XILS-Lab EMS Inspired Vocoder 5000 Arrives

"XILS-lab launches last word in vocoding with powerful plug-in inspired by EMS flagship

GRENOBLE, FRANCE: music software company XILS-lab is proud to announce availability of XILS Vocoder 5000 — inspired by its expensive EMS Vocoder 5000 hardware (partial) namesake (still held high in analogue awe) as an awe-inspiring, affordable vocoder plug-in for Mac (32- and 64-bit, AU, AAX, RTAS, VST 2.4, and VST 3 for Mac OS X 10.6 or higher) and PC (32- and 64-bit, AAX, RTAS, and VST for Windows XP, Vista, 7, and 8) — as of December 23...

By (typical dictionary) definition, a vocoder is an analysis and synthesis system used to reproduce human speech. Speaking historically, Homer Dudley, a research physicist at Bell Laboratories in New Jersey, USA, developed the Voice Operated reCOrDER (VOCODER) way back in 1939 as a research device to test compression schemes for the secure transmission of voice signals over copper telephone lines. Later, Werner Meyer-Eppler, the Director of Phonetics at Bonn University in Germany, recognised the relevance of these machine marvels to electronic music following a visit by Dudley in 1948, subsequently using the vocoder as a basis for future writings which would inspire, in turn, the German Elektronische Musik movement. Musically speaking, the vocoder is indebted to German synth pop pioneers Kraftwerk more than most for bringing its distinctive robotic-sounding voice into commercial consciousness — so much so that Wikipedia even has a photograph of one of their early-Seventies custom-built vocoders alongside its own online definition of the word.

Whatever way one views it, actually it was Peter Zinovieff’s London-based company EMS (Electronic Music Studios) — best known for making musical history in 1969 with its introduction of the VCS3, the first portable synthesiser commercially available anywhere in the world — who released the world’s first commercially-available vocoder, the EMS Studio Vocoder, in 1976. Soon renamed the EMS Vocoder 5000, this vocoder par excellence ended up in the talented hands of a privileged few, both musical or otherwise, including Kraftwerk, predictably; Stevie Wonder; US Seventies-vintage sci-fi TV series classic Battlestar Galactica (‘Cylon’ centurion voices); and the BBC Radiophonic Workshop. With its 22-band analysis and synthesis sections, the EMS Vocoder 5000 is probably the most highly-specified such unit ever produced. The fact that it can still be bought new today is testament to its still-stunning design, though there is only one (not so small) problem: purchasers should be prepared to part with a handsome five-figure sum for the privilege and then wait quite some considerable time to take delivery of this weighty (20kg) vocoding heavyweight. However, XILS-lab has an answer to that problem: now those fantastic features and more can be accessed instantly in the comfort of your computer at a fraction of that cost, thanks to the XILS Vocoder 5000 plug-in!

Put simply, XILS-labs’ software-based vocoder virtually emulates the fanciful filtering techniques and incredibly complex circuitry of its analogue predecessor to achieve the same organic sound, precision, and clarity. Just like the EMS Vocoder 5000 before it, XILS Vocoder 5000 can be made to ‘speak’ clearly in English and German — just like Kraftwerk... or in any other language for that matter! Respectively resurrecting the still-sought-after sounds of the EMS VCS3 synthesiser and Roland VP-330 Vocoder Plus keyboard in popular plug-in form as XILS 3 and XILS V+ certainly stood XILS-lab in good stead when it came to meaningfully modelling the EMS Vocoder 5000’s impressive feature set of no fewer than 22 bandpass filters and envelope followers; oscillators (modelled from the EMS VCS3); noise generator; frequency shifter; and spectrum analyser — including its distinctive 22x22 pin matrix patchboard, allowing any band of the modulator signal to be connected to any band of the carrier signal. So while analogue vocoders like the esteemed EMS Vocoder 5000 typically analyse an incoming signal by splitting it into a number of tuned frequency bands with modulator and carrier signals being sent through a series of tuned bandpass filters — in the case of Kraftwerk’s beloved robotic voices, for example, the modulator is a microphone and the carrier is a noise or sawtooth waveform — with XILS Vocoder 5000 it’s just the same.

Haying that, XILS-lab being XILS-lab, that’s not all. Additional features that make XILS Vocoder 5000 a truly 21st Century product par excellence in its own right include additional filter types; more SLEW RATE modulations; two LFOs — the original Vocoder 5000 had only one; in-depth FM AMNT (Frequency Modulation amount) and PWM AMNT (Pulse Width Modulation amount) controls; additional oscillator waveforms; improved SPEECH (sibilance) input detector; GATE input; and also a keyboard for playing melodies or chords. Unlike the restrictive nature of the original Vocoder 5000’s ‘real world’ pin matrix patchboard, XILS Vocoder 5000 users can quickly populate its onscreen matrix by freely drawing lines... and it helpfully has its own presets! Picture-perfect, some might say!

So there it is. As well as feeding the human voice — truly the most variable sound source of all — into XILS Vocoder 5000 to alter its pitch, tone, vibrato, and other characteristics to synthesise a choir from a single voice or create musical melodies from ordinary speech, why not use XILS Vocoder 5000 to process drums, percussive elements, guitars, or any kind of synthesiser to breathe new ‘analogue’ life into them or reshape them totally? Try creating vocoded synth patterns from drum loops... loopy! Almost anything is musically possible with XILS Vocoder 5000, so why not give it a try today? Here at XILS-lab we’re sure you’ll love its authenticity, adaptability, and affordability.


XILS Vocoder 5000 is available to purchase and download directly from XILS-lab as an eLicenser or iLok copy-protected virtual instrument and effects plug-in for an introductory discounted price of €99.00 EUR (including VAT within the EU) until January 17, 2015 — thereafter rising to €149.00 EUR (including VAT within the EU) — from here: https://www.xils-lab.com/products/XILS-Vocoder-5000.html

For more in-depth info, please visit the dedicated XILS Vocoder 5000 webpage here: https://www.xils-lab.com/pages/XILS%205000.html

Several short audio demos showcasing XILS Vocoder 5000 can be heard here: http://www.xils-lab.com/pages/XILS5000_Audio.html

Various XILS Vocoder 5000 tutorial videos showing several key features and functions can be seen here:
https://www.xils-lab.com/audiosample/XILS5000/video/XILS5000_TutorialProcessFreqShift.mp4
https://www.xils-lab.com/audiosample/XILS5000/video/XILS5000_TutorialMatrixPatchSlewRate.mp4
https://www.xils-lab.com/audiosample/XILS5000/video/XILS5000_TutorialCarrierControl.mp4
https://www.xils-lab.com/audiosample/XILS5000/video/XILS5000_SideChainCubase.mp4"

NAMM 2023 Zynaptiq Orange Vocoder - Its Here, Finally!

video upload by sonicstate

"Dennis from Zynaptiq was pleased to be able to finally show us the new Orange Vocoder 4 plugin, which is set to start shipping on May 1st. The plugin offers a variety of vocoding modes with 24 different options, including speech modeling and zero-latency analog modeled features. This allows users to experiment with a whole range of sound hybridization options, making it a versatile tool for creating unique vocal parts and harmonies quickly.

One of the standout features of the Orange Vocoder 4 is its built-in synthesizer, which offers a range of modulation options, different flavors of polyphonic distortion, and various ring modulation options. The plugin also features Zynaptiq's signature mouse-over menus, which allow users to hear all the options by hovering above them, making it fast and easy to come up with cool synth sounds. With a range of other features on offer, including an automatic tuning effect, the Orange Vocoder 4 plugin is a must-have for producers and musicians looking to create unique and innovative sounds.

For more information and to take advantage of the introductory offer of $149 (a hundred bucks below the regular price), head over to Zynaptiq's website and grab the plugin before the price goes back up. The Orange Vocoder 4 is compatible with VST2, VST3, AAX native audio units on Mac and Windows, and Apple Silicon native out of the gate. So, if you're looking for a versatile vocoder plugin with a whole range of features, be sure to check out the Orange Vocoder 4 from Zynaptiq.

Orange Vocoder 4: https://www.zynaptiq.com/orangevocoder/
Zynaptiq's website: https://www.zynaptiq.com/"

Based on the Prosoniq Orange Vocoder

"Heard on countless songs in multiple genres worldwide, ORANGE VOCODER AU is indeed THE classic software vocoder plug-in. Originally developed by Prosoniq in 1998, ORANGE VOCODER has since evolved through numerous iterations, always staying at the cutting edge right to this day. It has a reputation for being the single most transparent sounding and flexible vocoder plug-in available...and we at Zynaptiq agree.

ORANGE VOCODER features a built-in 32-voice synthesizer, 8 different vocoder algorithms ranging from analog modelled circuits to far-out digital cross-synthesis modes, filter-bank freezing and reverb, a 10-band graphic EQ, and more...a dream-machine for creating new sounds!


The ORANGE VOCODER features at a glance:

Realtime vocoder effects plug-in for the Apple AudioUnits (AU) format.
Flexible Carrier/Modulator Routing, including side-chain input.
Integrated 32-voice virtual analog synthesizer.
8 unique vocoder algorithms.
HF Passthrough & Voiced/Unvoiced Detector with noise generator.
Filterbank Freeze & Filterbank Reverb.
10-band Graphic EQ with Analyzer.
Integrated Hall Reverb.
ORANGE VOCODER Algorithm Selector
One Vocoder? How About 8...

ORANGE VOCODER doesn't just give you one great vocoder sound, it gives you eight. Two different 24-band analog emulations give you classic vocoder sounds in linear and minimum phase. The ORANGE VOC 3 and Classic ORANGE algorithms give you the state-of-the-art ORANGE VOCODER algorithm, as well as its digital classic counterpart from the original plug-in from 1998. The unique MR 1st order, MR 2nd order and MR 3rd order Multi-Resolution modes use wavelet transform mathematics to provide frequency dependent time resolution, and sounds ranging from extremely natural to completely synthetic, while Colorize applies the Modulator's phase response in addition to its frequency amplitude data, for a wild cross-synthesis effect."

See https://www.zynaptiq.com/orangevocoder/ for additional details.

XILS-lab launches classic keyboard vocoder emulation plug-in

First announced here, videos here (human vocies), here (glide and layered sounds), and here (strings), the following is the official press release for XILS-lab's new XILS V+ vocoder emulation.  You'll find some additional renders at the bottom of this post. Be sure to click on them for the super size shots.

"GRENOBLE, FRANCE: music software company XILS-lab is proud to announce availability of its XILS V+ virtual instrument and effects plug-in, a faithful emulation of a well-known keyboard vocoder classic, as of May 27...

Following a year of intense instrument modelling deep inside XILS-lab’s ear-opening laboratories, the XILS V+ virtual instrument and effects plug-in has finally emerged, sounding nigh on indistinguishable from an instantly-recognisable keyboard vocoder classic much loved by both contemporary and acclaimed artists alike. But what keyboard vocoder are we talking about here exactly? And what’s a vocoder, anyway?

By definition, a vocoder is a synthesizer that produces sounds from an analysis of speech input. Vocoders arguably had their musical heyday in the Seventies with the likes of British record-producing heavyweight Jeff Lynne’s symphonic rockers ELO making much use of them throughout several striking recordings — think smash hit ‘Mr Blue Sky’ and the Time album (featuring the Roland VP-330 Vocoder Plus keyboard) — while German techno pop pioneers Kraftwerk crafted themselves an ongoing robotic vocoder-led career that’s still resonating throughout EDM’s many modern-day stylistic offshoots; French house music stalwarts Daft Punk became big vocoder fans with several memorable club-friendly hits to their eminently danceable name, par exemple. Historically speaking, the aforesaid Roland VP-330 Vocoder Plus is also musically immortalised on celluloid thanks to Greek synth wizard Vangelis’ memorable early-Eighties electronic scores to the Oscar-winning Chariots Of Fire and Ridley Scott’s sci-fi film noir classic, Bladerunner, both of which made much use of the instrument’s signature Strings — ‘emulating’ the sustained portion of orchestral strings — and Human Voice Ensemble ‘choir’ — remarkable and unique — sounds. Subsequently the long-since-discontinued VP-330 Vocoder Plus has become something of a sought-after classic itself... for those in the musical know. Yet finding a fully-functional, pristine example of this 30-plus-year-old temperamental hardware has become nigh on impossible. Which is exactly where XILS V+ comes into play, of course, thanks to XILS-lab’s labours.

So how, technically, does that historic hardware produce those distinctive sounds? And, more to the point, how has XILS-lab been able to magically model them? First things first. Just like the real thing, XILS V+ is based on a Top Octave Divider oscillator — the hidden heart of almost all vintage string machines. Basically, back in the day, this clever concept enabled hardware designers to achieve 49 notes (or more) of polyphony without having to stabilise and tune 49 (or more) oscillators! Instead, a single square wave-generating so-called Top Octave oscillator designed to oscillate at very high specific frequencies is ‘divided’ to provide 12 standard tempered frequencies over four (or more) octaves that are then used to create the waveform for each individual note. All notes are kept in phase with no drift between octaves and only a single tuning circuit is needed for the complete keyboard range. This was quite a technological breakthrough by Seventies standards, but by its very nature there were some divisive downsides — no polyphonic attack stage to the sound which we take for granted today, for instance. Yet, thanks to today’s cleverer computer world, XILS V+ offers polyphonic attack (and also monophonic attack for the sake of authenticity).

So, just like the real thing, XILS V+ features a 10-band VOCODER, Top Octave Divider-based STRINGS and HUMAN VOICES — or, indeed, sophisticated layering of any these three elements! It successfully captures the keyboard in question’s Top Octave Divider oscillator’s unique sound (that no sampling technology or other simple synthesis techniques can reproduce); the ensemble (chorus) circuitry, featuring a compander and no less than four bucket brigade delays; the voice and vocoder ‘vibratos’ (based on two more bucket brigade delays); the 14 filters involved in producing that heavenly Human Voice Ensemble sound; the three filters used for the Strings section; the 40 ‘vocoder’ filters; and sophisticated Attack, Release, and Glide circuitry. Visually, the main control panel section above the keyboard basically mirrors that found on its inspirational hardware predecessor so anyone familiar with the VP-330 Vocoder Plus will immediately feel right at home here — right down to the classic colourful rocker switches!

But that’s not all: rather than simply producing a feature-by-feature emulation of the original hardware, XILS-lab has truly taken the opportunity to bring this Seventies-vintage keyboard vocoder concept kicking and screaming into the convenience of present-day DAW workflow with four additional panels boasting advanced settings: Mixer/ARP allows users to fine-tune the internal sound generators — from adjusting the relative level of the Male 8 and ML/FM 4 Human Voices to tweaking voice formants, the Top Octave Divider waveform, as well as the Strings filter shape — while a built-in arpeggiator is also provided; Vocoder allows users to adjust the analogue-like Pitch Tracking, the ATT (attack) and REL (release) of the ANALYZE algorithm, as well as FILTERS parameters; Effects provides three built-in effects (STEREO SPACE, based on XILS-lab’s now-well-known Stereo Dynamic Engine; a simple, but efficient REVERB; and an analogue-like resonant PHASER); and last, but by no means least, Modulations with over 14 sources and 24 destinations!

So there you have it. If you’re lusting after those classic keyboard vocoder sounds — and more besides, perhaps, but could never afford or find a suitable hardware original, then your prayers have surely now been answered by XILS-lab. Load up multiple instances of XILS V+ into your favourite DAW. Play. Smile. After all, it’s even better than the real thing!


XILS V+ is available to purchase as an eLicenser or iLok copy-protected virtual instrument and effects plug-in for €99.00 EUR/$128.00 USD until June 30 from the XILS-lab web store: http://www.xils-lab.com/products/XILS-V%252b-%3A-iLok-or-eLicenser-protected.html (Thereafter its MRSP will rise to €149.00 EUR/$194.00 USD.)

XILS V+ can be directly downloaded as a 32-bit (Intel and PowerPC) and 64-bit (Intel) compatible virtual instrument and effects plug-in for Mac and Windows in various formats (AAX/RTAS, AU, VST2.4, and VST3) from here: http://www.xils-lab.com/pages/XILS-V%252b_Download.html

Various videoed A/B comparisons of XILS V+ and the original hardware it has been so successfully modelled from can be seen and heard here: http://www.xils-lab.com/pages/XILS-V%252b_Video.html"

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Moog 16 Channel Vocoder Processing Videos

Published on Apr 2, 2020 Moog Music Inc

PLAYLIST:

1. Moog 16 Channel Vocoder | Counting Sample Processing

In this composition, the Moog 16 Channel Vocoder’s program input is being driven by a microphone, while the Moog IIIp modular synthesizer acts as the carrier signal. A Eurorack modular system provides melodic sequencing for the IIIp, as well as modulation sources for some of the vocoder’s synthesizer inputs while in external patch mode. Two Moog DFAMs handle rhythmic accompaniment to round out the arrangement.

2. Moog 16 Channel Vocoder | IIIp and Vocal Processing

In this composition, the Moog 16 Channel Vocoder’s program input is being driven by a microphone, while the Moog IIIp modular synthesizer acts as the carrier signal. A Eurorack modular system provides melodic sequencing for the IIIp, as well as modulation sources for some of the vocoder’s synthesizer inputs while in external patch mode. Two Moog DFAMs handle rhythmic accompaniment to round out the arrangement.

3. Moog 16 Channel Vocoder | MPC Breakbeat Processing

In this example, an Akai MPC1000 sends a breakbeat sample to the Moog 16 Channel Vocoder’s program input. A Moog Matriarch serves as the carrier input. The Matriarch is operating in four voice mode, and the keyboard is used to provide the chordal sequence used to transform the breakbeat.

4. Moog 16 Channel Vocoder | 808 Processing

In this composition, rather than the typical microphone, the Moog 16 Channel Vocoder’s program input is being driven by a Roland TR-808 drum machine. A Eurorack modular system provides the chordal content for the vocoder’s carrier input, as well as all the drums and percussion. The external patch functionality on the vocoder is being used to create two distinct timbres, while the rear Patch Select input jack receives gate signals from a Eurorack sequencer to toggle back and forth between the two timbres. The vocoder’s output is being processed by a Roland RE-150 Space Echo and OTO BAM for a bit of warm tape delay and reverb. Finally, a Moog Mother-32 provides a rich ostinato bassline to tie everything together.

New Arturia MicroFreak Vocoder Update & White Edition

Playlist:
1. Arturia Performance | MicroFreak Vocoder Edition
2. Tutorials | MicroFreak - Episode 6: Vocoder Mode
3. Arturia MicroFreak Vocoder First Test. (feat additional Reverb) - Sound Provider
4 Arturia Microfreak Vocoder Update (setting things up, exploring the sounds, vocoding drum machines!) - Oscillator Sink
5. Arturia MicroFreak Vocoder Review - loopop

TIMELINE for loopop video:
0:00 Intro
0:15 Hidden input
0:45 Limited edition
1:25 MicroFreak overview
2:10 Vocoder basics
3:50 Setting gain
4:30 Osc controls
6:10 Hiss controls
7:35 Vocoder presets
9:00 TIPS FOR LEGIBILITY
9:05 Pronounce well
9:20 Headphones
9:35 Tune with samples
10:30 Intervals
10:40 Repeat lyrics
10:50 Mix OG vocal
11:00 OTHER TIPS & IDEAS
11:05 Use beats
11:45 Complex envelopes
12:50 Earphone gain
13:35 Pitch bend and mod
13:45 Glide
14:10 Compression
14:30 Bold beatboxing...
14:55 Reverb and delay
15:15 Pros and cons

And the press release with some pics:

"Arturia Unleash MicroFreak Vocoder Edition

Sing alongside glistening digital textures. Add paraphonic harmonies to external sound sources. Scatter spoken word across sprawling modulated sequences. This is the uniquely unpredictable MicroFreak formula but not as you know it.

Limited edition, limitless madness
A new look, a new configuration, a new sound. Let’s take a closer look at what makes this exclusive limited-run Freak tick...

Gooseneck microphone
Easily adjustable and removable, the mic connects to the headphone socket, designed to fit snug against MicroFreak’s rear connectivity panel.

Limited-edition finish
MicroFreak Vocoder Edition has been given a makeover, featuring a sleek, eye-catching white design with a unique Swan graphic.

New 16-band Vocoder engine
Accurately detect, filter and replicate the complex harmonics of the human voice. Sawtooth, pulse width and noise waveforms, with 16 new presets to boot.

Connect external sound sources
Process an external sound source like a drum machine/synth via the headphone socket for glitchy vocoder sound processing.

The MicroFreak Vocoder Edition is available to purchase at any authorised Arturia dealer while stock last.

Street price $349/329€

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VINTAGE EMS VOCODER 2000

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"Up for auction is an awesome, professionally maintained original EMS 2000 Vocoder System. Original Owner. Looks sharp and in perfect working order, there is some scratches from being in the rack (see pictures). Designed by Tim Orr and Robin at EMS, made personally for one of my U.S. studios well over 2 decades ago. It has a standard U.S. AC cord, a conversion that will cost a pretty penny on imported Euro units, and the import/customs/etc. cost over $1000 U.S. dollars even decades ago. They aren't made anymore and the EMS Vocoder 2000 is the best vocoder period. An awesome effect to have in your arsenal right now.

Vocoders were originally used to encode a voice to be transmitted over distance, having military tech functions... the compression and encoding of your signal and the synthesis. Essentially, a voice is compressed and encoded, then a new voice is synthesized. You can combine your signals with a keyboard/instrument or use the independent excitation mode to use the EMS Vocoder 2000 as a stand alone processor. With 16 analyzing and 16 synthesizing filters the EMS Vocoder 2000 has clarity and distinction in the processing that you WILL NOT find in plug ins or other Vocoders. Nice fat lows and mid range mix great with guitars and other synths. The EMS Vocoder 2000 is renowned for it's use in the show Battlestar Galactica as well as by Pink Floyd. Distinctive analog processing used by sonically renowned artists.

The coolest thing about this EMS Vocoder is you can design your own effects that are hard for others to duplicate. Bored of out of the box production and effects, the EMS Vocoder 2000 is the solution.

It cost almost $7000 decades ago to get this very special EMS Vocoder 2000 in my studio. It has been professionally maintained and otherwise safely racked in a professional studio since the 80's and is as mint as you will find.
If the price is too high, then you don't get what an EMS Vocoder can do.

Included in the auction are (1) EMS Vocoder 2000, Original EMS Manual, and AC cord."

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Cowboy and the Vocoder by Redmartian

The track is now available here: http://www.cdbaby.com/cd/redmartian9

"The song was recording using the MMM for bass and vocoder carrier. The lead is a jupiter-6 and the drums were done using a Sequential DrumTraks. The lead and vocoder (Roland SVC-350) parts were played manually along with the bass/drums which were sequenced using midi via Logic."

Some of you might remember Cowboy and the Vocoder from these previous posts.  The story behind this track has a somewhat intersting and quirky history.  Cowboy was VoiceEncoder's dog.  VoiceEncoder is known for his vocoder videos and demos that became somewhat of an obscure synth meme.  His demos actually came up in a recent conversation I had with someone.  VoiceEncoder would often feature his dog Cowboy in his videos.  Cowboy would just be lying on a bed somewhere while VoiceEncoder talked to him through a vocoder.  Sadly Cowboy passed away on Monday, March 23, 2009 (click through for a tribute post).

The second half of what makes this track special is that it is one of the first tracks predominantly featuring the Mattson Mini Modular (it might actually be the first) [Update: according to Redmartian, "it was the first 'song' on the MMM. I did a few musical demos and orchestrated lute pieces, but this was the first 'pop song'."] It was composed by Redmartian as a tribute to Cowboy.  The lyrics are a dedication to Cowboy and the videos he was featured in.  Below are two videos for the track.  The bottom video was taken at the 2009 PNW Synth Gathering and features the Performance Music Systems Syntar in place of the Jupiter-6 for leads.   The Syntar was the first fully contained keytar synthesizer created by George Mattson, the man behind Mattson Mini Modular.

Cowboy and the Vocoder and the MMM

Uploaded on Nov 5, 2008 redmartian·73 videos

"A song written for a dog who likes to listen to the sound the Roland SVC-350 vocoder. This song features the MMM as well as a Sequential Circuits Drum Traks and a Roland Jupiter-6. (I don't have a Poly-800 .. sorry cowboy).

Here are the lyrics:

Do you know Cowboy
and the SVC-350?
Do you know Cowboy
and the Roland Vocoder?

Hey there Cowboy
I see you there
Lazy gazing
Gazing lazy
Whos my sweet boy?
You know its you.
I like to vocode and you do too.

No Poly-800 to drive the SVC
So I use an MMM as my carrier wave
No Poly-800 but Cowboy doesn't mind.
We all know its the Roland SVC-350 vocoder time.

Audio version can be found here:
http://redmartian.com/napster/Red_Mar...

Don't hate the dog or the vocoder."

Vocoder Videos via intromix

Vocoder What Is It? EMS 2000 Demo w/ Oberheim OB-8

YouTube via intromix. via Nusonica.
"Here is how an analog vocoder works. I am not going to use technical "jibberish" so I will speak normal vocabulary. This is the legendary EMS Vocoder 2000 (from 1977) which soundwise compares against Sennheiser, Moog(Bode), Synton, Roland, Korg. I will give a basic demonstration on how to use a vocoder and how a vocoder functions to give it that "robotic" sound. I used an Oberheim OB-8 Keyboard to trigger the pitch on the vocoder"

Sennheiser VSM-201 Vocoder Audio Samples

"Here are some audio samples dedicated to the usage of the legendary Sennheiser VSM-201 Vocoder. Being that there is hardly any info on the web in reference to this unit, I took the initiative to be probably the first person to post audio samples of this vintage dinosaur....ENJOY!!!"

Cylon Costume With Vocoder Sample

"Here is a sample of what my Cylon costume sounds like with the vocoder and red eye warble sound."

Roland SVC-350 Vocoder Demos

Published on Nov 29, 2018 supajc

Playlist:

1. Vocoder demo for Audiotron1003

Some classic Electro vocoder sounds using Roland SVC-350 vocoder and several software synths (Dune 2, Arturia Jupiter-8) video made for Audiotron1003

2. SVC 350 Demo "Midnight Star" vocoder voice

Special video for audiotron1003 showing the simple saw waveform fed into a Roland SVC-350 vocoder. Using screen capture since I don't have a video camera- yet!

3. SVC-350 Demo Egypt Egypt voice

Reconstructing the vocal from the most iconic electro track ever, "Egypt Egypt" by Egyptian Lover. The best sounding 12" ever made. The perfect beat. *** Best viewed in HD quality. Dedicated to youtuber audiotron1003

4. Scorpio Vocoder demo SVC-350 & Roland SH-101

Quick demo of a synth emulating the tone used to make the lead vocoder sound in "Scorpio" by Grandmaster Flash & The Furious 5. I hope to do this video better, with improved audio someday but for now, enjoy! Made especially for Audiotron1003 who is about to get a new wonderful vocoder!

5. SVC-350 Vocoder Ensemble mode DEMO

Brief audio file showing what the "ensemble" feature of the SVC-350 vocoder does. The default position is "ON" so you need to insert a jack or adapter into it, in order to disable it. Must listen in STEREO. Can be controlled with a sustain type keyboard footpedal, be sure to get one with reversible polarity (switch on bottom to change default position)

BOSS Introduces Vocoder VO-1 Guitar Pedal

BOSS VO-1 Vocoder featuring Kai Smith

Published on Jan 19, 2016 BOSSchannel

"When you plug into the VO-1, you can literally talk, sing, and cry with your axe, taking your playing to places you never dreamed of before."

"The VO-1 Vocoder is a unique and innovative stompbox that puts the massive expressive range of the human voice in the hands of every guitarist and bassist. By vocalizing into a connected mic as you play, it’s easy to transform your tone with electronic voices, classic talk box sounds, and tons of all-new colors that are perfect for modern music styles. It’s even possible to create impressive ensemble vocal sounds without the need to connect an external mic. When you plug into the VO-1, you can literally talk, sing, and cry with your axe, taking your playing to places you never dreamed of before.

- Innovative, easy-to-use vocoder pedal powered by BOSS’ famous guitar synth technology
- Use your voice to dramatically extend the expressive range of your instrument in countless ways
- Vintage mode for classic electronic synth-voice sounds and Advanced mode for all-new vocoder tones with enhanced clarity
- Talk Box mode enables “talking lead guitar” tones without the hassles of a traditional talk box setup
- Choir mode for achieving rich vocal sounds with no mic connected
- Effect loop for sound enhancement and easy integration with existing pedals
- Works with guitar, bass, or any instrument with a 1/4-inch output
- BOSS five-year warranty

Powerful Vocal Expression for Guitar and Bass

Without a doubt, the human voice is the most expressive instrument there is, capable of producing a massive range of sounds. Vocoder technology lets you harness this power and control the tone of your instrument in endless ways via real-time vocal manipulation, achieving speech-like sounds, infinitely controllable wah, and much more. For decades, keyboardists have used vocoders to create electronic vocal tones and other voice-like textures with synthesizers. Now, the VO-1 makes it simple for guitarists and bassists to use this inspiring creative tool with their music.

Cutting-Edge Vocoder Technology in a Compact Stompbox

Driven by BOSS’ famous guitar synth technology, the VO-1 delivers power and versatility that goes well beyond other vocoders. Vintage mode produces the familiar synthesized voice sounds heard on numerous pop and electronic music records through the years, while Advanced mode utilizes new BOSS tech to translate speech and other vocalizations to your axe with unprecedented definition and clarity. Talk Box mode recreates classic 'talking lead guitar' tones without having to use a traditional talk box rig and mouth tube, making these cool sounds much more accessible and convenient. Finally, Choir mode produces rich, impressive vocal textures from a direct input, with no mic needed.

Infinite Possibilities Made Easy

With the VO-1, BOSS has made the vocoder straightforward and incredibly simple to use. First off, it connects to your rig like any other pedal. The only additional connection needed is a microphone, which you’ll use to drive the VO-1’s vocoder engine when using the first three modes. After that, just turn on the effect, tweak the knobs, and vocalize into the mic as you play. Don’t worry—you don’t even need to be able to sing in tune. You handle all the pitch control with your hands as normal, while the VO-1 applies the complex formant characteristics of your voice to the tone in real time. The VO-1 also features an effect loop for patching in external effects, plus a Blend knob for mixing vocoder and straight tones together."

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Moog Music Announces the Return of the Moog 16 Channel Vocoder

"The Moog 16 Channel Vocoder Returns

After more than 40 years, the Moog 16 Channel Vocoder is officially back in production.

Originally introduced in 1978 (and heard most famously on the title track of Giorgio Moroder’s E=MC2), the instrument has been used to transmute vocals, transform synthesizers, and electronically encode sound for decades.

The Moog 16 Channel Vocoder’s analog voice circuits, derived from the original schematic, are hand-soldered at the Moog Factory in Asheville, North Carolina to preserve the original instrument’s classic sound."

via Moog Music

"The history of the vocoder is as unique as the sound it produces.

In the 1930s, Bell Labs introduced the technology as a telecommunications device that could deconstruct the most fundamental elements of human speech and then reconstruct a new electronically synthesized voice. During WWII, the US military used this advancement to electronically encode classified audio messages that could be reconstituted on the receiving end.

Over the following decades, music technologies would explore the artistic applications of the vocoder, whose robotic vocal articulations would soon find their way into mainstream music, television, films, and games. The influential sound machine has been used by the likes of Stevie Wonder, Herbie Hancock, Dr. Dre, Kraftwerk, Daft Punk and many more.


The Moog 16 Channel Vocoder, originally introduced in 1978 (and heard most famously on the title track of Giorgio Moroder’s E=MC2), has been used to transmute vocals, transform synthesizers, and electronically encode sound for decades.



With the instrument’s reintroduction, Moog Music has gone to great lengths to ensure that this distinct electronic voice carries on. Derived from the original vintage schematic, the Moog 16 Channel Vocoder’s analog voice circuits are hand-soldered at the Moog Factory in Asheville, North Carolina to preserve the original instrument’s classic sound. Updated mechanical connectors and a modern power supply improve reliability and long-term serviceability while ensuring that the analog soul of this instrument—and its unique character and idiosyncrasies—remains unchanged."



Moses Sumney | Conveyor at the Moog Sound Lab

Published on Feb 4, 2020

'Moses Sumney, accompanied by a full band, recently visited the Moog Sound Lab in Asheville, North Carolina to perform a reimagination of 'Conveyor' from his forthcoming album ‘græ.’

In this rendition of the unreleased track, Sumney processes his vocals through the Moog 16 Channel Vocoder, using the Matriarch synthesizer to serve as the vocoder’s carrier signal in order to transform and resynthesize his voice. Sumney also incorporates a looper pedal to manipulate both the dry and vocoded vocals, creating rhythmic patterns throughout the track. He is accompanied by Zach Cooper on bass, Mike Haldeman on guitar, Darian Thomas on violin, and Ian Chang on drums and sensory percussion.

Moses Sumney’s upcoming release includes collaborations with a diverse array of contributors and is his first work to be written in his new home of Asheville, North Carolina—also the home of Moog Music Inc. Double LP græ will be released via Jagjaguwar Records, with the first part due digitally this month; the second part, as well as the physical album, will be available May 15th."

EMS Vocoder 5000

Paul Sop sent in the following on the EMS Vocoder 5000. It is interesting how much it does sound like the cylons in Battlestar Galactica. Thanks Paul!


Shot via EMSRehberg, who still makes Synthis and some other EMS products including the EMS Vocoder 5000 which will only set you back 23,000 Euro.













"I'm all about Vocoders lately. Check it out

EMS Vocoder 5000- AND -
EMS Rehberg 5000 Page (great pic here)

Pretty cool. A few factoids:

http://www.bigbluewave.co.uk/ems_vocoder_5000.htm- It is probably the highest specified vocoder ever. 22 bands.
- Includes things like Frequency Shifters, Oscillators, etc.. It's a whole synth!
- It weighs about 20kg!

Cyclons Forum
- It may have been used on the cylons.
- From this page:

Here are some audio samples of both the EMS Vocoder 5000 and the Cylons, see if you think they sound a like and are. Some sites such as one from Ben Liebrand "claim" it's the Sennheiser but after hearing this audio from EMS I have to go with that one.

First the Cylons:

cylon.wav
cylon2.wav
cylon3.wav
cylon4.wav
cylon7.wav
cylon9.wav

EMS Vocoder 5000:

EMS5000plab1.mp3
EMS5000p2.mp3
EMS5000p3.mp3

Apparently it cost 5000 pounds in 1976. If you want one today, it would cost you 23,000 euro from:

Pricelist

I guess it wasn't in the new Battle Star Galactica's budget!"

Update via Derek Wildstar in the comments:
"Some say the Cylons used the EMS Vocoder 5000 and others say it was the Sennheiser VSM-201!! The only thing I knew for sure is that a ring-modulator was also used (I don't know if that was part of the vocoder or not) and that it was based on the voice of Colossus according to Mr. Glen A. Larson himself. Matrixsynth if you, Paul, or anyone knows for sure please post the answer here. I personally believe they used the EMS Vocoder 5000. Thanks."

ELEKTRONIKA EM-26 - VINTAGE SOVIET ANALOG VOCODER STRING SYNTHESIZER

Note: Auction links are affiliate links for which the site may be compensated.

via this auction, also on Reverb

"Up for sale is very rare soviet analog vocoder synthesizer that was manufactured in early 90`s in the USSR. One of the two vocoder models ever produced in the USSR, Elektronika EM-26 portable vocoder is intended for synthesis the voice or external signals, has internal strings ton-generator, analyzer-synthesizer, modulations and vocoder effects. Device due to it`s architecture and parts has unique sound and can produce variety of analog vocoder effects! (check the Demo section)
The synth is in excellent working condition, fully tested and works as it should.

Control panel include 4 sections: VIBRATO, VOCODER, STRINGS and LEVEL, also it has a panel real time transpose and other controls.
VIBRATO section has sliders - accent, depth and rate
VOCODER - chorus knobs (on, mode), mic/vocoder level
STRINGS - on/off, level, violin/cello, sustain
LEVEL - mic, line A, line C
Keyboard PANEL: main level, pitch, interval, octave, pitch bend
CONNECTION (TRS 1/4 "jacks"): mic in (preamplified), line A (not amplified), line C (carrier input), phones, output, pedal."

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VOCODER SYNTHESIZER - ELEKTRONIKA EM-26

Note: Auction links are affiliate links for which the site may be compensated.
Published on Aug 17, 2016 VintageShopVideo

via this auction

"Up for sale is very rare soviet analog vocoder synthesizer that was manufactured in early
90`s in the USSR. One of the two vocoder models ever produced in the USSR, Elektronika EM-26 portable vocoder is intended for synthesis the voice or external signals, has internal strings ton-generator, analyzer-synthesizer, modulations and vocoder effects. Device due to it`s architecture and parts has unique sound and can produce variety of analog vocoder effects! (check the Demo section below photoes)
The synth is in excellent working condition, fully tested and works as it should.

Control panel include 4 sections: VIBRATO, VOCODER, STRINGS and LEVEL,
also it has a panel real time transpose and other controls.
VIBRATO section has sliders - accent, depth and rate
VOCODER - chorus knobs (on, mode), mic/vocoder level
STRINGS - on/off, level, violin/cello, sustain
LEVEL - mic, line A, line C
Keyboard PANEL: main level, pitch, interval, octave, pitch bend
CONNECTION (TRS 1/4 "jacks"): mic in (preamplified), line A (not amplified), line C (carrier input), phones, output, pedal.

The mains power of the unit is 220 volts.
For 110/127v countries I`ll include voltage converter."

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Herb Deutsch's Moog Vocoder (Bode) 16-chan 327A Up for Auction

via this auction

"Just serviced. Rare Moog Vocoder Model 327A/MBVO (16-channel), co-designed by Dr. Harald Bode & Dr. Bob Moog. This unit is a piece of musical history, too, as it was owned by Dr. Herb Deutsch, who co-designed the first Moog synthesizer in the early '60s with Dr. Bob Moog. Seller knows Herb Deutsch personally & acquired the unit from him directly (authenticity can be provided). Includes copies of manuals/documentation & patch images. The Moog Vocoder was used by artists including Wendy Carlos, Moog Cookbook, Devo, Saga, Yellow Magic Orchestra, and filmmaker/composer John Carpenter, among others.

In 1979, Moog Music released its vocoder, although its design and architecture are almost identical to the Bode 7702 model (see image of Bode Vocoder with a "cross-over" patch). It's a 16-band analog vocoder, which separates voice/synthesizer sounds (carrier signal) into frequency-bands ranging from 50 to 5080 cycles-per-second. It does not have any internal oscillators, so it is designed to be used as a signal processor for external carrier & modulator wave sources. The modulator is typically a vocal or drum beat used to modulate the carrier/synth sound being processed. It has microphone & line inputs, as well as 16 synthesizer inputs (1 for each frequency-band), and 16 outputs. This 16-channel cross-matrix patching system provides incredible flexibility, allowing for full external patching between synth & vocoder sections. Other features include a high-frequency bypass, a short 6ms response time for capturing fast percussive sounds, sample-and-hold, and a global bypass switch to turn off the vocoding effect (it has no built-in output mixer, MIDI or CV/Gate).

Sounds great! Recent service included replacement of parts, cleaning & otherwise. Includes power cord, but no patch cords (Seller can refer Buyer to patch cord vendors). The handles/rack-mounts are reversible. 115v/220v switchable. In good physical condition but has some surface scratches, etc. Message Seller with any questions. Moog Vocoders have sold for more than US$5,000 on eBay & private transactions in recent years.

Example: Hear the nearly-identical Bode 7702 vocoder in action [video below]

Own a piece of musical history, and a great addition to any modern studio!"





Bode (Moog) Vocoder 7702 Demonstration Uploaded by intromix on Jun 13, 2011

ELEKTRONIKA EM-26 - VINTAGE SOVIET ANALOG VOCODER STRING SYNTHESIZER

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"Up for sale is very rare soviet analog vocoder synthesizer that was manufactured in early
90`s in the USSR. In MINT condition! One of the two vocoder models ever produced in the USSR, Elektronika EM-26 portable vocoder is intended for synthesis the voice or external signals, has internal strings ton-generator, analyzer-synthesizer, modulations and vocoder effects. Device due to it`s architecture and parts has unique sound and can produce variety of analog vocoder effects! (check the Demo section below photoes) [one previously posted here]
The synth is in excellent working condition, fully tested and works as it should.

Control panel include 4 sections: VIBRATO, VOCODER, STRINGS and LEVEL,
also it has a panel real time transpose and other controls.
VIBRATO section has sliders - accent, depth and rate
VOCODER - chorus knobs (on, mode), mic/vocoder level
STRINGS - on/off, level, violin/cello, sustain
LEVEL - mic, line A, line C
Keyboard PANEL: main level, pitch, interval, octave, pitch bend
CONNECTION (TRS 1/4 "jacks"): mic in (preamplified), line A (not amplified), line C (carrier input), phones, output, pedal.

The mains power of the unit is 220 volts.
For 110/127v countries I`ll include voltage converter.
The unit is fully tested & is in ideal 100% working & cosmetic condition."

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ELEKTRONIKA EM-26 - VINTAGE SOVIET ANALOG VOCODER\STRING SYNTHESIZER

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"Up for sale is very rare soviet analog vocoder synthesizer that was manufactured in early
90`s in the USSR. One of the two vocoder models ever produced in the USSR,
Elektronika EM-26 portable vocoder is intended for synthesis the voice or external signals, has internal strings ton-generator, analyzer-synthesizer, modulations and vocoder effects. Device due to it`s architecture and parts has unique sound and can produce variety of analog vocoder effects! (check the Demo section)
The synth is in excellent working condition, fully tested and works as it should.

Control panel include 4 sections: VIBRATO, VOCODER, STRINGS and LEVEL,
also it has a panel real time transpose and other controls.
VIBRATO section has sliders - accent, depth and rate
VOCODER - chorus knobs (on, mode), mic/vocoder level
STRINGS - on/off, level, violin/cello, sustain
LEVEL - mic, line A, line C
Keyboard PANEL: main level, pitch, interval, octave, pitch bend
CONNECTION (TRS 1/4 "jacks"): mic in, line A,C, phones, output, pedal.

The mains power of the unit is 220 volts.
For 110/127v countries I`ll include voltage converter.
The unit is fully tested & is in ideal 100% working condition."

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Electronika EM-26 Vocoder

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"Very good condition, Fully tested and working. Really amazing vocoder with additional string synth that sounds great! Comes with original bag which looks fab! Some minor bumps and scratches but in great overall condition. there is one small crack in one of the corners as can be seen in the pictures. Here's the stuff: Electronika EM-26 is soviet analog vocoder synthesizer that was manufactured in early 1990`s in the USSR. It is intended for synthesizing the human voice or external signals, It has an internal strings ton-generator, analyzer-synthesizer, modulator and vocoder effects. The unit is one of the of two vocoder models ever produced in the USSR, Due to it`s architecture and parts the instrument has a unique sound and can produce a variety of analog vocoder effects! Control panel include 4 sections: VIBRATO, VOCODER, STRINGS and LEVEL, also panel near left of the keyboard for pitch and other control. VIBRATO section has sliders - accent, depth and rate VOCODER - chorus knobs (on, mode), mic/vocoder level STRINGS - on/off, level, violin/cello, sustain LEVEL - mic, line A, line C Keyboard PANEL: main level, pitch, interval, octave, pitch bend CONNECTION (1/4 jack): mic in, line A,C, phones, output, pedal, power. Specifications: — Number of octaves in a keyboard, 2,5 — Weight with case, 6 kg (approx. 13 lbs)"

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ELEKTRONIKA EM-26 - VINTAGE SOVIET ANALOG VOCODER STRING SYNTHESIZER

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"Up for sale is very rare soviet analog vocoder synthesizer that was manufactured in early
90`s in the USSR. One of the two vocoder models ever produced in the USSR, Elektronika EM-26 portable vocoder is intended for synthesis the voice or external signals, has internal strings ton-generator, analyzer-synthesizer, modulations and vocoder effects. Device due to it`s architecture and parts has unique sound and can produce variety of analog vocoder effects! The synth is in excellent working condition, fully tested and works as it should.

Control panel include 4 sections: VIBRATO, VOCODER, STRINGS and LEVEL,
also it has a panel real time transpose and other controls.
VIBRATO section has sliders - accent, depth and rate
VOCODER - chorus knobs (on, mode), mic/vocoder level
STRINGS - on/off, level, violin/cello, sustain
LEVEL - mic, line A, line C
Keyboard PANEL: main level, pitch, interval, octave, pitch bend
CONNECTION (TRS 1/4 "jacks"): mic in (preamplified), line A (not amplified), line C (carrier input), phones, output, pedal."

CLICK FOR MORE »

VINTAGE ROLAND SVC-350 Vocoder Programming Tutorial

video uploads by Scifi Funk

Both parts in the playist above.

"ROLAND SVC-350 Vocoder Programming explained in detail (Part 1 of 2)
https://hyperfollow.com/scififunk/

In this tutorial, I play a VINTAGE ROLAND JUPITER 6 Synthesizer sound through the classic ROLAND SVC-350 Vocoder.

I will talk through all of the parameters on the vocoder. For maximum expression, a Mic into a vocoder cannot be beaten, although electric/acoustic guitar is pretty amazing as well.

So, why the ROLAND SVC-350 Vocoder? Well, it gives a high level of control, with all those band sliders, and the chorus is to die for.


00:00 Roland SVC-350 Introduction
00:39 What is a vocoder? Each input defined on the SVC-350 (Program input (expression) and the carrier input (sound source))
01:48 First demo - the pitch is determined by the carrier.
02:17 Mixing
02:28 Unlimited polyphony!
02:48 The analyzing section vs the synthesizing section.
04:04 The jack inputs - starting with the hold jack (could be used via a foot pedal)
05:36 Program input (as defined in the manual).
06:16 Voice Character control, examples shown (It’s a bit like a graphic EQ)
07:56 Focus on the carrier instrument for unique sounds, plus other pots defined."

Part 2:

00:00 Roland SVC-350 Vocoder mode.
00:42 Ensemble mode (a lovely heavy chorus sound)
01:24 Instrument input (It’s got to be an crisp analog synth) with examples.
02:17 Guitar Input with harmonics (a compressor is built in).
03:05 The ideal carrier input setup (E.g. settings on a Roland Jupiter 6)
05:43 The best carrier sound is the most horrible basic sound (but crisp).
06:10 Use a drum machine as the instrument and sing you get an expressive drum machine.
06:45 EMU SP-12 Drum machine Vocoder example.
07:37 Filter sweep example
08:28 Remember this - the sound source can be anything - experiment.