The ARP 2600: High Quality Videos by Marc Doty aka AutomaticGainsay

YouTube via AutomaticGainsay | February 23, 2011 |

"Here is a higher-quality version of the ARP 2600 Oscillators Part 1 video."

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KORG ARP 2600 M at Noisebug

video upload by NOISEBUG

https://www.noisebug.net/products/arp-2600-m

"THE MOST ICONIC SYNTH FOR THE MODERN MUSICIAN


The genuine ARP 2600 in a more convenient size.

The ARP 2600 is arguably the most iconic and recognizable synthesizer of all time. Having been used in countless records, film scores, TV shows and game soundtracks since its appearance from the 70’s through to today, the ARP 2600’s sound remains an essential part of the music world.

The new ARP 2600 M delivers the sound admired around the world , in a more compact and portable format and including added features that make it the ideal incarnation of this historic synth.


A LEGEND, REBORN

When the ARP 2600 FS was announced in January 2020, it quickly became a phenomenal success with musicians all over the world recognizing the faithfulness to the original ARP 2600.

The ARP 2600 M is around 60% the original size, making it lighter, more portable and easier to place and use in a studio. It integrates the same analog circuitry and components as the ARP 2600 FS, thus faithfully reproducing the characteristic ARP sound.

PROUDLY DESIGNED AND MADE IN JAPAN

The ARP 2600 M is built in Japan with the same care and extraordinary quality standard as the ARP 2600 FS, and uses the same analog components to accurately reproduce the sound and feel of the original. The Spring Reverb has been re-engineered and adapted to the new size body with the same lush effect.

With the intense focus on quality and a large amount of hand assembly, the ARP 2600 M is not a typical mass-produced instrument. Due to this boutique nature, manufacturing quantities each month will be inline with our commitment of delivering a truly prized investment.

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New Korg ARP2600M - A Legend, Reborn - the Mini ARP 2600 Arrives

Korg

"The ARP legacy continues with the ARP2600M, delivering the unique semi-modular workflow and sound admired around the world, along with modern connectivity including plug and play USB controller support. It’s all here, in a more compact and portable desktop-friendly format that makes it the ideal incarnation of a historic synth."

Update: pics and details via KORG:

"Added features and functionality

The new ARP 2600 M is not only faithful to the original, it also includes an array of added features that will make it even easier to use:

- Plug and play: Connect any class compliant MIDI controller such as a KORG microKeys, nanokeys or SQ-64 to one of the ARP 2600 M’s USB ports (USB-A and USB-B) and automatically get full control of your instrument!

- Resized: The new size makes it easier to visualize your patch and also allows you to use shorter patch cables

- Two types of filters from two versions of the original ARP 2600（4012 type, 4072 type DIN MIDI IN added

- Pitch-bend, Modulation and Portamento ON/OFF can be controlled through MIDI CC messages (USB/DIN MIDI)

- Normalized voltage: The threshold of the trigger signal required to activate the ADSR through the S/H GATE JACK has become 5V, making it much easier to use in combination with other gear such as volcas or Eurorack modules

- Improved Attack and Release time ratios

- L/R Stereo Output Jack (instead of XLR)

- Speakers turn automatically off when using headphones

- Improved, smoother sliders

---

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Syntronik™ - the legendary synth powerhouse for Mac/PC is now shipping

Announced back in May, Syntronik™ is now available.

The official press release follows:

"Syntronik™ - the legendary synth powerhouse for Mac/PC is now shipping

Cutting-edge virtual instrument delivers iconic synthesizers and string machines with unique synthesis engine and stunning sound quality, available as a collection or separate instruments

July 20, 2017 - IK Multimedia is proud to announce that Syntronik™, the legendary synth powerhouse for Mac® and PC, is now shipping worldwide.

Syntronik offers the definitive and best-sounding collection of vintage synthesizers in a virtual instrument to date. It provides unsurpassed quality and flexibility thanks to an entirely new combination of the most advanced sampling techniques with a unique hybrid sample and modeling synthesis engine, a large assortment of high-quality modeled effects and innovative instrument features.

Syntronik - a dream collection of synths
Syntronik includes a collection of 17 amazing instruments with over 2,000 soundscovering a wide selection from 38 of the most iconic to ultra-rare vintage synthesizers of all time:

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Foundations of Synthesis Series by The Bob Moog Foundation

Published on Feb 11, 2013 moogfoundation·82 videos

Featuring Marc Doty, aka AutomaticGainsay

http://moogfoundation.org

Playlist:

1. The Synthesis of Synthesis - "This is the introductory video for the Bob Moog Foundation/macProVideo series "The Foundation of Synthesis." In it, Marc Doty sets the stage for the intent of these videos, which is an integrative instruction which not only describes synthesizer function and operation, but also gives a historical foundation for the functionalities and their implementation."

2. The Synthesis of Synthesis- Sound - "No instruction in synthesis would be complete without some explanation of the physics of sound! This video is one of several videos which outline the physical principles upon which synthesis is based."

3. The Synthesis of Synthesis- The Hammond Novachord - "The progression of devices which led to the modern synthesizer is diverse and interesting. The Foundation of Synthesis covers a number of them which portray a progressive development. One of these synthesizer precursors was the Hammond Novachord, a tube- based keyboard device whose groundbreaking technology is still present in some synthesizers today. More than most, this proto-synthesizer resembled what we came to think of as the modern synthesizer."

4. Foundation of Synthesis- Oscillator Introduction - "The Foundation of Synthesis dives into synthesizer technology with the Oscillator— the origin of sound in synthesis! Marc leads us through the history of this device from its beginning— as a lightbulb!— to its implementation in electronic musical instruments."

5. Oscillators- Pulse Width Modulation - "Pulse Width Modulation is a pleasing aural effect generated by the voltage-controlled adjustment of the width of a square wave. In this Foundation of Synthesis video, Marc demonstrates this function on several classic synthesizers. The video includes an oscilloscope, which shows you exactly what is happening when the width of the square wave output of the oscillator is changed!"

6. Filter- Introduction - "In this part of the 3rd Tutorial of the Foundation of Synthesis, Marc outlines the history of the filter from its origin in the telephone to its application in electronic devices in order to give a firm understanding of how the filter came to be an important part of modern synthesizers. The filter is a function which removes harmonics from a sound. Since harmonics define the timbre of the sound, this is a fast and easy way to create new timbres."

7. Filter- Cutoff Control - "Adjustment of the cutoff point of the filter is such a popular process that it has spawned whole genres of music. In this video, Marc shows the sound and functionality of this particular aspect of the most popular module in the modern synthesizer."

8. Filter-Voyager Serial Resonance - "The Moog Voyager design of Bob Moog includes some unique and useful functionalities. In this video, Marc explores the dual-filter nature of the Moog Voyager by demonstrating some unique ways to apply its filter arrangement."

9. Control Voltage Explanation Part 1 - "For the average musician, control voltage is an abstract concept. Of all the aspects of synthesis, it seems to be the most confusing. In this video, Marc gives a straight-forward and easy-to-understand description of the functionality using concrete examples. With a firm grasp of control voltage, synthesis becomes considerably easier and fun!"

10. Control Voltage Explanation Part 2 - "Here is part two of a video where Marc gives a straight-forward and easy-to-understand description of the process and application of control voltage. With a firm grasp of control voltage, synthesis becomes considerably easier and fun!"

11. The Amp Introduction - "In this video, Marc gives us a basic history of what can be the least-exciting module in the modern synthesizer, but then goes on to show what can be done when this module includes a fair amount of functionality. The Amp is the last step in the synthesis process, and can give you a variety of power over the timbre you create!"

12. The ARP Envelope Follower - "The Envelope Follower is one of the most fun control functions to exist. It takes the amplitude of a given signal and converts it to a voltage. As the amplitude rises, the control voltage rises. This can be used to control any function in the synthesizer which can be controlled via control voltage... which, in an analog synth, is most of them! In this video, Marc gives a demonstration of this under-implemented synthesizer function using the ARP 2600."

13. Designing Timbres- Introduction - "This video introduces the "Designing Timbres" tutorial by explaining exactly what is going to happen within it. It features some of the music and synthesizers used in the rest of the tutorial."

14. Designing Timbres: Major/Minor Chord - "'It doesn't play chords!' -This is the complaint most heard in regard to monophonic analog synthesizers... but wait... if you have three oscillators and some awesome functionality like the Moog Voyager, there is an answer to this complaint. In this video, Marc shows you how you can generate a sort of controllable polyphony using the monophonic Moog Voyager!"

15. Designing Timbres: Duality - "In this video, Marc demonstrates the the functional benefit of a synthesizer like the Yamaha CS-15, which is essentially two different synthesizers stacked together. By altering settings in each division, interesting timbres can be created."

The ARP 2600: Oscillators Part 2

YouTube via AutomaticGainsay. Part 1 here.
"Here is part two of a demonstration of the sound and functionality of the ARP 2600 oscillators."

The ARP 2600: Oscillators Part 1

YouTube via AutomaticGainsay
"Here is a more in-depth series of videos about the sound, functionality, and operation of the ARP 2600. If you want a quick and entertaining intro to the ARP 2600, you should watch the intro and overview videos!"

The ARP 2600M Experience

video upload by Red Means Recording

"The Korg Arp 2600M is a "mini" version of the extremely classic Arp 2600 analog synthesizer. In this video I multitrack it to create 4 experiences that show off how it can sound. All sounds besides drums and noise risers are from the Arp. Keep reading for what's going on in each "experience"!

00:00 synthwave experience

classic synthwave sounds. captured midi for each part in ableton and then recorded the audio while playing the panel controls. arp, bass, lead, noise lead, drums. used amp and cab simulation in ableton on some parts to give more space to the mix and add some grit.

03:03 ring mod experience
fed a youtube video playing terence mckenna directly into the arp's preamp, then piped that to the ring modulator. the pre-amp signal also creates an envelope via the envelope follower that is used to adjust the filter cutoff. played around with a pass of just noise and effects, then added a repeating melodic line and a bubbling abstract arpeggio underneath.

06:27 collapse experience
the modwheel of your midi controller plugged into the arp can be used as a cv modulator for anything in the synth. i used it to do pitch-bends of specific oscillators to specific intervals, giving me a cool sort of duophonic slide lead thing. wanted to make a track that sounded like black moth super rainbow, but one the acapella dropped in it felt more like tabasco. I'm not complaining.

09:57 euphoric experience
the arp can be used as a duophonic synthesizer, meaning you can play two separate notes at once through the same filter and vca section. if you tune the third oscillator to a pleasant interval, you can get nice chords. that and the arp are the basis of this track. the acid rain maestro provides complex modulation to the filter which i bring in and out."

ARP ODYSSEY MKIII Analog Synthesizer Vintage 1972 Sounds | HQ DEMO & TUTORIAL

Published on Apr 11, 2020 Andy Whitmore

Update: note the video does feature the later model, so there are no 1972 sounds in this video. See the comments in this post for some additional info.

"The ARP Odyssey is a classic monophonic / duophonic synthesizer. It came out 1972 and was the competitor of the Minimoog. It can be seen as a cutdown version of the ARP 2600 - although some features where added - the highpass filter and the oscillator synchronisation for example.
It has the best sync-lead-sounds I ever heard from a synthesizer! The Odyssey is a real classic - and it sounds classic!

The ARP has a lot of features, so it is very flexible: 2 oscillators (VCO 2 can be used as a second LFO), VCO synchronisation, 2 filters (resonant lowpass & non-resonant highpass), ring modulator, sample & hold, noise generator (white & pink noise), 1 LFO, 2 envelopes (ADSR and AR).

There were three versions of the Odyssey. In my video you see an ARP Odyssey MK III, which has the CV/gate jacks - and an external signal input.

The ARP Odyssey was used by many prominent musicians: Klaus Schulze, Kraftwerk, Tangerine Dream, Vangelis, Herbie Hancock, Gary Numan, Pink Floyd, ABBA, Chick Corea, Tony Banks (Genesis), the Carpenters...

Andy Whitmore started life as a top session keyboard player playing on over 50 hit records before turning his hand to music production. He went on to produce 14 top ten hits. He is a pro when it comes to synthesizers, and here explores the ARP Odyssey as part of a brand new series.
One of the most iconic synthesizers ever, Andy’s experience with this Arp classic dates back to the mid-‘90s, and he discusses the basics in his exploration of what makes the ARP Odyssey so great.

Filmed at https://www.greystokestudio.com in West London using an Apple iPhone 11 Max 512gb"

Check out a tour of his synth collection back in 2009 here, and 2008 here.

Arp Odyssey MKIII Analog Synthesizer Vintage 1978-1981 demo of sounds 2

video upload by Andy Whitmore

"ARP ODYSSEY MKIII Analog Synthesizer Vintage 1978-1981 Sounds | HQ DEMO & TUTORIAL

The ARP Odyssey is a classic monophonic / duophonic synthesizer. It came out 1972 and was the competitor of the Minimoog. It can be seen as a cutdown version of the ARP 2600 - although some features where added - the highpass filter and the oscillator synchronisation for example. It has the best sync-lead-sounds I ever heard from a synthesizer! The Odyssey is a real classic - and it sounds classic!

The ARP has a lot of features, so it is very flexible: 2 oscillators (VCO 2 can be used as a second LFO), VCO synchronisation, 2 filters (resonant lowpass & non-resonant highpass), ring modulator, sample & hold, noise generator (white & pink noise), 1 LFO, 2 envelopes (ADSR and AR).

There were three versions of the Odyssey. In my video you see an ARP Odyssey MK III, which has the CV/gate jacks - and an external signal input.

The ARP Odyssey was used by many prominent musicians: Klaus Schulze, Kraftwerk, Tangerine Dream, Vangelis, Herbie Hancock, Gary Numan, Pink Floyd, ABBA, Chick Corea, Tony Banks (Genesis), the Carpenters...

Andy Whitmore started life as a top session keyboard player playing on over 50 hit records before turning his hand to music production. He went on to produce 14 top ten hits. He is a pro when it comes to synthesizers, and here explores the ARP Odyssey as part of a brand new series. One of the most iconic synthesizers ever, Andy’s experience with this Arp classic dates back to the mid-‘90s, and he discusses the basics in his exploration of what makes the ARP Odyssey so great."

SEARCH /Broadcasting Tijuana Electronic Music to outer space

YouTube via pepemogt.

"Manglano-Ovalle transformed the bullfight ring of Tijuana located at the border in to a Radio telescope searching for "aliens". He suspended an antenna above the building and a receiving dish below, Live Electronic Music was brodcasted in the building, on the web, FM radio and into space. This project makes reference to the social situation of Mexican "Aliens".

In the video Pepe Mogt(Latinsizer, Fussible, Nortec), Ramon Bostich(nortec Collective) and Leslie(Dream addictive) were making music with digital and analog sequencers and synths(Arp Odyssey, Oberheim), the audio out of this machines was sent to Manglano-Ovalle Transmiter in real time in to outer space.

info about synths used:
The ARP Odyssey was and still is a very popular synth because it is a powerful lightweight version of the awesome ARP 2600. It was also ARP's response to the Minimoog and the Odyssey became the most popular synth ARP ever sold! The Odyssey is a 2-oscillator analog synth (with duophonic capability) which sounds really nice; the Minimoog has 3 oscillators and is considered fatter. The Odyssey comes well equipped with all the tweakable features you'd expect: resonant low pass filter, ADSR envelopes, sine or square wave LFO and even a sample-and-hold function. It also added a few new features such as a highpass filter in series with the lowpass, oscillator sync capability and pulse width modulation. It is a very professional and expressive machine that can create nice analog basses, interesting leads and great effects and sweeping sounds or noises!

There were many versions of the Odyssey over the years, each a little different. Pictured above is the Odyssey I (Model 2800). These original white-faced Odysseys used a tinny 2-pole VCF filter design (Model 4023) similar to old Oberheim SEM modules. They also used a rotary knob for pitch bending. These models were produced between 1972-74. Odysseys have been used by ABBA, Bomb The Bass, Ultravox, Gary Numan, LTJ Bukem, Air, Tangerine Dream, 808 State, Apollo 440, Nine Inch Nails, Astral Projection, Chick Corea, George Duke, Josef Zawinul, John Foxx, Vangelis, Elton John, Latinsizer, Jethro Tull, Fussible, Nortec Collective, Jimmy Edgar, DEVO, R.E.M. and Herbie Hancock

TR-808
The TR-808 is a classic drum machine that used analog synthesis to create its sounds. The sounds have a very thin and pure quality and aren't grungy like it's successor the TR-909. In fact, the 808 has become the signature beatbox used in most R&B and hip-hop as well as a lot of dance and techno music. Booming bass kicks, crispy snares and that annoying cowbell sound made famous during the 80's are all part of the 808 and its famous sound.

Its 16 drum sounds include the famous boomy low kick, snappy snares, low/mid/hi toms, low/mid/hi congas, rimshot, claves, hand clap, maracas, cowbell, cymbal, open hihat, closed hihat and accent. All of the sounds can be edited and/or tuned and have individual outputs. Unfortunately it is not MIDI equipped but it does use Roland's DIN Sync.

The TR-808 was OK in its time. It just didn't sound like real drums. When the Linn Drum machines appeared, the 808 seemed doomed. But its unique sound and analog allure have found it a long-lasting home in many forms of music. Clearly the 808 has been one of the more important and famous drum machines in the history of music, spawning imitators (ReBirth, DrumStation) and band names (808 State). Famous users include Orbital, Uberzone, Download, Aphex Twin, 808 State, BT, Bomb The Bass, Sense Datum, The Prodigy, Josh Wink, Faithless, Skinny Puppy, Bushflange, Jimi Tenor, A Guy Called Gerald, Eat Static, Dr. Dre, Jimmy Edgar, Nortec Collective, Freddy Fresh, Richie Hawtin, Jean Michel Jarre, Cocteau Twins, Bostich, Marvin Gaye, Latinsizer, Luke Vibert, Ice Cube and Puff Daddy."

Arp 2600 with Tonus Logo & Keyboard

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"Here's the chance you've been waiting for. For sale is an incredibly rare Arp 2600 synthesizer with the Tonus logo. What makes this Arp special over most of the ones you see is it has the superior sought after 4017 oscillators, said to be more stable than the later versions and also with a fatter analog tone. It also has the rare Moog Filter which Arp was later sued over [not true - threatened but not sued] and had to change the design [true]. The later design is said to be weaker and thinner sounding. This Moog filter is super creamy and buttery, very incredible sound. The synth is 100% fully functional, recently tuned/calibrated and gone over, all sliders are clean and jacks are working and power supply board has been recapped. The keyboard keys all trigger properly, and has an upgraded connector jack that isn't as flimsy as the original connectors. Also upgraded is the power cable, it takes standard 3 prong instead of the proprietary oval shape. The only issue is 3 slider shafts are broken off, the slider still work but the shafts are shorter without the knob caps (which could be glued back on or replace the sliders entirely if desired). Cosmetically, the synth face looks very nice, crisp graphics and not much wear. The outside of the synth does show quite a bit of wear, especially on the lid covers. The lids for both keyboard and main unit are included but show a bit of peeling, so be sure to check out the pictures and make sure you like it. The cosmetics could easily be touched up with a retolexing if desired or you can appreciate the vintage character to it. The sound is the important part which is just really incredible and noticeably better than the other G-clef or black/orange 2600s I've played that didn't have the 4017 and Moog filters in them. I am open to offers but remember while your offer is pending someone else may snap this up. Don't miss out on this gem!"

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The ARP 2600: Oscillators Part 4

YouTube via AutomaticGainsay. All parts here.
"Here is the fourth in a series of demonstrations of the sound and functionality of ARP 2600 oscillators. It is a thrill-a-minute joyride which will have you on the very edge of your seats!"

Introducing drumlogue, the first hybrid drum machine from Korg

video upload by Korg

Update: two new user videos by Honeysmack and Marcus Schmahl added below.

"Combining the rich power of analog with the flexibility of digital, drumlogue provides the ultimate analog sound for your beats.

Featuring newly developed analog circuitry, drumlogue builds a solid foundation for your track; it also helps you stand out with an elevated harmonic richness and thick low end.

Important parameters for each part have dedicated controls on the front panel for quick and intuitive changes – without diving into menus. For even more creative potential, each part has a wealth of further parameters accessible through a powerful onboard editing suite. Even mixing is simple, with dedicated volume controls for the analogue and digital parts.

The track you hear in this video is by Dean Forrest"

Korg Drumlogue: New Hybrid Drum Machine - First Look- Just Sounds video upload by Korg Australia


New Korg Hybrid Drum Machine Drumlogue - Honeysmack's first encounter video upload by Honeysmack



"Get ready for a super nerd session, no talking just me tinkering with the Korg drumlogue for the very first time. Korg Australia were kind enough to give me a play with a sneak preview pre-production model of the drumlogue. Unfortunately I had no manual at the time, so please excuse me in advance. Hopefully this video provides some context to its sound. I feel this will be a winner for Korg, well done! Great sound, neat size, this could be a monster of a machine.

All the sounds and effects in this video are from the drumlogue, there are no external sounds or effects. Simple stereo output from the drum machine. No other drum machines were hurt in the making of this video.

0:00 Does this suit me? Oh what does this do?
2:23 Omph omph omph, ah I see, me likey the kick drum
5:59 Electro ratchets - why not take your time and build a track
9:30 Start with speed carnivale - exploring more latin percussion then I try to break the machine!"

Korg drumlogue drum machine & synthesizer demo - no talking - video upload by Marcus Schmahl

00:00 building drum sounds & a pattern
06:13 switching through preset patterns & sounds

Korg Drumlogue Sound Demo (no talking) video upload by Bonedo Synthesizers


Korg Drumlogue Sound Demo No Talking - no external effects or processing video upload by Limbic Bits


Korg DRUMLOGUE Review // Top Pros & Cons and All 64 Factory Patterns // Full Tutorial video upload by loopop


TIMELINE:
0:00 Intro
1:20 Overview
6:15 Connectivity
7:15 Sample parts
11:40 Analog parts
14:25 Multi engine
15:05 VPM
17:15 Noise
17:55 Nano
21:30 Sequencing
22:10 Live rec
22:50 Motion rec
24:45 Step seq
25:10 Groove
26:10 Probability
27:10 Ratchets
28:00 Ties
28:30 Motion seq
30:20 Shift buttons
31:00 Polymeters
31:35 Send FX
33:35 Master FX
34:45 Sidechain
36:25 Loop
37:10 Select
38:25 Randomize
39:00 Chains
39:35 Audio in and out
41:50 Misc settings
43:45 Pros & cons
49:10 All 64 patterns



Details and pics:

A paradigm shift in drum machines.

drumlogue marks a paradigm shift in drum machines. It offers the raw power and rich sounds of Analog, the flexibility of Digital voices, and drumlogue’s SDK for fully customizable User Custom Synthesizers.

On top of that, its heavy-duty, dynamic sequencer, customizable effects, and intuitive controls will make drumlogue a must-have in your studio to create music for any genre or style.

It’s time to take your beats and entire musical process to a whole new creative level with incredible sounds, effects, customization, and sequencing. Let drumlogue support your craft on your musical journey!

Raw Analog Power

drumlogue was conceived to provide the ultimate analog sound for your beats, and delivers fantastically; featuring completely newly developed analog circuits by legendary Korg analog synth team engineer Junichi Ikeuchi (ARP 2600 M, MS-20 mini, ARP Odyssey…) , the depth and richness of its sound is on a whole new level.

These new analog circuits - (Bass Drum, Snare Drum, Low Tom and High Tom) - will not just provide a solid foundation for your track, but make it stand out with an elevated harmonic richness and a thick low end.

Blending simplicity and ease of use, the most important controls for each of these parts have dedicated knobs on the front panel that can be tweaked at any time without any menu diving necessary, so you can quickly and intuitively fine tune your sound on the fly.
For further sound exploration, each part provides many more parameters accessible through the powerful onboard sound editing system.

Last but not least, each part on drumlogue - analog or digital - has a dedicated volume knob that will make your mixing process incredibly smooth and easy.

Digital Flexibility

As the perfect partner for its analog section, drumlogue provides 7 digital parts; 6 sample based and 1 synthesis based (Multi-Engine). The sample based parts can play any of the preloaded PCM banks on drumlogue. You can also import your own User Samples to its memory, making drumlogue an extremely versatile machine with virtually limitless sonic possibilities.

To start with, the 64 preloaded drum kits of drumlogue will provide you with a wide variety of sounds spanning several genres so you can easily kick-start your tracks.

For additional sounds, samples can easily be easily loaded into the drumlogue just by connecting your drumlogue to your computer via USB and simply drag-dropping your samples onto the main memory.

Multi-Engine and logue SDK

The popular Multi Engine from prologue and minilogue xd is now more powerful than ever. In addition to the Variable Phase Modulation (VPM) and Noise generator engines, the Multi Engine features a new User Custom slot that can play full-fledged synth voices that provide vast sonic possibilities, never before heard on a drum machine.

Custom Synths

drumlogue’s synth voices are not simply static waveforms. Custom synths can be built to not only generate sound, even implementing built in filters, LFOs, MIDI controlled polyphony or other parameters is now possible The only restriction for third party developers is their creativity (and CPU usage!), giving you unbound sound exploration.

Exclusive Sinevibes Synth Plugin “Nano”

Korg has collaborated with popular logueSDK plugin developer “Sinevibes” to include a brand new synth plugin “Nano” as a factory preset on drumlogue. This exclusive plugin explores the power behind the expanded Multi Engine and will give all drumlogue users a taste of this new platform.

“Nano” is a full-fledged virtual analog synth with a wide array of features and plenty of customizable parameters. The synth engine has dual oscillators with optional ring modulation, a 4-pole state-variable filter with soft clipping distortion, built-in EG and built-in multi-waveform LFO.

Leads, basses, percussive sounds or cinematic effects, you decide how to use this incredible sonic potential!

A True Sequencing Powerhouse

drumlogue harnesses all of its sonic power to an extremely powerful internal sequencer that is flexible and easy to use.

Tired of the same old beats? drumlogue's heavy duty 64 step sequencer makes it easy and intuitive to create complex rhythm patterns and polyrhythms that elevate your music creation process with innovative features such as per-step probability, per-step alternate trigger patterns, per-step micro offsets, per-track groove patterns and much more.

Thanks to its clear OLED display, it is also very easy to visually follow and edit your sequences.

drumlogue is both great in the studio and playing live. With its Chain mode, creating long and interesting patterns is straightforward and clearly displayed. In Loop mode you can switch between several variations to play your sequence in new and interesting ways. The Motion and Accent recording functions are intuitive and fast and if you want to try new things on your track, the Randomization function is there to help you. These functions and many more on the drumlogue will support and spice up your live performances!

Effects and customization

drumlogue includes several high-quality effects across three categories that can be used simultaneously: Delay, Reverb and Master effects.

The send amounts for delay and reverb effects can be set independently for each part, and multiple return points are available.
The master effects allow you to add that final polish to your sound and bring it all together. Master effects can be bypassed on a per-part basis, making it possible to send the effect to specific audio parts. A sidechain bus is also available to master effects which can make use of it.

CLICK FOR MORE »

Happy New Year! The Year in Synths 2013

Happy New Year Everyone!

What a busy year it has been in the world of synths.

This is going to be one doozy of a post, so bear with me. This post is a review of the year in synths for 2013. We begin with Tributes to Those We Lost This Year, followed by New Manufacturers & Makers, Older Manufacturers Added to the Site, New Gear Announcements, Top 10 Posts by Traffic,  My Standout Posts for the Year, and finally This Years' Synth Events. I did my best to keep things as short and concise as possible.

Let's begin with the hardest part of the post.

Tributes to Those We Lost This Year

RIP Bernard Parmegiani - Electronic & Acoustic Composer
Lou Reed RIP
RIP Dick Raaymakers aka Kid Baltan
RIP George Duke - DreamWeaver
RIP Ralph Dyck, Sept 28, 1941 – May 20, 2013
RIP Ray Manzarek

All missed and never to be forgotten. Take a moment to remember them.

------

New Manufacturers & Makers

Starting last January, I decided to keep a running list of every new manufacturer and maker introduced to the site during the year.  This is something I haven't done before and I thought it would be interesting to see how many there were in the year.   It's easy to focus on the big synth announcements throughout the year, but what about all the new makers and brands? I shouln't have to go considerably into the significance of new designers on the scene, so I'll just say two things regarding them.  One, the number of new makers is a direct reflection on the interest in our scene, and two, these are the creators of new gear which directly translate into new designs not previously available to us.  Think about that for a moment.  These are makers and designs that did not exist before.  They are part of our synth history.  So what is the total count of new synth designers for the year? A whopping 113. Think about that a bit. One hundred and thirteen new synth designers and brands this year alone.

Here they are (note a handful date back to 2012, but 2013 marked their momentum and availability):

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Evenfall Mini Modular Designed by Grant Richter of Wiard

Note: Auction links are affiliate links for which the site may be compensated.

This one was spotted and sent in via Soviet Space Child.

via this auction

"I guess 50 (60?) of these were produced, either as kits or assembled products. I bought this to complete my own rack full of Grant Richter modules. It was a largely an impulse buy fueled by the tingly feelings my Wiard 300 modules give me. Make no mistake--this is NOT a Wiard module nor does it sound like one. It is not nearly as awe-inspiring overall, though it does have a few tricks that make it worth exploring. Definitely a cool piece of synthesizer history.

I found this to be, overall, one of those "sweet spot" machines, where nuanced wiggling can give you some really unique and impressive sounds. This is particularly true with the bandpass filter, which really sounds like Satan yelling about the weather while contending with a head cold. Very cool.

There are a few peculiar aspects to this, such as the weird gain staging. Any setting after 12 o'clock in the VCA will saturate/distort. Maybe you like this. I don't care for it personally. That's just the way these things work, as confirmed by several other owners, as well as Cary Grace, who currently builds all modules under the Wiard name, and who tours with an Evenfall Mini Modular (largely because it's small and light, I guess). This is a very lightweight synthesizer.

The pots are all mini pots, like attenuator pots on lots of modern Eurorack modules. I'm a bit of an oaf for these, but they're not difficult to work with.

I have not opened it to check internals or perform any mods. I'm not sure whether there are schematics floating around, but if you choose to go that route I'm sure you're an intrepid enough lad or lass to chase them down.

Cosmetically, there is some damage on the lower right edge of the panel; I have straightened this to the best of my ability.

Their words (copy/pasted info from around the web):
The Evenfall Mini Modular Synthesizer is a rack mountable semi-modular analog synthesizer featuring the warm, organic sound of real analog circuitry and the flexibility of individual control knobs and a patch cord interface.
The Mini Modular also features internally "pre patched" or "normalized" connections among the modules. These connections make the Mini Modular a capable synthesizer even without inserting patch cords. These internal connections can be overridden by inserting 3.5mm patch cables as desired.
The Mini Modular can be patched to make sound by itself or in conjunction with another voltage-controlled synthesizer. It can also be controlled from a MIDI controller via the built-in MIDI to CV interface which provides pitch, velocity, gate, pitch bend, portamento on/off, and modulation output voltages.

-
This synth was designed by Grant Richter of Wiard synthesizers and there were roughly 60 sold, 30 in kit form and 30 assembled. The previous owner told me this is a factory-assembled unit.

Grant wrote this on the old Wiard Yahoo list:

"That is a great little instrument.

It was originally slated to be the Wiard Model 3600, but I decided to pass on it because we could not find knobs to fit the little nubby pot shafts. They are just like TR-808 tuning pots. I feared the lack of knobs would limits sales too much.

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The ARP 2600: Oscillators Part 3

YouTube via AutomaticGainsay. Parts 1 and 2 here.
"Here is another chapter in the saga of the documentation of the ARP 2600's oscillator sound and functionality. Thank you for watching, everyone!"

Arturia Announces V Collection 5 Including New NED Synclavier Port, Hammond B3 and More

Published on May 19, 2016 ARTURIA - Update: new video uploaded May 30, 2016

Update: Clarification: the NED Synclavier is not an emulation but a port of the original software:

"this is not an emulation - it is the real thing, the real mccoy. Cameron Jones himself ported the original Synclavier code to run on PC/MAC/VST etc.

- you have the choice of playing each patch either in the original 8-bit depth, or change it to 4-bit (!), 10-bit, 12-bit, 14-bit, 16-bit, 18-bit, 20-bit, 22-bit or 24-bit depth.

- resynthesis: not implemented in the current release but there may be plans to put it in a future release. However some of the original factory patches included (83 total) are resynthesis-based

- the partials/timbre frame functionality was vastly expanded"

Video description:

"The new V Collection 5 is a giant leap forward in our quest to create the greatest legendary keyboards collection ever, including 5 new softwares instruments: Piano V, Synclavier V, B-3 V, Stage-73 V, Farfisa V.

Special thanks to:
Altius Prod
Stéphane Schott (http://www.lyynkstudio.com/)
Studio Question de Son (http://www.questiondeson.com/)
Underground Records (http://www.undergroundrecords.fr/)
Garbage & Greg Kaplan (https://www.garbage.com/)"

Arturia announces the Synclavier V

Published on May 19, 2016 ARTURIA

Update: It's not clear if the Synclavier V supports sampling resynthesis (see above), although it does take the FM and additive synthesis with partials to a new level. For reference, you can find the history of features for the original Synclavier on Wikipedia here.

"Arturia announces the Synclavier V, the first recreation of the legendary digital synthesizer made in collaboration with Cameron Jones, the inventor of the original instrument.

The Synclavier V faithfully recreates the elite digital synthesizer/workstation that started it all, powering some of the biggest hits and film soundtracks of the early ‘80s with its unique rich, edgy sounds.

While the Synclavier V expertly brings this historic instrument to life, we’ve improved it dramatically by taking advantage of today’s processing power. We’ve also infused into it everything we’ve learned over 16 years of developing award-winning software synthesizers. The result is a thoroughly modern, cutting-edge instrument that stands alone among hardware and software synths alike.

Update: some details on the synth engine:

Timbres consist of up to 12 Partial Timbres
Much of the magic of the original Synclavier owed to the ability to build Timbres (presets) by creating and layering four completely different sounds or Partial Timbres to realize massive, complex sounds. With the Synclavier V, we’ve taken the number of Partial Timbres to 12, dramatically expanding the creative possibilities. Since each Partial Timbre is a complete sound, that means that you can stack many different sonic elements into electrifying Timbres resounding with rich complex textures brimming with subtleties.

Partial Timbres are each compete synth engines
Each of the 12 Partial Timbres has two digital oscillators that combine the principles of both additive and frequency modulation (FM) synthesis. Rather than using filters to subtract harmonics from simple oscillators, additive synthesis builds up complex sounds by selectively adding harmonics in this case. The Synclavier V goes way beyond that, combining these oscillators in an FM architecture where the carrier (main) oscillator is modulated by the second harmonic oscillator. The fusion of additive and FM technologies make for a stunningly diverse and unique universe of cinematic pads, epic leads, evolving bass lines and more.

Time Slices animate long passages
Time Slices allow you to specify up to 50 snapshots of the 12 Partial Timbres of additive and FM synthesis goodness, and animate through them over time. For each Time Slice, you can set the volume, pitch, FM modulation amount, and delay. The ability to set parameter crossfades of up to 30 seconds between Time Slices—over a total time of 5 minutes—makes it possible to create long evolving ambient pads and cinematic cues of incredible complexity.

Improvements make a great instrument even greater
We’ve made a lot more improvements beyond boosting the sound engine from four Partial Timbres to 12. Where the original modulation oscillator was only a sine wave, now you can also choose sawtooth, square, or triangle—or graphically build your own waves comprised of 24 phase-controllable harmonics. These enhancements allow you to create outrageous textures never possible before. Each Time Slice can now even have a separate FM modulator waveform. Variable bit depth between 4- and 24-bits, on-board effects, and a MIDI Learn feature are just some of the many examples of the new options available to you in Synclavier V.

With the Synclavier V, digital synthesis meets total creative and performance expression.
Sure, all synths have LFOs, but the vibrato section of the Synclavier V is exhaustive, giving you control over LFO attack, phase, quantizing, bias and more. Things get even more interesting when you apply the LFO to the FM harmonic oscillator that, in turn, modulates the carrier. Let that sink in for a minute!

Want to take your listeners on an animated journey? Add extra energy to your pads and soundscapes with the stereo modulation section. It actually takes the form of separate linkable tremolos for each channel, making for unique spatial animation effects that will have everybody’s heads spinning.

Imagine performing with expressive nuances never possible before. Press harder on the keyboard to change the amount of FM modulation. Ride the expression pedal to affect the frame speed of your Time Slices. Grab the mod wheel to rock the FM modulation ratio. These are just some examples of what’s possible when you use the modulation matrix to easily map any of your favorite MIDI controllers to dozens of sound engine parameters—discretely for each Partial Timbre."

You'll find Arturia's page on the Synclavier V here, and Synclavier Digital's website here.

Update: the official press release for the entire V Collection 5 [Note: The Analog Lab press release below was the first to go up. Apologies for the all the updates, but this is how it comes in, and posts here on MATRIXSYNTH are about capturing that]:

"Arturia advances industry-standard V Collection of virtual classic keyboards

GRENOBLE, FRANCE: music software and hardware developer Arturia is proud to announce availability of V Collection 5 — the latest incarnation of its impressive industry-standard collection of authentic-sounding virtual instruments, expanded and updated to include five all-new additions alongside new versions of ‘old favourites’ (plus Analog Lab 2) — as of May 19…

With no fewer than 17 virtual instruments that recreate hard-to-source synthesizers and classic keyboards, V Collection 5 represents really remarkable value on many musical levels. At an attractive monetary level, it’s a no-brainer! Bringing something special to the 21st Century performance and production table, five all-new authentic-sounding additions lead this latest V Collection charge.

B-3 V beautifully recreates the distinctive tones of the B-3 tonewheel organ, one of the most iconic and influential instruments of all time. It truly transcends time and place by bringing this still-sought-after sound to the computer-based music-making masses. Meanwhile, Farfisa V virtually puts players in the driving seat of the sound that drove the hits of several decades as a superb software simulation of the famous Farfisa Compact Deluxe organ. Pushing the physical boundaries of an acoustic piano, Piano V meticulously models the sound and behaviour of one of the most important instruments history has yet thrown up — albeit not as one but rather nine virtual instruments rolled into one! An authentic-sounding software simulation of the Seventies-vintage Stage and Sixties-vintage Suitcase 73-key electric pianos, Stage-73 V is the sound of the Sixties, the sound of the Seventies… the sound of today, the sound of tomorrow! Thanks to Arturia’s close collaboration with original Synclavier® software developer Cameron Jones, Synclavier V takes everything the trailblazing Synclavier® could do as the most powerful additive and FM synthesizer ever created and makes it more powerful!

Put it like this: thinking about all those thousands of new sounds and styles in V Collection 5 that are available at the touch of a (virtual) button beggars belief, but Arturia’s aim is true… to create the tools that lend a helping hand to today’s musicians, taking inspiration from the past to (re)invent the music of tomorrow. The 12 remaining virtual instruments in V Collection 5 — ARP 2600 V, CS-80V, JUP-8V, Matrix-12 V, Mini V, Modular V, Prophet V, and SEM V analogue synthesizers; Prophet VS digital synthesizer; Wurli V electric piano; VOX Continental V electronic organ; and Solina V string machine — do just that, too. All are updated with resizable (Retina/4K-compatible) GUIs that truly have to be seen to be believed! But digging deeper, Native Instruments’ new NKS® (NATIVE KONTROL STANDARD) — allowing advanced integration with third-party software instruments — naturally features across the board. As does AU, AAX, VST2, and VST3 compatibility, standalone operation, plus MIDI Learn (to easily map all parameters to a MIDI CC).

Continuing Arturia’s quest for absolute authenticity through TAE® (True Analog Emulation), physical modelling, and additional technologies, anyone prepared to dig deep into V Collection 5’s treasure trove of hard-to-source synth and classic keyboard recreations will be musically rewarded in kind. Conversely, Analog Lab 2 is a powerful yet painless way of accessing a broad selection of sounds from across V Collection 5 within a single application. As it supports Arturia’s many MIDI controller devices natively, it adapts to reflect their physical controls when they are connected… connect with V Collection 5, then, and accept Arturia’s helping hand to today’s musicians, taking inspiration from the past to (re)invent the music of tomorrow!"

The Analog Lab press release:

"Arturia advances Analog Lab composite virtual instrument to include V Collection 5 sound selection

GRENOBLE, FRANCE: music software and hardware developer Arturia is proud to announce availability of Analog Lab 2 — an all-new incarnation of its composite virtual instrument that gathers together a broad selection of sought-after sounds from its V Collection 5 software bundle — as of May 19...

Analog Lab 2 is a powerful yet painless way of accessing a sought-after selection of sounds from all 17 of Arturia’s authentic-sounding virtual instruments as a single application. Included are sounds from eight emulated analogue synthesizers (ARP 2600 V, CS-80V, JUP-8V, Matrix-12 V, Mini V, Modular V, Prophet V, and SEM V), two digital synthesizers (Prophet VS and Synclavier V), two electric pianos (Stage-73 V and Wurli V), an acoustic piano (Piano V), and three electronic organs (B-3 V, Farfisa V, and VOX Continental V). Those virtual instruments recreate hard-to-source hardware synthesizers and classic keyboards of the past and conveniently transport them to the present-day desktop.

Analog Lab 2 invites instant exploration as an AAX-, AU-, VST-, and VST3-compatible plug-in in any DAW (Digital Audio Workstation) or as a standalone version. Its redesigned, resizable (Retina/4K-compatible) GUI (Graphical User Interface) is as easy on the eye as it is to use. Studio View shows the original historic hardware, helpfully bringing up the best presets from each instrument in question. But there’s a whole lot more to Analog Lab 2 than good looks alone.

Accessing those sought-after sounds at the speed of sound is simple, thanks to a new preset browser. Browse presets by TYPES, BANKS, sonic CHARACTERISTICS, and INSTRUMENTS (crossing categories). Create PLAYLISTS. Or simply Search for presets by NAME. Needless to say, with 4,500-plus presets to choose from there’s always a sound to suit every mood, every ambiance, and every music style — sounds that transcend time and fashion.

For those wishing to dig deeper then the dual-instrument MULTI feature with independent MIDI settings panel for each instrument will make their musical day. Drag and drop splits and layers of those presets to take ownership of the sound. Sounds and Multis can be organised in the PLAYLISTS area for instant recall via program change messages, making Analog Lab 2 a best friend in the studio and a pillar of live performance.

Put simply, Analog Lab 2 is so much more than just a sound library. It’s a substantial sound design tool and an amazing live performance instrument integral to immeasurably improving everyday workflow. When connected to one of Arturia’s many MIDI (Musical Digital Instrument Interface) controller devices, Analog Lab 2 will automatically adapt to reflect their physical controls. Generic MIDI controllers of course can also be used with MIDI learn to easily map all parameters to a MIDI CC (Control Change).

Changing the sound of Analog Lab 2 is even easier thanks to two EFFECTS slots with pre/post fader switch per instrument. Included Bitcrusher, Chorus, Delay, Destroy, Dub Delay, Eq4, Flanger, Overdrive, Phaser, Pitchshift, Reverb, Roundpanner, and Vocal Filter effects ensure that Analog Lab 2 always sounds the way you want it to.

Take your sound and workflow to another level with Analog Lab 2, an easily-accessible environment at an easy-to- swallow price point. What’s not to like?"

Arturia B-3 V Tutorial

Published on May 19, 2016

"The B-3 V delivers the most authentic tonewheel organ and rotary speaker experience you’ll find anywhere, plus customizations that open up new creative opportunities."

"Arturia pulls out all the software stops to realistically recreate tonewheel organ combo classic

GRENOBLE, FRANCE: music software and hardware developer Arturia is proud to announce availability of B-3 V — an authentic-sounding software simulation of the classic B-3 tonewheel organ and Leslie rotary speaker combo — as of May 19...

B-3 V realistically recreates the special sound of the B-3 tonewheel organ. One of the most iconic and influential instruments of all time. One which has graced many of the greatest recordings of all time. Today Arturia brings this to its award-winning Analog Classics family of virtual instruments that recreate hard-to-source synthesizers and classic keyboards.

Keyboard players have made their mark in all forms of popular music with the B-3, back from its inception in the Fifties way past its discontinuation through to today. Procol Harum’s hit ‘A Whiter Shade Of Pale’ proved particularly memorable with a melancholic countermelody displaying an altogether softer side to the B-3. But raucousness remains the order of the day for the blues, jazz, and gospel genres with which it first found favour. After all, it had historically been aimed at churches as a more compact and affordable alternative to conventional pipe organs.

One saying springs to mind: Pulling out all the stops — to hold back nothing — is an allusion to organ stops being pulled out to turn on each set of sounds in a pipe organ. The B-3 effectively ‘emulates’ this with its drawbars. Doing this and a whole lot more is what B-3 V does best, thanks to Arturia pulling out all the software stops to make it happen!

Thirties-developed tonewheel technology originally made that special sound happen. An electronic current is created when rotating a metal tonewheel near an electromagnetic pickup and amplifying that signal. The B-3 has 91 of those tonewheels with each key connected to a fixed set of tonewheel outputs. Drawbar settings control how these are mixed together. The tube preamplifier subsequently shapes the sound a little further — filtering and distortion take hold here — while factoring the position of the expression pedal. This not only acts as a volume control but also affects the frequency response of the preamp which is connected to a speaker.

Speaking of which, B-3 V faithfully simulates the favoured Leslie tone cabinet, containing a power amplifier that drives a rotating horn and a stationary woofer firing into a rotating drum reflector. Spellbinding spatial and frequency-shifting effects above and beyond the sound-shaping effects of commonplace loudspeakers are all perfectly possible!

B-3 V brings this classic combo — complete with the inherent imperfections that made that tonewheel technology sound so unique — to the present-day desktop as an AAX-, AU-, VST-, and VST3-compatible plug-in in any DAW (Digital Audio Workstation) or as a standalone version. Visually, things couldn’t get clearer, thanks to the resizable (Retina/4K-compatible) GUI (Graphical User Interface) that’s as easy on the eye as it is to use.

Under the hood, things couldn’t be better with MIDI control of many parameters and insert slots for ANLALOG DELAY, CHORUS, FLANGER, OVERDRIVE, and PHASE effects, as well as ADVANCED SETTINGS for upper and lower manuals and rotary speaker behaviour. B-3 V boasts a built-in step sequencer, allowing anyone to easily set an amount of modulation for each step of the sequence! Naturally, Native Instruments’ new NKS® (NATIVE KONTROL STANDARD) allows advanced integration with B-3 V.

All of the benefits of the original iconic instrument are available to modern music-makers with B-3V, but without the heavyweight hassles. Where anyone chooses to take it musically is anyone’s guess, but bet your bottom dollar that special sound will be being heard for many more years to come... courtesy of B-3 V!"

Arturia Stage-73 V Tutorial

Published on May 19, 2016

"The Stage-73 gives you actual authentic modeling of both Stage and Suitcase versions of the most popular electric piano on the planet —completed with unparalleled control of virtual mechanics, a complement of effects pedals, and built-in classic amps."

https://www.arturia.com/products/analog-classics/analoglab/overview

Update: And the official press release for the new Farfisa-V:

"Arturia augments Analog Classics collection with faithful Farfisa Compact series software simulation

GRENOBLE, FRANCE: music software and hardware developer Arturia is proud to announce availability of Farfisa V — faithfully modelling the famous Farfisa Compact Deluxe electronic organ with additional features from its Duo Compact series sibling — as of May 19...

Arturia’s award-winning Analog Classics family of virtual instruments recreate hard-to-source synthesizers and classic keyboards. As a worthy addition, Farfisa V virtually puts players of today in the musical driving seat with a still-sought-after sound that drove the hits of several decades: Farfisa’s famous Compact Deluxe electronic organ, one of a series of iconic instruments manufactured in Italy between 1964-1968. A staple of Sixties-produced popular music, they made their musical mark with a wider-ranging sound than that of their main VOX Continental competitor. With more bass waveforms and an expanded percussion and vibrato section sales soared.

Speaking sonically, Farfisa Compacts are almost more top octave synth-like than organ-like, thanks to a rudimentary envelope that allows for attack and decay control that went way beyond the typical organ sound of its day. Little wonder, then, that they proved popular with musicians throughout the Sixties (‘Sam The Sham’ and The Pharaohs, Percy Sledge), Seventies (Jean-Michel Jarre, Kraftwerk), Eighties (B-52s, Blondie), and beyond. But unlike heavyweight Hammond tonewheel organs, transportation to performances was trouble-free. For the fortuitous Farfisa form factor included integrated legs that could be folded up and stored within the body of the instrument itself, surely sealing many purchasing deals!

Today, though, finding and maintaining an original Farfisa has become both difficult and costly. Farfisa V solves such problems by bringing all the benefits without any of the hassles to the present-day desktop! Developed using an original hardware organ for reference, it meticulously models the original circuits and sounds of the famous Farfisa Compact Deluxe. Features from its Duo Compact series sibling are also included alongside an authentic combo amp simulation. Standalone instrument operation on Mac OS X and Windows is a given for performance purposes. Plug-in support for all major formats inside any DAW (Digital Audio Workstation) with easy MIDI-learn functionality provides hands-on control of many of its parameters and automation support for considerable creative control. Naturally, Native Instruments’ new NKS® (NATIVE KONTROL STANDARD) — allowing advanced integration with third-party software instruments — is there for the taking.

As always, recreating an instrument in software provided an opportunity to add a number of more advanced features fit for the 21st Century. Cue the special USER WAVE position, allowing anyone to create an additive waveform. Why not use the ToneDraw feature to create a new waveshape based on the graphical look of the sliders? Having modelled the original built-in spring reverb, Arturia added other reverb IRs (Impulse Responses). Reorder the additional ANALOG DELAY, CHORUS, FLANGER, OVERDRIVE, and PHASER effects. Easily-accessible individual voice tuning, PARA (paraphonic) and POLY (polyphonic) modes, ATTACK and RELEASE envelopes for upper and lower keyboards, BASS WAVE (waveform selector), TONE control for bass section, TREMOLO SYNC, and REPEAT SYNC round out this all-new Analog Classic. Hearing is believing. So is seeing, thanks to the resizable (Retina/4K-compatible) GUI (Graphical User Interface) that’s as easy on the eye as it is to use.

Ultimately, then, whether you’re set on recreating a distinctive and powerful organ sound of the past or forging ahead with a new organ sound of the future, Farfisa V does it all. But best of all... legs no longer play a part in sealing this must-have musical deal!

Sound Review Part I: Timewarp 2600 64 Bit Version by Way Out Ware

Published on Nov 12, 2014 Synth Anatomy

"Support Synth Anatomy: http://www.patreon.com/synthanatomy

This is the only ARP 2600 emulation product endorsed by its creator, Alan R. Pearlman.

By developing our own proprietary and optimized virtual analog oscillators and filters, WOW brings the most accurate digital reproduction of the 2600's fat analog sound to your desktop. All of the original control features from the ARP 2600 are there, and because you can now save your carefully programmed patches, the TimewARP 2600 is even better than the real thing!

Available here in 64 Bit
http://sonivoxmi.com/products/details..."

Sound Review Part II: Timewarp 2600 64 Bit Version by Way Out Ware

Published on Nov 15, 2014 Synth Anatomy

"Support Synth Anatomy: http://www.patreon.com/synthanatomy

This is the only ARP 2600 emulation product endorsed by its creator, Alan R. Pearlman.

By developing our own proprietary and optimized virtual analog oscillators and filters, WOW brings the most accurate digital reproduction of the 2600's fat analog sound to your desktop. All of the original control features from the ARP 2600 are there, and because you can now save your carefully programmed patches, the TimewARP 2600 is even better than the real thing!

Available here in 64 Bit
http://sonivoxmi.com/products/details..."