cirklon, and a little tweaking of filter and note lengths data on the three-0-three track.

Most of the synths were in monophonic mode, the total DSP usage on the XITE-1 was about 40%

This was a test to see how good the MIDI timing would be from Cirklon to XITE-1. it is great! many of the problems with Scope and MIDI, using DAW+OS+MIDI driver+motherboard do not manifest at all. and it sounds VERY tight.

The Orbitone three -o- three was notorious for stuck notes. I never got one in 2 days, with major messing about with its data while running, even with 3 tracks playing a single instance at the same time(which used to almost guarantee a stuck note), or sometimes leaving it running to do chores or whatnot."

Thursdacid - a few Cirklon patterns for the Eurorack

Published on Jul 29, 2017 Luke Killen

"I've been ill with a virus this weekend, so rather than plan a complex patch, I decided to just punch a few patterns into the Cirklon and make some acid breaks with the CV BOB sequencing the Eurorack.

This video pretty much has the patterns playing back. Everything in this video is sequenced by the Cirklon and the Euro is doing all the synthesis. The Cirklon is also manually sending via MIDI to a reverb and a delay in my DAW."

New Polivoks Pro Videos by martinjazz78

Published on Aug 3, 2017 martinjazz78

Playlist:

1. Polivoks Pro (reissue of legendary Soviet synth) solo sequence - Rusko je stav duše

"For your maximum enjoyment, please use good headphones or good speakers with subwoofer(s).

Polivoks Pro is a reissue of legendary Soviet synth from 1980s that's been approved by the one and only Vladimir Kuzmin designer of the original Polivoks. No matter which century we are currently in, the Russia has always been a state of mind. As much as I hate Putin and everything he represents, I also deeply love and admire Russian arts and culture, Russian modus vivendi and sounds coming from Russia. Please check also the fabulous documentary on Russian synths and synth scene called Electro Moskva by Elena Tikhonova & Dominik Spritzendorfer.

This video is part of my longer dawless synth jam. It's a longer moment when there was no other synth playing except of the Polivoks Pro, although at the very beginning you may also hear a little bit of Sem Pro by Tom Oberheim.

The Polivoks is sequenced by Cirklon hardware sequencer, various parameters are tweaked in real time almost always bringing rather surprising and interesting results. Polivoks is processed through vintage tape Roland Space Echo for delay and Strymon Big Sky for reverb. It was recorded live in one take only, stereo output from my Motu interface into Ableton Live. Camera is GoPro Hero 4 Black, video was edited in Final Cut."

2. Polivoks Pro and Tom Oberheim's Sem Pro sequencing #1

"Excerpt from my dawless synth jam with two modern reissues of two classic synths. Tom Oberheim's Sem Pro playing bass ostinato with random high notes and Polivoks Pro doing its screeching sounds or as my girlfriend says: crying about Russia ;). Both synths are controlled by Cirklon hardware sequencer via midi and processed through vintage tape Roland Space Echo for delay and Strymon Big Sky for delay.

Recorded live, stereo output from my Motu interface into Ableton Live, camera was GoPro Hero in my right hand, video was edited in Final Cut.

I had so much fun during this jam :D"

3. Polivoks Pro and Tom Oberheim's Sem Pro Sequencing #2

"Another and this time shorter excerpt from my dawless synth jam with two modern reissues of two classic synths. Tom Oberheim's Sem Pro playing bass ostinato with random high notes and Polivoks Pro doing its screeching sounds or as my girlfriend says: crying about Russia ;). Negative envelope is applied on Oberheim's filter and you may also see some rather drastic changes to LFO settings and destinations on the Polivoks.

Both synths are controlled by Cirklon hardware sequencer via midi and processed through vintage tape Roland Space Echo for delay and Strymon Big Sky for delay.

Recorded live, stereo output from my Motu interface into Ableton Live, camera was GoPro Hero in my right hand, video was edited in Final Cut.

I had so much fun during this jam :D"

4. Polivoks Pro and Tom Oberheim's Sem Pro Sequencing - Complete Session

"This was my first encounter with Polivoks Pro - reissue of legendary Soviet synth. Just by accident there was another modern reissue of classic synthesizer - Tom Oberheim's Sem Pro - on the table next to the Polivoks, so I started to jam with both them. For the first three and half minutes you here Polivoks only, then Oberheim kicks in and both synths play together for about 8 minutes, last 7 minutes of the video is solo Polivoks again.

Both synths are controlled by analogue hardware sequencer Cirklon via midi. Polivoks' sequence is 100% random until the last one or two minutes, when it gets certain regularities. Low notes on Oberheim is a regular sequence in so called "pendulum" mode, several random parameters are applied to high notes played by Oberheim, though.

Both synths are processed through vintage tape Roland Space Echo for delay and Strymon Big Sky for delay.

Recorded live, stereo output from my Motu interface into Ableton Live aka dawless synth jam, camera was GoPro Hero in my right hand, video was edited in Final Cut.

I had so much fun during this jam :D"

Sequentix Cirklon

via Sequentix
"Cirklon is a totally new hardware sequencer design, with software based on the P3, but greatly improved both in usability and internal operation.

The user-interface is based around a 240x64 pixel graphic LED display, 19 rotary encoders with push-switches, 2 assignable knobs, 35 high-quality Cherry keys with integrated LEDs, and a further 35 tri-colour status LEDs.

Cirklon has 16 tracks, with 5 independent MIDI INs and OUTs to connect a large number of controllers and synths/sound modules while keeping MIDI latency to a minimum.
There will also be USB MIDI, native CV/gate support, and a dedicated DIN sync output.

The 32-bit, 72MHz ARM Cortex CPU runs a proprietary sequencer engine to ensure optimum timing accuracy.
All MIDI ports are provided by hardware serial ports in the CPU core itself.
The CV/gate connectivity will be available in two levels - a pair of 12-bit resolution CV and gate outputs, or an external CV breakout box with a large number of CV outs (details to be finalised).

Pattern storage is comprised of 2MB battery-backed internal RAM and 512MB internal NAND flash, with a SD/MMC card socket for data backup.

Cirklon will go into production just as soon as we have finalised the design of the production enclosure.
We hope to start shipping in low volume in March.

Price is expected to be under 1000 ukp.

Obviously this one is not in a final enclosure..."
Be sure to see this video and click on the Seqeuntix label below for more.

Sequentix Cirklon Sequencing Roland TB303 with Devil Fish Mod

Published on May 30, 2017 Meta Function

"In this video, Meta Function demonstrate sequencing a Roland TB303 with the Devil Fish mod via the Sequentix Cirklon.

The Cirklon is arguably the most intuitive and sturdy hardware sequencer ever made. It features five ports of MIDI I/O, four virtual USB ports and via the CVIO beak out box (BOB), sixteen CV and eight gate outputs. It has an incredibly tight clock and works great as the center of any electronic music based studio.

In this video the Fish receives note pitch and gate over CV/gate via the BOB. CV out 3 is connected to Accent in the Fish, with CV out 4 connect to Slide in. Inside the P3 pattern driving the Fish, Aux A is routed to CC 1 and Aux B is routed to CC 2, which in turn are routed within the Cirklon's CVIO Config menu to drive CV out 3 and 4 respectively. Whenever Aux A/B is over a value of 64, the measure features an accent/slide. A one bar pattern is created on the fly and slides and accents are added. Pattern direction modes are manipulated then drums from an Elektron Analog Rhytm are edited via a CK track. The one bar P3 Fish pattern is doubled and edited and transpose and force to scales modes are manipulated. Note measures are ganged/unganged and note lengths are tweaked. Finally the timebase is adjusted.

Audio recorded via Calrec S2 console and SSL convertors. All dry, no FX, EQ or compression. The only post production performed was normalization.

Watch at 1080p with good quality audio monitoring for the best experience.

Meta Function developed the Max For Live synthesizer, the Wave Junction in partnership with Sonicstate.com. A four voice paraphonic synth with 2 multi-mode osc, three multi-mode filters, 5 LFOs, 5 Envs and a 12 slot modulation matrix.

You can buy it from Sonicstate right here for £19.95:

http://bit.ly/wavejunction

Note: Ableton Live 9.6.1 and Max4Live 7.2.2 required."

Vermona Perfourmer MKII, Moog Mother-32, Digitakt | transcend

video upload by patchesinblue

"Hi! Hope you're doing well. I'm back with a jam and this time I have the Cirkon 2 doing most of the sequencing. I received the Cirklon sometime last year after a 4+ year wait but couldn't find the time to fully dive into it. Reviving an old composition (3 mother-32's at the time) and adding a few more voices seemed an exciting way to kick the tires on the Cirklon and revise the original piece. Both the Cirklon and Digitakt are running in their song modes, respectively. Everything is sequenced from the Cirklon, except the Digitakt. I've strayed into musical territory that I usually shy away from (and don't fully understand) but I enjoyed it nonetheless and I hope you enjoying listening too."

"I'm @patchesinblue on bandcamp and instagram."

Lyra-8 Simpler Organismic Textures with Percussive Oberheim SEM Pro and Sequencing Semblance

Published on Oct 13, 2017 martinjazz78

"Good speakers or headphones are highly recommended. These synths sound so beautifully and deserve appropriate listening device.

Another excerpt from my dawless synth jam with amazing yet for me still not easily controllable Lyra-8 by SOMA synths from Russia. In this part, I was producing textures (quasi harmonies) on Lyra-8 and again was pleasantly surprised by sheer beauty and inspirativness of everything coming out Lyra, although many of these sounds weren't intended and even expected to happen.

Percussive sequence on the background is modern reissue of classic Tom Oberheim's SEM Pro controlled by Cirklon hardware sequencer. Cirklon also controls Semblance by Analogue Solutions, which is in fact a clone of the Oberheim's SEM, but it sounds completely different. Both synths are processed through the vintage tape Roland Space Echo for delay and Strymon Big Sky for reverb.

Additionally you hear Taurus III Bass Pedals by Moog Music (from about middle of the video) giving some long sustained bass tones (again controlled by Cirklon). Last but not least, you hear Ken Macbeth's Elements Synthesizer creating very organically sounding atmospheric ambience.

Enjoy ;)"

Improvisation with Cirklon and NDLR

Published on Feb 22, 2020 Martin Peters

"It has been a while for various reasons. But this afternoon I thought, let's do a quick improvisation to show off with the NDLR. I got the NDLR at the end of last December and it is a great source of inspiration. The Cirklon clocks the NDLR and sequences the NDLR's chord progressions by sending CC messages. The NDLR drives the Mopho and the Korg ARP Odyssey as the 2 motif's and the Roland JD-800 as the pad. The Cirklon drives the Synthesizers.com for the bass, the SEM, the Plaits and the Braids for the snare sound. Some soloing on the Moog Voyager Old School, the Moog Prodigy and the Moog Polymoog Synthesizer. This all is recorded in 1 take. Sorry for my bad camera work and the fact that the camera stopped after 15 minutes. Hope you enjoy it nevertheless."

Cirklon Note Capture (Feature Request)

Danny Piccione
Published on Aug 11, 2017

"This was a Max for Live patch I hacked together to intercept MIDI data between the Cirklon & Monologue in order to show how musical real time note feedback would be when used in Note Dub Record mode.

The M4L patch listens to the currently held keyboard note im playing, and swaps note values with the note Cirklon is sending out. Simultaneously Note Dub Record mode is active, so once the sequence loops back to the start (4 bars in this case), you can hear the newly recorded notes being played back.

You can hear how I start with every note in the sequence as D# and develop from there. Very fun to come up with something basic and then start adding different notes in various spots throughout the sequence. Especially fun to play alongside some sequenced modulation (in this case envelope mod & filter cutoff on the Monologue)."

Analogue Jam (GRP Cirklon Voyager)

Published on Oct 14, 2019 Andromeda Music

"First quick sync test between the GRP and Cirklon.
R24 sequencing the Voyager, GRP A4 using its own board sequencer... Cirklon just clocking"

Vintage White Arp Odyssey Modified MKI 2800 Synthesizer w/ LED Sliders

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

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Cirklon FTB

YouTube via WilyEPeyote | October 24, 2010

"A very quick run through of scenes from a recent Cirklon song. It took me a couple of attempts before I recorded the sound OK hence it's not the smoothest performance. Apologies for the cough, seems a few of us picked that up in Berlin.

I realise that even by my standards the video is basic but I wanted to be the first to get some Cirklon tunes online. I suspect a lot will follow as people realise how cool this is."

Cirklon tutorial 3 part 1 - get started

YouTube via sequentix | Feb 24, 2011 |

"A quick guide to getting a first pattern running on a new Cirklon.
Part 2 continues after the 15 minute Youtube limit."

Cirklon tutorial 3 part 2

sequentix | Feb 24, 2011 |

"...continues from a previous video, if you missed it.
I did this on the fly, so apologies for the roughness, and cheezy soundtrack.
I'll plan ahead on the next one so I don't end up with the wrong patch. After failing to demonstrate TIE, I just noodled for a while. There's a sneaky peak at drum edit in there toward the end, and I played with scene structure a bit."

Trow - A selection of Cirklon patterns for computer and eurorack synthesizer

Published on Oct 28, 2017 Luke Killen

"Trow is a selection of Electro Acid patterns for computer and eurorack synthesizer. The drums samples are provided by the computer and the synths are supplied b the Eurorack. The Cirklon provides all of the sequencing. This will be my last Cirklon patch on the channel for a while. My next patches will be Eurorack only as usual."

Dreadbox Abyss Videos by martinjazz78

Published on Jul 6, 2017 martinjazz78

Playlist:

1. Abyss Drone While Nyx and Erebus Randomly Sequencing

"For your maximum enjoyment, please use good headphones or ideally speakers with subwoofer(s).

Dawless synth jam with three extraordinary instruments from Greek synth-maker Dredbox Effects. Four voice analogue synth Abyss asks for most of your attention in this video. This time, however, not as polyphonic gear but in unison mode producing drone and self-oscillation type of sounds.

It starts with with 24 dB LPF cutoff closed and resonance full open. The filter is modulated by both LFOs of the Abyss. First both of them go very slowly as ramp and square waves, later LFO B goes much faster and is switched to ramp wave too. During the shooting I was also playing with the Drive (VCA) knob overdriving the sound and even getting it distorted - absolutely gorgeous and absolutely my type of thing. Towards the end Abyss on-board effects are also added to the mix. It was very interesting and inspiring to achieve self-oscillation of the Delay very similar to the self-oscillation of Roland's vintage tape Space Echo.

On the background of Abyss' drone you hear Nyx and Erebus. Both of them playing simple few notes sequence and are sequenced by Cirklon. Both sequences have also several random parameters, so they seem to never exactly repeat in the same way. Another layer of randomness was achieved by using CV inputs and outputs on both synths. Maths module from 0-Coast controlling LFO on Moog Mother 32 that was controlling VCA of Erebus added even more randomness to the Erebus sequence, and this one is very devilish, I would say.

All three synths are processed through vintage tape Roland Space Echo for delay (this time rather slower) and Strymon Big Sky for the reverb. Recorded live, stereo output from my Motu interface into Ableton Live only. Camera is GoPro, edited in Final Cut.

Will I be stoned, if I say I absolutely love these Dreadbox synths, the sound they produce and the feel they give and I have no doubts they are going to become classic like Moog, Art or Oberheim?"

2. Dreabox Abyss Slow and Heavy 4 Voice Sequence

"Exploring multichannel mode of Abyss 4 voice synth from Dreadbox Effects. Each of Abyss' voices is independently sequenced by Cirklon hardware sequencer. Additionally, I was also exploring possibilities of Abyss' multi-timbrality. Dip switch 5 is on and each voice has slightly different envelope set up.

I have to say I was so nicely surprised how heavy such 4-voice sequence on Abyss can be. Haven't expected that. Also not exaggerating if I say that otherwise I achieve so heavy sequence usually only when I put Taurus III Bass Pedals into work. In this context we should indeed mention suboscillators of Abyss.

Moog's CP-251 controls filter cutoff and phaser of Abyss. Not sure if CP-251 gives the proper voltages for Abyss, but definitely interesting things sonically speaking.

Noise and hissing on the background is Erebus by Dreadbox heavily modulated and controlled with 0-Coast by Make Noise and Moog's Mother 32. Before it goes to delay and reverb effects it is also processed quite drastically through Zvex Fuzz Factory. All these appear at the very end of the video.

Both synths are further processed through vintage tape Roland Space Echo for delay (I think the time for changing the tapes is quickly approaching as you may hear the repeats get bit out of tune) and Strymon Big Sky for mighty lush reverb.

Recorded live, stereo output from my Motu interface to Ableton Live. Camera was GoPro, edited in Final Cut. I like these late night improvised dawless synth jams."

3. Dreadbox Abyss 4 Voice Sequence and some Erebus, Moog's Mother 32 and 0-Coast too

"Each of Dreadbox Abyss' voices is sequenced in C sharp minor independently by the Cirklon hardware sequencer, Abyss is therefore in the multi-channel mode. Additionally, Dip switch 5 is on for bit of multi-timbrality when each of the voices has slightly different envelope set up. Filter cutoff and phaser are modulated and controlled by Moog's CP 251. And some tweaking on the fly (sub-oscillator level, wave form shape, drive VCA, filter modulation etc.)

Noise on the background was intended as I like when there's always something disturbing and distracting. It's Dreadbox Erebus heavily modulated and controlled by Make Noise's 0-Coast - that is also sequenced by Oberkorn sequencer - as well as Moog's Mother 32. Before it goes to delay and reverb effects it is also processed through rather psychedelic Zvex Fuzz Factor stomp-box.

Both Abyss and Erebus are further processed through vintage tape Roland Space Echo for delay and Strymon Big Sky for reverb. It was dawless synth jam, recorded in one take, stereo output from my Motu interface into Ableton Live. Camera was GoPro, video was edited in the Final Cut Pro. "

Sequentix Cirklon CVIO DMUX on MATRIXSYNTH CLASSIFIEDS

Note: Auction links are affiliate links for which the site may be compensated.

via MATRIXSYNTH CLASSIFIEDS

via the seller:

"Selling my loaded Sequentix Cirklon, serial 094. It has the CVIO board, rack mount CVIO break out box, rack ears, original hard cover manual and power supply. In addition to this I am throwing in the v1.0 D-MUX eurorack module. This will allow your Cirklon to sequence a full 16 additional drum triggers and accents when connected to the DIN Sync output on the device! The price covers shipping worldwide!"