MATRIXSYNTH: Search results for steim


Showing posts sorted by relevance for query steim. Sort by date Show all posts
Showing posts sorted by relevance for query steim. Sort by date Show all posts

Wednesday, April 11, 2012

STEIM's junXion - Data Processing and Mapping for Game Controllers & Video

what's junXion? from STEIM Amsterdam on Vimeo.


"tutorial #1 about Steim's data processing and mapping software junXion, which can be used to translate game controllers, video, osc, arduino's into MIDI and OSC messages. The tutorial is presented by Andreas Otto, a.k.a. Springintgut."

using a joystick with junXion from STEIM Amsterdam on Vimeo.


"tutorial #2 about Steim's data processing and mapping software junXion, which can be used to translate game controllers, video, osc, arduino's into MIDI and OSC messages. The tutorial is presented by Andreas Otto, a.k.a. Springintgut."

using Timers in junXion from STEIM Amsterdam on Vimeo.


"tutorial #3 about Steim's data processing and mapping software junXion, which can be used to translate game controllers, video, osc, arduino's into MIDI and OSC messages. The tutorial is presented by Andreas Otto, a.k.a. Springintgut."

using the Wiiremote as a musical instrument from STEIM Amsterdam on Vimeo.


"tutorial #4 about Steim's data processing and mapping software junXion, which can be used to translate game controllers, video, osc, arduino's into MIDI and OSC messages. The tutorial is presented by Andreas Otto, a.k.a. Springintgut."

using video tracking in junXion, part1 from STEIM Amsterdam on Vimeo.


"tutorial #5 about Steim's data processing and mapping software junXion, which can be used to translate game controllers, video, osc, arduino's into MIDI and OSC messages. The tutorial is presented by Andreas Otto, a.k.a. Springintgut."

video tracking with junXion, part2 from STEIM Amsterdam on Vimeo.


"tutorial #6 about Steim's data processing and mapping software junXion, which can be used to translate game controllers, video, osc, arduino's into MIDI and OSC messages. The tutorial is presented by Andreas Otto, a.k.a. Springintgut."

Friday, December 23, 2011

Support for STEIM

You might remember from previous posts STEIM was at risk of losing funding in the Netherlands. It looks like that will be the case. The following is a newsletter from STEIM forwarded to me from Zn'shñ.

"Dear friend,
As you probably know things are changing here in the Netherlands and it is becoming very clear that we can no longer rely on state funding to run STEIM.
We are looking for new (and old) ways for funding our safe house for live electronic music.
We don't want to close and we don't want to sell out. We want to stay open and curious and we want to still be there for you the next time you need us.
Things will change. We are trying to allow new types of ideas to emerge and avoid calcified and safe solutions.
We have always prided ourselves in being able to draw lines across disciplinary divides and see new opportunities for music. We hope that we can do the same for our organisation.
If you like what we do and want to help us do more of it - please consider becoming a Friend of STEIM.
The setup is simple. You pay 50 Euros a year, we won't beg and plead and auto renew. We will however buy you a drink the next time we see you.
Consider buying a membership for that musician in your life who has nothing. Feel free to circulate this email widely.
STEIM has always seen itself not primarily as an institution but as a cultural network. Our friends have always been what made it all possible and interesting.
Please join us and together we will play our way through.
Thank you for being a friend of STEIM.
Yours sincerely,
STEIM staff"

You can become a friend and support STEIM here: http://www.steim.org/friends/

See the STEIM label below for some posts featuring STEIM's work.

Tuesday, October 27, 2009

STEIM on Vimeo - The Night of the Unexpected

The Night of the Unexpected from STEIM Amsterdam on Vimeo.


"The Night of the Unexpected is a one night festival in which the diversity and dynamics of the contemporary music practice are fully featured and explored. The format encompasses composed classical music, improvised music, pop music, electronic dance music and performances in which music is combined with visual arts are all included.

This year STEIM was involved in two acts: the installation work PulseFF by Jan-Bas Bollen was developed by Byungjun Kwon at STEIM, and the Nono piece Post-prae-ludium No.1 “per Donau” was rehearsed at the STEIM studios. As always STEIM contributed also with providing equipment.

Video by Theo Howard"

Kassen (DJ, performer, ChucK programmer) from STEIM Amsterdam on Vimeo.


"mprovising house music with custom software and game controllers
toplap.org/index.php/Kassen

STEIM Micro Jamboree 2008
Session 5: Rhythm and Sequencing for Live Performances
Dec. 10, 2008"
via CDM

STEIM on Vimeo

Tuesday, December 02, 2008

STEIM is safe!

You might remember this post on STEIM potentially losing their structural funding from the government (see that post for more). Well, it looks like they are safe!

"Dear friends,

We have good news: STEIM is safe for now and will be able to continue doing her work.

The Dutch Council for Culture has reversed their initially negative decision. They were without a doubt impressed by the well over 1000 insightful, eloquent, personal letters of support from all over the world, which we received in just under two weeks. This, as well as some other factors, played a large role in opening their perception of STEIM's importance and contribution to our community and field.

We cannot thank you enough. You helped us realize again how extensive and faithful the network around us is. We are excited and thrilled that we can keep working with you and continue to build collaborations, connections and exchanges.

STEIM is bound for change, but we will fight to keep its spirit intact. Michel Waisvisz has left us, but along with his legacy of inventions and a very human 'touch', he has left a dynamic team behind. Under the guidance of our new director, Dick Rijken, our task is now to create a new structure that will honour both our history as an institution and look forward into the future. STEIM is what STEIM does: supporting a wide community of artists and composers, musicians and other performers in their search for great art, on stage, in the studio, in gallery spaces and on the streets. We will continue to be a safe house for an international community, bringing people together in our guesthouse and studio's.

Together with you, we aim to remain both the oldest and the youngest electronic institute in the Netherlands and are thrilled to continue working with you.

STEIM"

Friday, January 23, 2009

STEIM Announces junXion © v4

"STEIM is happy to announce the release of junXion © v4.

junXion v4 is a Mac OSX data routing application that can process 'sensors' from any HID (joysticks, mice, touchscreens), MIDI, OSC, Audio, Arduino and Video device using conditional processing and remapping, with MIDI or OSC events as its output. This resulting MIDI or OSC data is then available to any audio or music software that runs on that Mac or can be send to external MIDI/OSC devices.

junXion v4 is a system whereby the user creates so-called 'Patches'. Each Patch is a connection between a sensor input (for example: 'joystick X-axis' or Video Event Object y-position) and an Action (for example: 'convert the sensor data into midi controller 3, but only under certain conditions'). The Action is a user selectable set of conditions and actions that determine what should happen with the input-sensor's data and what kind of MIDI or OSC data should be send out.

junXion v4 features

* recognition and usage of 8 types of Input Sensors
o Human Interface Events, such as joystick X-axis, mouse scroll wheel, touch screen Y-axis
o MIDI Events, such as MIDI note events from Port 1, Mod. Wheel events from Port 2
o Timer Events, internal data generating processes, up to 100 Timers can be used
o OSC (Open Sound Control) Events via network
o WiiRemote Events, the popular Wii controllers support (on bluetooth machines)
o Audio Events, as level and pitch tracking sensors
o Arduino Inputs, simply reading the sensors connected to an Arduino board and using junXion to process these
o Video Inputs, use live video image to extract a 'Video Object' out of movement, color recognition, etc.
* being resolution independent, junXion v4 can handle any input data up to 16-bit resolution
* one Input Sensor such as 'joystick X-axis' can be connected to multiple Actions, thus generating multiple MIDI/OSC events
* multiple Input Sensors can be connected to one Action, so for example several switches of your joystick can trigger the same Action
* (auto) scaling of the incoming data
* straight mapping from the incoming data into one of the available MIDI/OSC events
* remapping of the computer keyboard and mouse to MIDI/OSC events
* creation of analog style sequencers using junXion's Timers
* MIDI output port or OSC network port selectable per Action
* the possibility to simultaneously connect up to 15 USB input devices and route them to separate or common MIDI channels/ports (for example: you can for instance 'play' Ableton Live with two joysticks and the computer keyboard)
* external MIDI input data can be merged with junXion's MIDI data or reprocessed and even turned into OSC messages
* save/recall user defined configurations
* editable table based response curves for the translation of gestures into MIDI controller data
* an extended set of data conditioners and conditional data routing (for example: passing a threshold by moving a joystick will first trigger a note and than send its further movement data as MIDI controller data)
* 'Timers' for timed data streams triggered and 'steered' by external input devices (for example: use for simple sequencing)
* 'Audio Events' as sensors, for each audio input junXion can extract the Level and Pitch to be used as input data.
* 'Video Events' as sensors, for each in junXion's video object editor definable Object you get six different input sensors, such as x and y position.


System requirements

junXion v4 runs on any Macintosh computer with OS X 10.4 or higher.

Download demo

For support on STEIM software, please visit the support pages.

Tutorial on MIDI and Music Synthesis


Buy

junXion v4 can be ordered online for € 75 at the KAGI online store.
Registered junXion v1.4 users can update to v4 for € 60.

Users with a registration code for junXion v3 can use the same code for v4 - no upgrade is necessary.

[email addresses]

> > > > > > > >
Some of the above functionality has successfully been applied in other STEIM systems for live performance: LiSa, The Lick Machine, SensorLab. The Amsterdam based STEIM foundation and its researchers have been at the forefront of the invention of physical input devices and touch based hardware and software instruments for live electronic music performance since the early 70's. STEIM's director Michel Waisvisz is one of the driving forces behind performances with free-movement hand-worn sensor/keyboard instruments and has, together with programmer Frank Baldé, designed several hardcore performance systems.
> > > > > > > "

http://www.steim.org/steim/junxion_v4.html

Thursday, May 22, 2008

Steim Needs Your Help!

via Tom of Music Thing

"Steim - the Dutch folks who make the Cracklebox and lots more besides - need folks to send emails to the Dutch government, to prove that making electronic music isn't just of interest to a 'niche audience'"

via STEIM:
"Things are not well at STEIM. We are in the danger of losing our structural funding from the government, based on a review from the advisor board which called us 'closed and only appealing to a niche audience'. The outlook isn't exactly bleak, but at the moment our future is unclear."

Click here to help. I did. There is an electronic form you can fill out if you do not have time to actually mail a letter. It took me 5 minutes. Here's what I wrote if it helps:

"Hi, I run http://matrixsynth.blogspot.com/. My site and my reader base consists of musicians, technology professionals, artists and more. Since I started the site in 2005 I have had over four million page views. I receive over 10,000 page views a day. These are actual people, not web bots. I have featured numerous posts on the Cracklebox and DIY projects. My reader base and myself value what Stein offers to the community. Many professional developers and electrical engineers are greatly influenced by the DIY community. In a sense it is where interest and careers are built in exploring various technologies and techniques. STEIM nourishes this either directly via the projects they work on or indirectly via the exposure of their projects on sites similar to mine. Young potential engineers may take their first steps after finding interest in what groups like STEIM have to offer. It has come to my attention that STEIM is in danger of losing their structural funding. Please do not let this happen."

Thanks to Tom of Music Thing for the heads up.

Thursday, June 23, 2011

STEIM At Risk Again - The new vision for Dutch media arts

Updates via the comments: scan from the NYTimes via bauke van der wal and via wtr "The message posted above is not the official letter from STEIM, they will respond after the vote in parlament this monday, this was a personal message from Jon, but still very important..." See the comments in this post for more.

Original post:

If you've been coming to this site for a while, you might recall this post back on May 22, 2008 regarding STEIM being at risk of losing it's funding. On December 2, 2008 this post went up announcing they were safe. Well it looks like they are at risk yet again. The following is the content of an email from STEIM forwarded to me by John Levin.

Subject: "The new vision for Dutch media arts"
Body: "Dear friends and colleagues,
I apologize for the mass-emailing, this is quite important. You may have heard already about the new cultural plan for the Netherlands being pushed through by the current government, a minority coalition of market liberals and conservatives backed by Geert Wilders' anti-immigration freedom party.

While all federal programs in the Netherlands are taking hit, none are being hit so hard, so disproportionately, and so directly as the arts and culture sector. Particularly disastrous will be the cuts within the arts and technology sector. All new media art institutions in the Netherlands will be completely defunded, this includes STEIM, V2, the Waag, and other institutes with long histories and international reputations. These labs provide local and international artists space and support to perform, exhibit, and develop the cutting edge new art forms of our times. Their loss will be devastating to the Netherlands' cultural scene and deeply felt throughout the international media arts world.

The funding cuts will go into effect in 2013. The government has ignored the advice of the arts council, who suggested a phased-in solution which would give artists and organizations time to react and formulate new plans. This move illustrates the underlying motives of the politicians: not for a restructuring of support for the arts, but rather a direct attack against the culture of art that has prevailed
for so long in the Netherlands. The cuts are, in effect, a cultural coup d'etat.

So, what can you do? The unfortunate answer is, not very much. The politicians are implementing this new vision of Dutch culture with a vengeance, and will probably approve the cuts during the vote on Monday. The best thing to do is spread awareness of the situation, both in the Netherlands and abroad through your networks.

There are also two petitions being circulated prior to the Parliament vote this Monday. Please sign them and share.

http://petities.nl/petitie/bezuinigen-op-cultuur-zonder-alle-feiten-nooit
(general petition, goal: 40,000 signatures by Monday)

http://www.change.org/petitions/save-dutch-media-art-orgs-govt-plans-to-slash-them-all
(specifically to support Media Arts organizations)

If you live in the Netherlands there's more you can do to help. There is a large protest being organized during the vote on Monday. According to lobbyists close to the government in the Hague, a large presence here could slow down the legislation and give arts organizations more time to develop alternative plans for survival.

More information on the protests can be found here:
http://www.marsderbeschaving.nl/
http://www.marsderbeschaving.nl/index_en.php (English)

More information about the funding cuts, particularly for art and technology institutions:
http://2010.sonicacts.com/live_reports/news/dutch-new-media-arts-organization-about-to-lose-all-funding-what-you-can-do/
http://www.mediamatic.net/page/219535/en

Thank you and please share!

Best always,
Jon
---------------==========::::::::::::::::::::::::::::-------------
Jonathan Reus
Project Manager / Workshops
@ STEIM, Amsterdam
www.steim.org"

Friday, June 20, 2008

RIP Michel Waisvisz of STEIM

"Michel Waisvisz died peacefully in his home last night after fighting the mean cells in his body for the last eight months.

He was born on the 8th of July 1949 and lead STEIM as Director for 27 years. He left us on a day when artists and friends from around the world gathered downstairs to perform for a full-house season-closing concert.

Michel was a musician, visionary and occasional gardener - touched by sound and forever happy to be surprised. He was the source of an enormous surge of energy that continues to flow through STEIM into the world.

We will miss his touch, crackle, inspiration and constant improvisation of the now.

STEIM
June 19, 2008"
YOU CAN HELP STEIM HERE
Michel Waisvisz on Wikipedia
STEIM on MATRIXSYNTH
Crackle Box on MATRIXSYNTH
Michel Waisvisz created the Crackle Box and more.

Monday, February 27, 2012

CalArts 2011 Residency - STEIM, Amsterdam, NL


Vimeo by by STEIM Amsterdam

"The 5th CalArts Exchange program at STEIM with Jinku Kim, MaryClare Bryztwa, Heather Lockie, Max Foreman and Clay Chaplin

16 Oct 2011
STEIM, Amsterdam, NL

steim.org/steim/events.php?event=471&year_archive=2011&type=1&archive=1"

Saturday, December 17, 2011

Patterns+Pleasure Festival: Moldover, Jugglers, & dj sniff

Patterns+Pleasure Festival: dj sniff

"Day 3: Concert 1
STEIM @ Frascati
Amsterdam NL
28 Sep 2011
patternsandpleasure.steim.org/2011/08/17/dj-sniff-nl/"

Patterns+Pleasure Festival: Moldover


"Day 3: Concert 2
STEIM @ Frascati
Amsterdam NL
28 Sep 2011
patternsandpleasure.steim.org/2011/08/17/moldover-us/"

Patterns+Pleasure Festival: Tom Johnson & Gandini Juggling


"Day 3: Concert 3
STEIM @ Frascati
Amsterdam NL
28 Sep 2011
patternsandpleasure.steim.org/2011/08/11/tom-johnson-us-gandini-juggling-uk/"

Patterns+Pleasure Festival: Tom Johnson & Gandini Juggling

Monday, December 28, 2009

Franck Smith solo performance @ STEIM, Amsterdam (2009)


YouTube via odiolorgnette
"Franck Smith solo performance at STEIM, Amsterdam, December 17th, during "Patterns & pleasure" event — mixing adapted turntable drumming and scratching technics on Handsonic HPD-15 w/ video-game esthetic and real-time electronic beat-making (No loops and no sequencer used here) IF POSSIBLE USE HEADPHONES WHEN VIEWING VIDEO MATERIAL OR CONNECT YOUR COMPUTER TO A QUITE DECENT SOUND SYSTEM.
........................................

Rehearsals for Franck Smith @ STEIM's "Patterns & pleasure" event (2009)


The STEIM@40! was a celebration of STEIMs 40 year history through a diverse program of events. We would like to conclude this series by looking into new themes.

"Patterns & pleasure" — From once being an act of banging on things, rhythm has evolved into something that you carefully program through sequencer based instruments. Groove becomes an interesting space where complexity and intuition intersect. So how can we imagine new tools and ways to perform this new groove? How can we bang, sculpt and structure in real-time?
........................................

N.B. The routines obtained here were partly inspired -- in their content and esthetic -- by turntablists Qbert and D-styles . Although nothing can rival real vinyl manipulation by experts, a personal adaptation of these techniques on Handsonic makes imagine new ways in real time electronics.

Material used in this video:
- Handsonic (Roland HPD 15)
- Moog Bass Murf (MF-105b)
- Lo-Fi (LF7)
........................................

See also specific Handsonic techniques on ‪http://www.youtube.com/handsonic1‬
........................................

‪http://www.odiolorgnette.com‬
http://francksmith.blogspot.com
http://www.youtube.com/odiolorgnette
http://www.youtube.com/znshn‬
‪....................................... .

Handsonic "Franck Smith" turntable adapted techniques Roland HPD-15 drums electronics percussion scratching Q-bert D-Styles STEIM Moog Bass Mur"

follow-up to this post and this post.

Thursday, October 09, 2014

Steim Summer Party 2014 (Aftermovie)


Steim Summer Party 2014 (Aftermovie) from STEIM Amsterdam on Vimeo.

"On the 18th of June 2014, STEIM invited former artistic director Jan Werner to curate the concert portion of the STEIM SUMMER PARTY. He came iup with a great lineup including Peter Kirn, Kathy Alberici and ofcourse the man himself. Next to these performances there was also the Soundart installation LINES by Ivo Bol and Katinka Marac and Tapage closed the evening with some downtempo grooves. This aftermovie includes several interviews that provide an insight into the creation process of the artists."

Saturday, February 20, 2010

Handmade Music in Steim


YouTube via behanger. via odiolorgnette
"Registratie van Olaf Bloemberg van Steim's Handmade music avond. 17-02-10

Steim's page aboot this:
http://www.steim.org/steim/archive.ph...

To contact me:
http://blogger.xs4all.nl/krooshof/con...

Olaf's topic:
http://retecool.com/post/maar-wat-is-..."

Wednesday, March 21, 2012

Sound Triangle: Amsterdam x Seoul

Sound Triangle: Amsterdam x Seoul from STEIM Amsterdam on Vimeo.


"STEIM & LIG present SOUND TRIANGLE
Amsterdam x Seoul [Korea] Experimental Music Exchange

November 2011

steim.org/steim/events.php?event=475&year_archive=2011&type=1&archive="

Sunday, October 27, 2013

STEIM Cracklebox: VLOG #4 - Kraakdoos and Modern Ruins - Rene Splinter

Published on Oct 3, 2013

"New video blog, again featuring another unusual electronic musical instrument. This time it's the 'Kraakdoos', or 'Cracklebox'. Designed by late Michel Waisvisz from STEIM Foundation Amsterdam, generating sounds by disturbing the electronic circuitry of the device with the skin of your fingers.

More info:
Michel Waisvisc:
http://www.crackle.org

STEIM Foundation:
http://www.steim.org

The track "Modern Ruins" features on my album 'Modern Ruins' (2013). It's available at Groove Unlimited by following this link:
http://www.groove.nl/jump2.php?artnum=gr-199

Please subscribe to my channel if you like.
Also, please check out Facebook for updates:
http://facebook.com/renesplinter

You can find my regular website here:
http://www.renesplinter.com"

Monday, December 14, 2009

STEIM@40! Last event: Patterns & Pleasure

"STEIM@40! Last event: Patterns & Pleasure

Martin Brandlmayr / Percussion and computer
Pierre Bastien / Self-made mechanical instruments
Franck Smith / Handsonic and effects
dj sniff / Turntable and computer

The STEIM@40! was a celebration of STEIM’s 40 year history through a diverse program of events. We would like to conclude this series by looking into new themes.

From once being an act of banging on things, rhythm has evolved into something that you carefully program through sequencer based instruments. Groove becomes an interesting space where complexity and intuition intersect. So how can we imagine new tools and ways to perform this new groove? How can we bang, sculpt and structure in real-time?

Come join us to see 4 solo musicians – all virtuosic and unique in their ways to generate rhythm.
Thursday, Dec 17 2009
Doors open: 20:00
Concert starts at 20:30
Charge: 5 Euros"
via facebook

Monday, September 28, 2015

Upcoming Sound Labs at Amsterdam Dance Event Oct 14 - 18

Workshops at this years' Amsterdam Dance Event currently include Moog, STEIM, Ginko Synthese, and Falafular Synths. Details follow.

ADE Sound Lab: a modular synth heaven

"The modular synthesizer has always been an integral part of dance music, and ADE Sound Lab will shed a light on its heritage during a three day modular synth bonanza.
If you're planning on visiting ADE Sound Lab make sure to grab the annual ADE Card, which allows you to access MusicTalks and live performances.

Modular synths have been on the rise of late. Their new found popularity boosted the modular market in unforeseen ways. The market has spiked like never before, and there are ever more and more musicians, artists and producers making their own modular set up in search of unique sounds and machinery.

ADE Sound Lab focuses on the history and heritage of synths by inviting sound designers, inventors and even some legends of the modular world to inspire you with talks, workshops, performances and a Modular Market. By exhibiting the latest inventions in (modular) synthesis ADE explores the realm of the development of new electronic instruments, (modules for) modular synthesizer systems and audio installations, as well as innovations in the field of image and visualisations of sound. Amongst other work, ADE Sound Lab introduces the Modular Expo.

Do It Yourself Synth Building Workshops
You can not only play around with existing modules and modular systems, but you can also build your own synthesizer. ADE Sound Lab offers several Do It Yourself workshops, some free of charge, others for a fee. The latter will ensure you can take your brand new, playable synth back to your home studio.

Moog’s Chris Howe will head the workshops on Thursday and Friday. Friday will see a workshop that will be led by STEIM - Hypothetical Instruments, which will focus on the future of electronic music, what instruments will be needed and how we will correspond with those yet-to-be-invented modules. On Saturday, the DIY Workshop will be hosted by Ginko Synthese who will let you build your own synth with their very own DIY kits. They’ll even let you make a case to harness the instruments. Falafular will host on Saturday. If you like to learn more about prices and workshop registration, keep a close eye on our website and the respective event pages.

Workshops
Moog Werkstatt by Chris Howe (Moog Music Inc, US)
Werkstatt Workshop provides a way for synth experts and novices alike to explore subtractive synthesizers. Through hands-on instrument modifications, participants will learn the fundamentals of subtractive analog synthesis and the control voltage paradigm. Analog synthesizers have long had their own maker culture born of curious engineers, physicists and hobbyists who have created and crafted their sounds through electronic experimentation. It is our goal to share our love for learning, music, and electronics by encouraging everyone to create the world they want to hear, one mod at a time.

STEIM - Hypothetical Instruments
In this workshop you can design machines for creative expression. Working with low and no-tech, you’ll build non-functional instruments aimed at inventing the music machine of the future. By taking as a starting point how an individual imagines the experience of playing electronic music, we will spend the afternoon making the perfect machine or instrument for that person. This process is directly informed by the designers and researchers from Native Instruments, Johannes Kepler Universität and STEIM, with the goal of making instruments that are positioned on the bleeding edge of technology.

Ginko Synthese
Ginko Synthese, the braindchild of Jan Willem Hagenbeek, aims to close the gap between the stage and the studio. At ADE Sound Lab they will be presenting easy to build cheap DIY kits. The components are available at a reasonable price. The popularity of these kits is currently spreading across the world fast, meaning that a lot of new user codes are becoming available almost weekly. You can use these modules as granular oscillators, wavetable oscillators, drum synths and even as clock sources just by uploading a different code.

Falafular Synths
Falafular is the SDIY brand that enabled Falafelbiels (Niels Kloet) to build himself a fabulous modular synthesizer. The ’S’ in SDIY stands for soldering, and Niels Kloet will show you the nit and grit of Do It Yourself synth building.

ADE Sound Lab is organised by ADE, in cooperation with Creative Industries Fund NL, the Dutch fund that offers sound pioneers and innovators an opportunity to demonstrate what they are working on, as well as helping them to develop their talents further in a 'hot house' environment.

ADE Sound Lab
Dates: Thursday Oct. 15 - Saturday Oct. 17
Time: program starts at noon
Venue: Compagnietheater
ADE Sound Lab is a free program (except for the ADE MusicTalks series and live performances, free for ADE Card holders, also accessible for 1 & 5 Day conference ticket holders)."

Monday, May 30, 2011

BEAM FESTIVAL

"24-26 JUNE 2011

Sarah Nicols and her colleagues at Brunel University are hosting their first edition of the BEAM Festival (Brunel Electronic & Analog Music Festival) between 24-26 June 2011. The program features some of the best in today’s experimental electronic music including Tim Exile, Stelarc, Jennifer Walshe, Leafcutter John, Philip Jeck and more. STEIM is a proud partner of the festival, contributing to the concert and workshop programs. Check out the line-up, and participate in the festival!

http://www.beamfestival.com/

Brunel University, Uxbridge, West London, UB8 3PH

BEAM is a high-tech music weekender, an experimental playground of homemade instruments and sonic robots. Featuring three days of performances, installations, discussions and workshops, BEAM explores the physical virtuosity of electronic music; everything at BEAM moves. An international line-up curated for veterans and beginners alike, BEAM takes place at Brunel University, NW London (Metropolitan Line).

Tickets and programme at www.beamfestival.com

Festival pass £25 - ONLY £50 with accommodation until 9 June
Day passes from £10 Sunday, £15 Friday and Saturday Concessions available
Workshop tickets now on sale for Tom Bugs, STEIM & Dirty Electronics

Festival Highlights include:

PERFORMANCES

Stelarc and Jennifer Walshe; Chikashi Miyama (Angry Sparrow); Sarah Angliss; Ryan Jordan; Leafcutter John; Tim Exile; Stephen Cornford; Atau_and_Adam; Alex Nowitz; Philip Jeck; Tim Exile; DJ Sniff; STEIM and more

WORKSHOPS

Build your own WOM (simple electronic noise synth kit ) with Tom Bugs; create a Cracklebox with Daniel Schorno of STEIM; Dirty Electonics with John Richards Plus free workshops: Psychedelic Goggle with Ryan Jordan; AV Micro-Controllers with Chikashi Miyama and Music from Motion with Sarah Angliss.


INSTALLATIONS

Installed work by Aleks Kolkowski, Ray Lee and BEAM OPEN SPACE artists; Sonic Picnic with Paul Whitty & Felicity Ford; SARC's brain-powered sleepover on Saturday night - bring a sleeping bag!

See the website for full programme details and tickets www.beamfestival.com

BEAM Festival is funding by Arts Council England¹s Grants for the Arts."

This one in via brian comnes.

Saturday, February 03, 2018

STEIM's TriggerSequencer Prototype - First Eurorack Module from STEIM


TriggerSequencer from STEIM Amsterdam on Vimeo.

"prototype of STEIM's first Eurorack unit, a 4-track, 8 steps variable gate sequencer."

Tuesday, April 25, 2017

STEIM Cracklebox | 2005 edition #287 of 500

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"From the STEIM Website, by way of introduction:

'Welcome to the world of Crackle.

Michel Waisvisz designed and built the very first Crackle circuit in the late 60ties together with Geert Hamelberg. This was simply a wooden frame with some print boards mounted rear-side up to be touched by the fingers. The circuits were ‘malformed’ oscillators that were very unstable and highly sensitive for finger connections. The Crackle circuit, as well as the powered speaker box, were battery powered to avoid hum and repeated exposure to dangerous electrical shocks. In 1973 Michel Waisvisz joined STEIM and started working on more touchable electronic instruments together with Peter Beyls, Nico Bes and Johan den Biggelaar, and by the mid-seventies they had created both the ‘Crackle Synth’ and the ‘Crackle Box’...'

I bought this item from STEIM in 2005 when I was in a band, doing this kind of stuff. I'm not anymore but I do need cash to pay the rent, so I'm going to let this delightful and crazy machine go to someone who'll use it for what it's meant for, which is making weird electronic music.

The cracklebox is a beautiful thing. The wooden case feels amazing in the hand, and this example, mine, is in perfect nick. I treasured it and kept it safe from knocks or scratches. The playing surface is so tactical. Anyone who sees it, has to touch it. And anyone who touches it, smiles when they do as it responds to every nuance of movement. Now, I used to mic this up and run it through an ableton channel - I've seen folks add an audio out for a 100% wet line, I always meant to do that but never did, it worked just fine in the air - this cracklebox is 100% original and unmodded. It's lovely the way it's meant to be.

It's also 100% functional. It takes a little learning what that means; the cracklebox is a strange beast, but she'll reward your investment and give you back more than you give.

If you're looking for a way to set yourself apart, then this box will turn heads wherever and however you play it."

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