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Showing posts sorted by relevance for query sonic state. Sort by date Show all posts

Monday, October 31, 2005

Happy Halloween! Sonic State Turns 10! Happy Birthday Guys!

Just got my Sonic State new letter and read this little bit:

"10 Years On
Coming up to our 10th year on-line I was feeling a little nostalgic and found a fun resource for seeing what was going on on the site 10 years ago today.
Take a trip down memory lane.."

Congrats Sonic State! I can't overstate what your site means to me. It's where it all really began for me. In 1986 I bought my first synth, an Oberheim Matrix-6. I saved for nearly a year and combined birthday and christmas presents with a lot of begging to get it. I went off to college, got a job and then realized, hmm... I wonder what's going on in the synth world nowadays. A friend talked me into getting a Prophecy at the time and getting back into synthesis. So, I started looking. I ran into a little site called Sonic State, which became home to me. I set up matrixsynth.com as my portal in October of '97 and put Sonic State on the top of the list. It has sat there unmoved since.

I also became active on the-gas-station and hung out on The Olde Oberheim Abbey with people I fondly remember like Steveo (still active), AdamT, Kitty, Consequence (now Moogulator of the great Sequencer.de) and of course the infamous B3Tech, and the seldomly seen Seldom Seen Slim. Man I miss his posts. If I remember correctly even some of the analog gurus like Mark Pulver and MC posted often.

Anyway, those were great times. Sonic State is still going strong and I wish them another successful 10 years. Happy Birthday and Happy Halloween! What a day for a birthday. : )

Wednesday, January 20, 2010

NAMM: WNAMM10: Tip Top Techno


via Sonic State - Tiptop Audio

Update: Just a note... I went back and updated all of the embedded Sonic State synth coverage video posts here with larger versions. Also, the link to Sonic State in each post will take you to Sonic State where you can find the write-up. Be sure to check out the rest of Sonic State's NAMM coverage for more.

Monday, April 27, 2009

Sonic State "How Do You Juno?" Panel Discussion


YouTube via iloveanalogue. follow-up to this post where you'll find the two vids below originally posted.

"This is an excerpt from the Sonic State podcast from 22 April 2009. In it, they discuss the Roland "How Do You Juno?" contest, as well as Juno synths in general, and the entry performed by Robbie Ryan. You can read more about the contest at http://www.rolandus.com, or the YouTube group
http://www.youtube.com/group/howdoyou... You can also find out more about Robbie Ryan at http://iloveanalogue.blogspot.com or http://www.myspace.com/robbieryanmusik Sonic State can be found at http://www.sonicstate.com You can also follow Robbie Ryan at http://www.twitter.com/robbieryanmusik"





This is How I Juno

Thursday, July 24, 2008

Nick Batt/Sonic State @ Synth-DIY 2008 Cambridge/UK


Nick Batt/Sonic State @ Synth-DIY 2008 Cambridge/UK from Noiseconformist on Vimeo.
"Nick Batt/Sonic State fiddling with a lovingly restored Jen SX1000 on Synth DIY 2008 in Cambridge/UK. See also: sonicstate.com/news/by_man.cfm?manid=0&m=Synth%20DIY

Wednesday, August 06, 2008

New YouTube Audio Compression Image

This post updated with a graphic of the compression from Sonic State. See Sonic State for their notes on it. And of course, don't forget Sonic State TV for video hosting. I'm moving my videos there as well.

Wednesday, August 30, 2006

Korg X5D 10 Years and Running


So I get a zZounds newsletter and in it I see the Korg X5D listed. Scratching my head, I'm thinking, "how old is this friggin synth?" I head over to Sonic State and I find the X5D review page. According to Sonic State, it's been around since 1996. 10 Years! That's crazy! I'm thinking maybe they just have a bunch of old stock to get rid of and I head over to Korg. Sure enough it's listed as a current product. Think of how many synths the X5D has outlived. Bizarre. So... My question to you is, are there any longer running synths out there aside from the Minimoog? Is the X5D actually set to beat the Minimoog's record of 12 years? It's bizarre that out of all synths in the last decade, it's the Korg X5D still out there. I wonder how many were produced.

Update: Make sure to check out the comments for more, but so far we have:

GRONDO 2001: "Yamaha is still making its VL70m- which I think is even older!" Looks like it matches it - also released in 1996 according to Sonic State.

Anonymous: "Alesis is still making the SR-16 drum machine and that is like 15 years!" According to wikipedia (sorry reed : ) ) it was released in 1991.

cornutt: "If memory serves, the EML 101 had a production run of about 12 years. I'll check that tonight."

the world of next tuesday: "I'm surprised no one says EMS VCS-3. Though apparently there were a few years when the company might have been out of business and the waiting time to get one has been several years for years, nothing touches it within a decade or 2 (1969 - beat that Korg!) with the runner up being the EMS Synthi A."

Saturday, January 21, 2006

GMedia Flashes a Boob on Sonic State

Nice! Man I love Sonic State. In the latest issue of Keyboard Magazine there's a small bit asking why no one has come out with an Oberheim soft synth yet. Well.... Looks like this might be it. : ) Title link takes you to a clip on Sonic State where GMedia accidentally flashes the SOB pictured below. GMedia rules. I have their impOSCar and Oddity, both great and affordable soft synths.

Monday, May 14, 2007

Top 20 Wierdest Instruments On Sonic State

"Voting starts today as we countdown towards our next IPTV series, the Top 20 Weirdest Instruments. And it's not just synths - you can vote for acoustic instruments, outboard effects, circuit bendery, software, even toys - in fact anything that makes a sound and is truly strange will be considered for the shortlist.

Sonicstate.com has featured lots of strange instruments in news stories and videos from NAMM and MESSE, as well as frequent visits to Jack Waterson's Future Music shop in LA. So what is the attraction of weird technology? "Everyone is fascinated by odd-looking gear that makes weird and wonderful noises," says Simon Power who produced the recently broadcast 'Top 20 Greatest Synths' IPTV series, "when you hear something new and different on a recording it really makes you sit up and listen. We'll be featuring some very leftfield gear in this show. And now that it's possible to emulate lots of these sounds, I think it's interesting to see the hardware origins. Hopefully the programme will inspire the viewers to seek out some of these amazing instruments."

The series will feature more exclusive interviews with producers, musicians and users as well as instrument demos and film footage. "This series is less chart-based than 'Top 20 Greatest Synths'. It will have a different feel to it with a lot of emphisis on the instruments," says Power. "We've already lined up some interviews that I'm really excited about. I can't wait to get started. It's great fun putting these series together for Sonic."

"We always try to push the boundaries a bit, but we were really surprised by the popularity of the show, adds series cameraman and Sonicstate co-founder Andy McCreeth. "It was interesting to see how passionate some of the chatroom discussions about chart positions were too We'll be interviewing more musicians, producers, and hopefully some of the inventors behind some truly oddball instruments - I'm really looking forward to it."

As usual the shows will be presented by 'Professor Marc Norris' who's eccentric comments and links became a feature of the recent Top 20 Synths series. But how did he get involved with Sonic State? "Those fine fellows at Sonic found me on YouTube drifting around in Cyberspace," said the Professor (AKA actor and comedian Marc Norris), "I've always had a great passion for electronic music and I was very excited about being asked to present the show."

The Top 20 Greatest Synths links were recorded at the Sonic offices in a single day as Marc was due back on stage for an evening performance. "It was all a bit of a rush, but I had great fun working with Simon and Andy. We had a script but we sometimes just wandered off to see where it would take us."

And what can we expect from the professor in the new series? "I think we'll be seeing more facets of the professor's twisted personality. He's a great character to play with, but leaving him behind at the studio is becoming more and more of a struggle for me!"

The weird instruments to be included will be decided by a combination of voting and the choices of the people interviewed. There will also be suggestions from the Sonic staff and a few unexpected surprises thrown in for entertainment value!

So vote now for your top 3 weirdest instruments of all time, and remember, it's your vote that counts!

Links
Weirdest Instruments Voting
Top Twenty Synths"

Saturday, April 14, 2007

The First Synth to....

Update: The new home for this list is now here. You can add to the list there or comment here and I will update both lists. Note that the complete list however will be there as I do not plan on updating this list with updates made there. That would be too much work and would compete with me being able to put up new posts here. Can't let that happen. : ) Related but separate from that list also see https://120years.net. That said...

If you are going to add to the list in the comments, use the same format.

Year - Manufacturer - Model - First at
1837 - C.G. Page (Salem. Mass) - first to produce electronically generated sound (not necessarily associated with a musical instrument). After inventing the Volta in 1800 (an early battery), in 1837 Page was doing experiments with coils and realized when certain coils were attached to a batter they omitted a ringing sound. While he initially thought the ring came from the electrical current was interrupted (battery disconnected), what was actually taking place was the induction through the coils was causing them to vibrate. via Peter Grenader
1885 - Person and Ernst Lorenz -'Elektrisches Musikinstrument' - the first musical instrument designed to produce electrically generated sound. It used electronic vibrations to drive an electromagnet that were connected to resonating boards, which translated these vibrations to sound. via Peter Grenader
1897 - Taddaeus Cahills - Telharmonium - electromechanical instrument.
1936 - Oskar Sala - Mixturtrautonium - first synth using Subharmonic synthesis
1939 - Homer Dudley invents the Parallel Bandpass Vocoder (VODER) - A manually key operated speech synthesizer
1940 - Homer Dudley invents the The Voder speech synthesizer - A device which used the human voice and an artificial voice to produce a composite
Both were researched as a way to transmit speech over copper wires (id est, telephone lines)
1948 - Hugh LeCaine - Electronic Sackbut - First voltage-controlled synthesizer
1948 - Dr. Raymond Scott - Wall of Sound - First polyphonic Sequencing Worstation (electromechanical) and the Electronum - first sequencer.
1950 - CSIR - Mk 1 - The first known use of a digital computer for the purpose playing music
1956 - Louie and Bebe Barron - Produced the first all-electronic musical score for a major motion picture - MGM's 'Forbidden Planet'
1957 - Max V. Mathews at Bell Labs - MUSIC - the first digital synthesizer. Technically, it was a computer program, though it set the stage for every digital synthesizer that proceeded it. See Laurie Spiegel with one here.
1963/64 - Buchla - model 100 modular - 1st "modern" modular synth
1967 - Moog - Moog modular synthesizer I, II & III - 1st commercial modular synth.
1969 - EMS - Synthi VCS-3 - first non-modular mini-synth
1970 - MOOG - Minimoog - 1st Mono Synth with keys (non-modular)
1971 - Tonus/Arp - Soloist - 1st preset mono synth
1971 - John Chowning - developed FM synthesis using the MUSIC-IV language (source), a direct descendent of Mathew's MUSIC program. FM synthesis was later licensed by Yamaha, and used in popular synths such as the DX-7.
1972 - Triadex Muse - first digital synth
""is the first digital musical instrument and was produced in 1972. It was
designed by Edward Fredkin and Marvin Minsky at MIT. It is an algorithmic
music generator: it uses digital logic circuits to produce a sequence of
notes based on the settings of various parameters. It has four small sliders
in that control Volume, Tempo, Pitch, and Fine Pitch. It is not known how
many were made, but they are considered extremely rare.
The Muse is the subject of U. S. Patent 3610801"
1973 - Coupland Digital Music Synthesizer - First Digital (Triadex beat it?) Update via Peter Grenader: "No time to read through all these posts to see if it's come up yet, but the Coupland was vaporwear...it never existed. I met Mark Vail, who's now a friend, by writing him a letter informing him that his story about the Coupland in his Vintage Synthesizers book (GREAT book) which mentioned it's only recorded showing was at the AES show in LA in 1978 was a farce. I was there - at their booth and their suite in the Hilton where the instrument was said to be. I was there on the first day, I was there on the last day. The only thing they had was a small model - about six inches across, sitting on a table. The booth was amazing - this radial orb multiple people could sit in, with a cover that came over each person which played what I remembered was a very impressive demo which swirled around four speakers inside the box. I, and everyone else, were blown away. They kept saying...'it will be here tomorrow, it'll be here tomorrow'...so I showed up the last day just to see it, figuring by the then it would have arrived...it didn't. I did see the frst Synthclavier at that show however. Their suite was across the hall from the Coupland folk. That completely kicked the crap out of everything else shown that year."
1973 - Dartmouth Digital Synthesizer - NED - Synclavier prototype - first digital synth
1974 - Roland - SH-3A - first commercial additive synth
1974 - RMI - Harmonic Synthesizer - first commercial additive synth
1975 - Buchla 502 - six voice polyphonic with minicomputer and ability to save patches to tape drive. Development on the 500 series began in 1969.
1975 - Oberheim FVS - four voice polyphonic with Polyphonic Synthesizer Programmer. Not sure if the Buchla 502 or FVS was released first.
1976 - PPG - PPG 1003 sonic carrier - 1st programmable mono/duo synth with patch memory (this, along with the model 1020, might have been the 1st synths to use DCO's as well)
1977 - Yamaha - CS50/CS60/CS80 - first single enclosure polyphonic keyboard synthesizers with the CS80 to be the first synth with poly aftertouch
1977 (late) - Oberheim - OB-1 - 1st commercial programmable mono synth with patch memory
1978 (late) - PPG - Wavecomputer 360 - 1st wavetable synth
1978 - Sequential Circuits - microprocessor control the SCI prophet 10 (briefly) and the P-5 --- again based on existing E-mu tech stuff
1979 - NED - Synclavier - First FM
1979 - Fairlight CMI - First Sampler, First Workstation
1980 - Performance Music Systems - Syntar - First self contained keytar
1982 - Sequential Circuits - Prophet 600 / First Midi Synthesizer (though some argue the Prophet 5 rev 3.2 is pre-MIDI MIDI)
1983 - Yamaha - DX7 - Digital takes over, FM goes mainstream
1983 - OSC - OSCar - First real-time additive with analog filters
1984 - Sequential Circuits - SixTrak - first multitimbral
1985 - Casio - CZ-101 - First battery-powered all digital mini-synth
1987 - Kawai K5 and Technos Axcel - first additive synths
1989 - E-Mu Systems - Proteus - First dedicated ROMpler
1992 - Seer Systems - first host-based software synthesizer in 1992
1994 - Yamaha - VL1 - first physical modelling synth
1995 - Clavia - Nord Lead - 1st Virtual Analog
1996 - Rubberduck - still not the first softsynth but came before Seer Systems Reality.
1996 - Steinberg - VST - Ok not a synth but enabled a lot to be written as plug-ins and used simultaneously
1997 - Seer Systems - Reality - First Modular Soft Synth
2002 - Hartmann Neuron - first neuronal synth
2912 - KalQuestoTron - the first genetically engineered synth. Each cell is an oscillator, filter, and neural sequencer. Can be delivered via injection to always play 'hold music' in your head.

I thought it might be fun to have a "first synth to..." post. There's been a lot of buzz over Sonic State's Top 20 Synths of All Time with good reason. What exactly is a "top synth?" Is it it's influence on the music scene? It's rarity and lust appeal? The number of synths sold? According to Sonic State their list was the result of Sonic State reader's voting for their favorite synths. Blame the voters if you don't like what you see. Based on what has come up on the list so far, the E-Mu Proteus and Roland JV-1080 for example as well as the Roland Jupiter 8 not even making the top ten, I'm guessing a bit of it has to do with the vote and... possibly the most influential/ground breaking synths for their time. The JV1080 and Proteus? Not super sexy in this day and age, but what they offered in their time? Who knows. It's obviously subjective. But there is something that isn't. The most influential synths of all time not because they were super sexy or utilitarian, but because they offered something that was not previously available.

I thought what might be interesting to create a list of the first synths to feature a particular technology or feature. For example what was the fist synth to bring FM to the table? Was it the DX7 or a predecessor? What was the first digital synth and when? The first additive synth? I have a good idea and could probably look it all up, but that wouldn't be any fun, so.... You tell me. I am going to make this an open post that will live over time. You get to participate by putting an entry in the comments. I will update the list and when I do I will change the time stamp of the post to keep it current. That said, for the archives, this post went up with a time stamp of 4/11/07 7:20 PM PST. I'll start the list (btw, do correct me on the MOOG, what model should we be talking about here? The A, B, C or D or all of them?).

Year - Manufacturer - Model - First at
1970 - MOOG - Minimoog - 1st Mono Synth with keys (non-modular)
1978 - Sequential Circuits - Prophet 5 - 1st Programmable Polyphonic Analog
... List continues above.

Update 3/34/12: Also see the first synthesizers to offer patch storage here.

Friday, June 25, 2021

New Sonic Potions x Erica Synths LXR-02 Desktop Digital Drum Synthesizer



Priced at $589

Digital Drum Machine with 6 Drum Voices, 16-step Sequencer, Pattern Chaining, FX Section, 4 Mono Outputs, and USB/MIDI Connectivity

Revamped Cult Classic Desktop Drum Synth and Sequencer

Boutique synthmakers Sonic Potions and Erica Synths have teamed up to bring you the Sonic Potions x Erica Synths LXR-02 Digital Drum Synth. A revamped version of Sonic Potions' renowned DIY kit, the LXR-02 is a highly flexible desktop drum machine, which goes far beyond the TR-style drum machines from which it draws its inspiration. Featuring six drum voices (which are optimized for specific drum sounds), a host of modulators, a robust FX section, and a performance-oriented interface, the LXR-02 is an inspiring piece of kit that has enraptured Sweetwater’s synth enthusiasts. With its high-quality 16-bit/44kHz audio, the LXR-02 has a shockingly huge sound. And, its powerful 16-step sequencer provides eight subdivisions per step, for a massive 128 steps per track at 32PPQ resolution. The LXR-02 facilitates sonic exploration, and you can store custom kits on the provided SD card. What’s more, a unique morphing feature allows you to seamlessly crossfade between presets — perfect for spicing up compositions! And while the LXR-02’s Digital Drum Synth features run deep, it’s amazingly intuitive. You’ll be cranking out killer sequences in no time!

A sonic laboratory for beatmakers

Saturday, February 10, 2007

Sonicstate.com Airs Top 20 Synths Show On Valentines Day

Just in time to snuggle up and watch with your loved one!

"Sonic State will soon be streaming a new IPTV video show called The Top 20 Greatest Synths. The show is based around interviews with synth users and collectors like Will Gregory (Goldfrapp), Roger O’Donnell (The Cure), Ade Utley (Portishead) and Howard Jones (Howard Jones) and features footage, photos and facts about the greatest electronic instruments ever made.

”We’ve based the chart on the votes that have been coming in plus a bit of poetic license to include some outsiders, underdogs and a few surprises!”

Sonic founder Nick Batt and former BBC producer Simon Power have been pleased with the response to previews of the show already available to watch at Sonic.

“It’s basically an excuse to rant about all-things-synth in a show that’s shamelessly nostalgic about electronic music and keyboards with knobs on.”

The Jupiter 8, Korg M1, Yamaha CS80, JV10-80, SH101 and Odyssey all get featured on the chart as well as some youngsters like the Access Virus, Dave Smith’s Evolver, the Alesis Andromeda and the Korg Oasys.

“We know not everyone will be happy with the positioning on the chart, but there’s enough in the show’s to keep everyone smiling.”

The Top 20 Synths will be presented as eight 10 minute videocasts posted once a fortnight on Sonic and YouTube and at various other outlets. Then the programme will be posted in its entirety at the end of the run.

“There may be a DVD version available and we also have some TV interest. But that’s for the future!”

With their recent excellent Winter NAMM (the largest musical instrument trade show) video coverage and weekly Sonic TALK podcasts, it certainly looks like Sonic are staying ahead of the game.

“Sonic are working on a lot of new ideas for audio and visual downloads. 2007 is gonna be great!”

And what’s number one on the Greatest Synths chart?

“I can’t possibly comment, but you can still vote for your Top 3 by visiting the site, so there’s still time to change the outcome!”

The Top 20 Greatest Synths goes live at sonicstate.com on February 14th.

Link

About Sonicstate.com
Begun in 1994, the founding members came together from a wide range of disciplines.
Nick Batt from pop/dance act DNA (Suzanne Vegas Toms Diner amongst their works), Neal Slateford also from DNA, Andy McCreeth a touring musician with art rockers Blue Aeroplanes and pro-audio dealer, Dave Brown - astrophysicist majoring in nanotechnology and Eric Winbolt – a rep for EMI records.
In the ten years since then Sonicstate.com has become the primary resource for electronic music. With an up-to-date news service, essential video streaming from all the major tradeshows and now features thousands of pages on musical equipment from last century to this."

BTW, SonicState was one of the first synth sites I went to back in in 1995/96. It remained at the top of my old site's synth list starting in October of 97 until today.

Friday, October 28, 2005

Hartmann on Sonic State

Update: Some great comments in from Mike (thanks Mike):
"i can confirm this. Looks like hartmann is nearly bancrupt. The story
is that the manufacturer of the nuke controllers for the Mini neuron sold unauthorised a batch
of 600 Neuron Vs to two big german music retailers (Music store Koeln) offering the Vs for
149 Euros!. (List price 699 Euros)
hartman posted that these models are not supported and won't get neither support nor the important modelmaker software available only on registration. Hartmann took legal steps on the sales.- check the hartmann forum and KVR for more infos- You could argue what made the manufacturer sell the stuff on their own. However, the sad thing at the end is that
this incidents might have broken the neck of a very innovative company that has taken the risk of releasing highly innovative synthesizers . it made me very sad to read a lot of posts
of people getting this amazing technology for nearly nothing and still bitching about missing support! , spitting on hartmans grave in public. This sucks ass! On the other side many users offered hartmann their support in paying the difference to
the retailprice to support the companies existence or pay for future software updates. If they are really insolvent, I hope hartman find a strong and forward thinking partner whos buys the intellectual property and takes it
where it belongs: into a proper
21st century electronic instrument beyond the usual virtual-analog-substractive-additive-FM-granular-wavetasble. i played with the neuron for 2 hours at the Musikmesse 2004 and was exremly pleased with the bizarre spectrums you could get out of this beauty.
Not to mention the great futuristic design. Only the pricepoint really kept me from getting one, so i was more than thrilled when they released the Mini neuron offering this amazing technology for a sort of affordable price throwing even a controller into the Vst package.
Well, the software suffered from a few bugs and update policy wasn't really the best, but still i think it was more than worth the price if you are into experimental electronics seeking an out of the ordinary instrument & sonic playground with a different interface concept and a refreshing approach on(re)synthesis. I just love the idea being able to create a synthesis model out of any audio source and use this as a sort of oscilator model for further tweaking.
What makes this instrument very special is the realtime acces with the joystic and that very tiny movements sometimes break the entire spectrum of a sound leaving you totally stunned what is going on. this is real audio sex. So get one while they last..and support your local synth manufacturer!!!!!! in ten years they wil be worth tons of money when using them with your time frozen vintage XP VST 2 system using an open source tweaked Logic5 PC clone. ;-) .. and i will be with you then.

Best,
Mike "


Title link takes you to Sonic State's notes on the Harmann rumors going around. They also included a link to their Winder NAMM05 Video coverage of Hartmann including demos of both the Neuron Keyboard and the Neuron VS. Amazing pads in the demo.

Wednesday, June 21, 2023

Synthesizers.com Composition Contest Videos



Use the player controls on bottom to skip around.
You can find descriptions for each video below. You can find additional Synthesizers.com contest posts here.

Playlist:

1. O Z Hall: Zebra Synth
Dive into the enthralling world of synthesizers and witness O Z Hall's outstanding entry, "Zebra Synth", in the Synthesizers.com Composition Contest. Crafted with unparalleled precision and technique, this remarkable composition combines an array of captivating sounds that will take you on a breathtaking sonic journey.

Hall masterfully utilizes three distinctive patches in "Zebra Synth" to create an immersive soundscape. The first patch features a drone made using a Q106A oscillator, which is meticulously processed by a wave folder. Another oscillator, intertwined with linear FM from the wavefolder output, results in a fascinating "clang tone" that is beautifully amplified by a digital reverb.

In the second patch, a sequenced voice is artfully produced by employing two re-paneled Q106 oscillators. One output is channeled into the input of the linear FM, which subsequently provides intriguing timbral variations. The Q119A sequencer's 3rd row masterfully controls a Ratchet effect, adding even further depth to the composition. An expertly-applied digital delay effect enriches the output of this patch.

Lastly, the lead voice is ingeniously designed using the Q169 Dual Oscillator with Pulse Width modulation. O Z Hall skillfully manipulates the 24db/oct low pass filter in real-time to deliver an electrifying performance. The extended digital delay effect ties the entire sonic experience together.
O Z Hall's "Zebra Synth" draws its arsenal of modular synthesis tools from the Synthesizers.com catalog, including Q106, Q106A, Q119A, Q171, Q148, Q127, Q169, Q168, Q167, Q114, Q174, and Q175A modules. The creative process has been meticulously executed, showcasing how these modules can be combined to engineer a rich and dynamic sound adventure.

Monday, February 26, 2007

Future Music Shop Tour via Sonic State

Looks like the Sonic State guys made another visit for Winter NAMM 2007. Title link takes you to the video. Remember the visit in NAMM 2006?

Tagging this with LA and Los Angeles for my next visit.

Monday, June 15, 2009

LIMS09: Kenton Takes MIDI to Over 700 Meters


via Sonic State where you'll find the write-up. Be sure to see Sonic State's LIMS09 coverage for more.

Tuesday, February 03, 2009

NAMM: WNAMM09: Audio Impressions DVZ Strings 2.0


see the write-up on Sonic State. Quite a bit more just went up on Sonic State News. Be sure to check it out.

Friday, February 02, 2007

New NAMM Videos up on Sonic State

Synths include:

Way Out Ware KickAxxe
Arturia Origin Synth
Roland VP550 vocoder
Roland MV8800 music production

I couldn't get the Quicktime Origin video to run, but it came up fine in Windows Media Player. As always, if one format doesn't work try the other.

Previous Sonic State posts

Thursday, January 22, 2009

NAMM: WNAMM09: Akai MPK25 Once Over


via Sonic State

Be sure to check out Sonic State's News section for more NAMM coverage. I'm only putting up the synth vids here, so you are missing the other gear and written articles.

Monday, January 07, 2008

Sonic State: Inside Synthesis 003 - Modular Basics


Inside Synthesis 003 - Modular Basics
Introduction to Modular Synthesis
via Sonic State where you can find more info on this video.
This video features the prototype Mattson Mini Modular.

Friday, January 16, 2009

NAMM: WNAMM09: Muse Announce The Muse Box


see the write-up and comments on Sonic State.

Be sure to see Sonic State's NAMM coverage for more including a glimpse at GMedia's ImpOSCar 2.
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