Equinoxe 4 live jam

YouTube via Sydreyc. Sent my way via Mr. Array: "Per Kristian is the dude on the left playing the Synthex."
Video description:
"Me and a friend of mine is playing Jean Michel Jarre's Equinoxe 4, totally live and without rehersal :)
Instruments used are:
Access Virus TI
Roland D-50
Eminent 310 U
Elka Synthex
Mooog Etherwave Theremin
Roland TR-909"
perkristian

PERKRISTIAN.NET

This one in via Mr. Array.

"Anyhow, this guy named Per Kristian used to be a regular on the Harmony Central forums a while back. He's really a wizard in sound design and has some FANTASTIC Jarre covers up on his site. There's also lots of cool demos and patches for download. I really haven't seen him online anywhere in the last couple of years though. :("

Note the ELKA Synthex with an ELKA stand.

Eminent 310 Unique in Jean Michel Jarre songs

YouTube via RadekTymecki. If you know more about this synth organ, please comment.

Update via hugo in the comments:
"Here there are some resources:
http://www.perkristian.net/Eminent_310_Unique.htm
http://www.xs4all.nl/~jschurer/eminent/index.html
http://www.soundonsound.com/sos/may07/articles/eminent310.htm
http://www.jarrography.free.fr/details_equipement_audio.php?id_equip=9

As a teaser:) I'm working (it's been 4 months now!) on an Eminent 310 emulation in NI Reaktor 5 with the help of Radek himself. No samples yet because I don't have a website (what a shame!)

But be sure to check NI Reaktor user's library for it. I did a ARP Solina emulation and this is sort the same league. I hope to finish it by the end of the year :-)"

Oxygene Part 2 (re-recorded with freeware VSTi's)

YouTube via SplitTheBeam
"This was an experiment to find out if I could re-create Jarre's Oxygene Part 2 using only freeware VSTi plugins (this is a recording I made using Cakewalk Sonar 4). None of the sounds I have used come from commercial applications, they are all freeware and cost me nothing. My respect and admiration goes out to the people who created these plugins. There are NO samples taken from the original recording. This recording runs about 5 bpm faster than the original.

For the general Pad sound I used the J M Jarre Pad setting on the SuperwaveP8 VST.

The string sound is also a SuperwaveP8 preset called (not surprisingly) J M Jarre Strings. The trick with the Jarre string sounds is the phaser effect you apply to them. Jarre used an Electroharmonix Small Stone phaser, I found a pretty good emulator called the Classic Phaser* (see TECH UPDATE at bottom of page). There is also a short mixed back delay to give a feeling of openess to the sound.

The Wind sound was generated by the NK1001 VST analogue synth emulator.

All the laser shot FX were generated by using the retrofex setting on the NK 1001 then adjusting the LFO frequency pot manually to create the desired effect. Using this method you can recreate the short pings as well as the long descending tones you hear prominently in the intro. To complete the effect I passed it through a stereo delay, dry sound 100% to the left, delay feedback 100% to the right. This makes the laser sound skip across the speakers like the original.

The bass sound was created using a VST called Transcender with a short delay so the bass notes bounce back. This underpins the rhythm.

The intro sequence was created using the KaoS VST sine-pad. However, three notes from the sequence are picked out and played on the Transcender bass set up only in a high octave, this sound is run through a delay to give it the spacey beep you can hear mixed in with the main KaoS sequence. The advantage of this is you can keep the beep going after the intro sequence has faded out.

The pizzicato (or 'pluck') style sound used for the main melody in the first half is an Eminant 310 sound font played through a sound font player. The font came from a thread on BlahBlah café, a discussion forum dedicated to Jarre and his music. The font player I used was the Fontaminator.

BlahBlah Café was also the source for the Korg Minipops 7 wave files. This came as a complete set of individual sounds that I loaded into the SR 202 drum machine VST.

The flute sound used for the main theme in the second half is created by the Synth1 VST. This uses a similar delay to the bass sound only slightly longer causing the main sound to hang back off the rhythm. The effect of this is a more organic feel to my performance. The real genius of Jarre is his ability to make electronic music sound so expressive.

The french horn type sound under the flute in the second half of the track is made by the Crystal1 VST.

The Mellotron choir at the end is made by the MellowSound VST, an excellent Mellotron emulator.

The sea-shore effect under the second half of the track is the General MIDI standard sound preset 122, any number of freeware synths will give you this effect. I simply used the MIDI voice on my sound card.

The key to creating Jarre sounds is in the work you do to the finished track. Once you have got the sounds close enough you can add effects and EQ, also the final mix will change how they interact and behave sonically. Dont be afraid to experiment and try things out but most of all, enjoy.

*TECH UPDATE: If you are looking for the Jarre string sound I've found some great resources. The Nomad Factory have ceased support of their 'Warmer Phaser' and have made it available as freeware. It has an adjustable valve simulator which creates fantastic warm tones just like the Electroharmonix Small Stone phaser. Used in conjunction with an Eminent 310 string sound font or the Stringer VST (also freeware) it's possible to create an exact sonic replica of the sound Jarre used on Oxygene.

Eminent 310 soundfonts can be found at www.perkristian.net/Eminent_310_Unique_S oundfonts.htm

(the Oxygene pt. 2 'pluck' soundfont can also be found here).

A BIG thank you to the wonderful people involved with this project for keeping the 310 sounds alive, I strongly recommend you check out the rest of the website dedicated to the E 310!"